Tilt-Shift Construction Site (Singapore)
/forum/topic/788131/0

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ClintCritchlow
Registered: May 28, 2008
Total Posts: 67
Country: United States

Construction happening at Sentosa Island, Singapore. Taken with 40D and TS-E 90mm.



ClintCritchlow
Registered: May 28, 2008
Total Posts: 67
Country: United States

Two cranes.



Todd Warnke
Registered: Sep 04, 2006
Total Posts: 1886
Country: United States

Very well done.



Matt Leitholt
Registered: May 27, 2008
Total Posts: 2143
Country: United States

Great shots! The TS really adds interestingness to a normally boring photo.



Jacob D
Registered: Mar 30, 2009
Total Posts: 249
Country: United States

Cool stuff. They've got that miniature feel to them. I liked them all except the 1st.



ksoze2507
Registered: Jul 31, 2006
Total Posts: 302
Country: United States

These shots are always so interesting to me. Jacob pointed out that the T/S used on scenes like these make them seem like shots of miniatures, and I feel the same way. But I can't really articulate WHY this effect makes these scenes look like pictures of miniatures...

Clint--nice shots, BTW.

--B



john_edwards
Registered: Jun 30, 2005
Total Posts: 1160
Country: United States

ksoze2507 wrote:
These shots are always so interesting to me. Jacob pointed out that the T/S used on scenes like these make them seem like shots of miniatures, and I feel the same way. But I can't really articulate WHY this effect makes these scenes look like pictures of miniatures...

Clint--nice shots, BTW.

--B

The average Joe taking a photo of his train set will not have a tripod, will not have proper lighting so his camera defaults to a wide aperture with the corresponding lack of depth of field. You must have seen these types of photos to make you feel this way. Personally they make me cringe, because it makes a terrible photo. But thats just me because I still remember the first magazine rejection I received back in 1987 for model train photos. I'll enclose a "correctly done model train shot. Its about 1 foot in front of the camera, the back wall is about 18 feet away.

Now even though I cringe I still like Clints photos, they are neat.

John



ksoze2507
Registered: Jul 31, 2006
Total Posts: 302
Country: United States

john_edwards wrote:
ksoze2507 wrote:
These shots are always so interesting to me. Jacob pointed out that the T/S used on scenes like these make them seem like shots of miniatures, and I feel the same way. But I can't really articulate WHY this effect makes these scenes look like pictures of miniatures...

Clint--nice shots, BTW.

--B

The average Joe taking a photo of his train set will not have a tripod, will not have proper lighting so his camera defaults to a wide aperture with the corresponding lack of depth of field. You must have seen these types of photos to make you feel this way. Personally they make me cringe, because it makes a terrible photo. But thats just me because I still remember the first magazine rejection I received back in 1987 for model train photos. I'll enclose a "correctly done model train shot. Its about 1 foot in front of the camera, the back wall is about 18 feet away.

Now even though I cringe I still like Clints photos, they are neat.

John


Ah, that makes sense. Thanks, John.

--B



jdpage
Registered: May 01, 2008
Total Posts: 153
Country: United States

I'm planning on rentaing a t/s lens sometime soon. The only one I don't care for is the first, only because the focus is running "through" the image, and it just seems strange. The others are great.



Jacob D
Registered: Mar 30, 2009
Total Posts: 249
Country: United States

ksoze2507 wrote:
These shots are always so interesting to me. Jacob pointed out that the T/S used on scenes like these make them seem like shots of miniatures, and I feel the same way. But I can't really articulate WHY this effect makes these scenes look like pictures of miniatures...

Clint--nice shots, BTW.



The reason they have 'miniature feel' is that DOF on large objects from such a distance is impossible under most 'normal' situations. Your brain knows this tells you that the objects are smaller. The vantage point from above helps drive it home.



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