Simple enough...post examples of images taken that otherwise couldn't have been without IS or a tripod available (shot using IS, of course). The question is not what you can do for IS, rather what can IS do for you!?

I can't get you distinct pictures, but if one goes to my flickr account (www) and looks at my recent vacation photos, most are taken with the 24-105 is lens.

A lot of the interior photos are shot at f4-f5.6, iso1600, and shutter speeds longer than 1/8 of a second. Traveling with a tripod is a pain, and IS helps a absolute ton.

D

Most of my recent pictures benefited from IS. As a matter of fact, 70-200 f/4.0 L IS is my lens of choice for low light situations (if I do not have to take "action shots"). At the same time, I also use primes without IS if I need higher shutter speed.

I posted a few of my pictures recently so I am hesitant to re-post them here. I have sharp (hand held) pictures taken at
1/15-1/20 for 135 mm
1/30-1/40 for 200 mm
1/40 -1/50 for 280 mm

I love having IS on telephotos for zoo trips and the like. I generally don't like taking a -pod to the zoo except in the off season, simply because there are too many people (especially smaller children) running around and getting in the way.

Anyhow, this is not the best example, but it is the best I have on hand. I believe this was the 70-200 f4 IS + 1.4 TC. I stopped down to f9 to get a little DoF, and the shot was 229mm (366mm effective on the 40D) at 1/20.

I much prefer to use a tripod with telephoto lenses. Even so, I would not consider buying a non-IS lens if an IS lens is available. I bought a 300 f4 L IS years ago, and use it 99.9% of the time on a tripod, with IS off.

But I recently went to my first rainforest (Madagascar), when the thick foliage made careful tripod setup time, to avoid leaves, too long to be practical, on rapidly moving lemurs.

If you do an internet search on lemur pictures; the average posted picture quality is so incredibly bad, that you can’t tell if you are looking at a lemur or a house cat! That is because the light level is so low, that hand held photography without IS is impossible, and most pictures are radically underexposed.

Below is a large lemur photographed at about 40’ away, in a fairly open area with higher light levels than the average Madagascar rainforest. It was taken at 1/125 sec at ISO 800 with no noise reduction applied. The first picture shows the overall scene, and the second 100% crop shows that the hand held lens can effortlessly resolve a single hair on the lemurs butt! Try that with a hand held non IS 300 lens! More than 90% of my rainforest pictures would have been impossible without IS.

mfurman wrote:
I posted a few of my pictures recently so I am hesitant to re-post them here.


Don't be. If someone wants to perform a search based on IS this thread will come up, the more examples the better.

IS was a lifesaver shooting in dim churches and museums in Europe. Most do not allow flash or tripods.



Basilica of the Holy Blood • Brugges, Belgium • 40D 17-55 2.8 IS USM

Here's a couple examples:

IS is helpful when the light starts dipping low:

100-400, 400mm, ISO 1600, f5.6, 1/50 sec:



and even lower, like when shooting at dusk under tree cover.

400 2.8 IS, monopod, 1D, ISO 1600, f2.8, 1/25 sec:



For longer exposures, it can help us keep the stage or people's feet steady while everything else swirls around.

70-200 2.8 IS, 1/4 sec:



Mode 2 helps for panning as well.

70-200 2.8 IS, 70mm, 1/8 sec:

http://www.fredmiranda.com/forum/topic/679313/2#6092326

Happy shooting,
Yakim.

IS can help you get more consistently sharp images, especially in telephoto lens.

M Vers:
Don't be. If someone wants to perform a search based on IS this thread will come up, the more examples the better.

Here are two examples (1.6 crop camera):

135 mm, f/4.0, 1/15 s - the light was not as good as the picture may suggest:

all pics without tripod.

1/80 sec wide open 800/5,6 +1,4X

Lars Johnsson:
1/30 sec wide open 800/5,6

Lars, the photos are great but I am also astounded by IS effectiveness of this lens. What did you support it with?

50D at ISO 3200, 100-400 at f/5.6, 1/15s handheld

Female Bobcat

Sibilant:100-400 at f/5.6, 1/15s handheld

Was it at 400 mm? Looks almost impossible to me.

Antarctic waters in a small Zodiac rubber boat. Let me assure you, it was choppy.

Sibilant:100-400 at f/5.6, 1/15s handheld

Was it at 400 mm? I had this lens for quite a while. Looks almost impossible to me.

stanj wrote:
Or even from the big boat...

Yes, it was at 400mm. I shot a big burst at max fps and this was the sharpest of the bunch. I doubt any would have been sharp without IS. I can routinely get sharp shots at 1/50 if I concentrate on good technique.

stanj wrote:
Antarctic waters in a small Zodiac rubber boat. Let me assure you, it was choppy.
Or even from the big boat...

Ariel love the stage shot. The colors and action you caught just heavenly.

burningheart wrote:
Nice shots Stan but I need a lot more assurances of choppy waters in small Zodiacs Stan that big boat looks awful familiar to me. Ioffe Akademik? When did you go?


January 2004. Landed back in Miami and the whole Janet Jackson boob scandal was just unfolding... oh how nice was 2 weeks of life in complete oblivion!

Had 15 fish, 17-40, 24L, 24-70 (destroyed), 70-200/2.8LIS, 300/2.8 non-IS, Sigma 12-24 on 1Ds with me.

burningheart wrote:
Thank goodness it wasn't as rough we had weight restrictions of carry on luggage then , so my 4 lens I took all were non IS

17-40
50 1.0 ( yes Peter the 50 1.0 you want as a backup went to Antarctica )
70-200 F4 - I wish that Canon had the IS version available when I went
400 F5.6



Ahhh, I see, that's good to know, Robert.
I shall adjust my standing offer to you for the lens accordingly.

Stan, that is such a cool series...still liking it!

Last week I went on a trip and decided to take my father's Rebel XT instead of my regular 5D. From that, I could have chosen a 17-40mm or the 17-85mm IS. I'm glad I took the 17-85mm, despite it's poor image quality:


Canon EOS350D/EF17-85mm f4-5.6 IS at 73mm f5.6 0.8sec ISO800.

This was with me holding the camera out in the plane's aisle and is five stops lower than it should be! I did a bit of post processing to pull the view outside the window using Shadow/Highlight but the original CR2 really surprised me!