zhangyue wrote:
David, What is other camera? it is very difficult to guess here with so few information.
That was the test Michael, to discern which image was from the 645D, not knowing the detail of either camera or lens used! Nice monochrome image by the way
---------------------------------------------
adamdewilde wrote:
Without looking, wouldn't it be image B?
Without looking?
...OK, Image A was a Pentax K-1 with the FA77 f/1.8 Ltd lens at f11
Image B is the P645D with the manual focus A75 f/2.8, also at f11
lenticular11 wrote:
That was the test Michael, to discern which image was from the 645D, not knowing the detail of either camera or lens used! Nice monochrome image by the way
---------------------------------------------
Without looking?
...OK, Image A was a Pentax K-1 with the FA77 f/1.8 Ltd lens at f11
Image B is the P645D with the manual focus A75 f/2.8, also at f11
I prefer the colour from the P645D in this case.
Haha, if I know the other is FF, I can easily spot it by format ratio
Recently picked up a Pentax 645z here on the B&S board. Took it out on a trial run....love this thing.
Many years ago, all of my commercial work was done with 6x7 format on slide film. Although the 645 is a cropped version of what I used to shoot, still love it over the 35mm full frame.
BJNY wrote:
Beautiful....may I know which camera+lens, please?
Thanks!
That is with 70 Summarit and S006. I stitched two more image at side to adding more environment to the images. 70 Summarit's rendering is best of S glass or any 50mm Lens I feel though slow at f2.5.
---------------------------------------------
transientgolf wrote:
@zhangyue@ - Really cool image!
Thank you very much for the comment.
Here an another with 100 Summicron S and S006.
I re-read a lot of books about Ansel Adams last year. And also visited San Jose MOMA exhibition: 'Fragile water' last month. Get inspired. With that in mind, I editing those images in BW. Hope you like them. I would say they are much nicer viewing on my computer. There is no full black with much rich tone in shadow. I also want say that having a bright, nice OVF is an asset during these captures. I have other system with me, but didn't use it under that condition.
