Which portrait lens with 3D effect?
/forum/topic/667180/1

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AhamB
Registered: Jul 11, 2008
Total Posts: 3298
Country: Germany

europanorama wrote:
3d-lens in a cap or 3d macro lens in a cap.... real 3d not virtual... by loreo.com ALL NEW.


You will probably be banned here also, like on dpreview, if you continue to do this. Sharing experiences is good, not simply advertising. This is considered spam.



s23chang
Registered: Jul 17, 2006
Total Posts: 923
Country: United States

Paul Yi wrote:
Then, why does the review says it's so expensive?



supply and demand?

New used to be $800


You can check out the Pentax SMC 85mm 1.8 as well



Wini
Registered: Jan 25, 2008
Total Posts: 36
Country: Poland

Nikkor 200/4 AI
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Paul Yi
Registered: Dec 10, 2004
Total Posts: 4441
Country: United States

Lovely....



kennmon
Registered: Jun 02, 2006
Total Posts: 178
Country: United States

i think that the lens used is important
but the light used is just as or even more important.

its so hard to describe, choose, and play with light in order to get very specific effects outside of a studio environment



walshy64
Registered: Sep 18, 2007
Total Posts: 96
Country: United Kingdom


I need to spend more time with my C/Y Sonnar 2.8/135

Am sure if I practice I will find the correct environment to use its full potential .

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Sirfishalot
Registered: Dec 23, 2004
Total Posts: 3352
Country: United States

s23chang wrote:
$400 to $600 depends on condition and when you buy it

Paul Yi wrote:
AhamB wrote:
Which Pentax 85/1.4? There is an SMC A* version and a FA* (AF) version.

Ok, I think it's the A version that has the better reputation.
http://www.16-9.net/lens_tests/pentax85/index.html



How much is this lens going for ?
Sounds tempting...


Yeah, good luck finding one of those. Let alone finding one for less than $600.
The FA* version will easily go upwards of $1k.

JayT



Daniel Buck
Registered: Jan 13, 2004
Total Posts: 3458
Country: United States

kennmon wrote:
i think that the lens used is important
but the light used is just as or even more important.

its so hard to describe, choose, and play with light in order to get very specific effects outside of a studio environment


I agree. I think the "3d effect" that people look for is more a function of what aperture is used combined with lighting (and processing/contrast) and subject placement.

Lenses do have different looks, but if I shoot several lenses at the same subject at the same time, I'll have to look hard to see which one is which, especially on 35mm. I even have dificulty picking out which focal length was used sometimes, if a different composition or location was on different lenses. Large format lenses on larger sheets of film seem to show their 'character' much easier than 35mm lenses from what I've seen anyway. Or perhaps that's because there are a greater number of large format lenses being used that are very old, versus most "classic" 35mm lenses being 20-40 years old, using more modern lens-element configurations and modern glass.



intero
Registered: Oct 10, 2004
Total Posts: 2027
Country: United States

walshy64,

I think the problem with this image is that the top of his head is in shadow and the bush / tree is way, way too close to him. If he were sitting a bit to his right, so you could crop out the bush / tree and had some light to frame his head (very flat hair), you'd have a winner - oh, and some selectively applied USM.

-Tom



Cableaddict
Registered: Jun 10, 2008
Total Posts: 3704
Country: United States

brainiac wrote:
It seems to me that the Sigma shot above isn't quite achieving the same 3D effect as the Zeiss here because there is a touch ..... .


I'm far from an experienced pro, but I think the difference is more because of the 135mm focal length than any other factor, even though other factors such as lighting & aperture are surely involved.

Doesn't perspective play a huge role in the quality of the 3D look? (Wini's amazing shot notwithstanding.)

Also, some lenses give more 3D than others, something I wish I understood better, but it sure seems to me that a shorter FL, shot close to the subject, is the best way to emphasize 3D.

If you've ever taken a portrait with a 200mm, you know exactly what I mean. Everything flattens out.

Do folks here disagree?



mh2000
Registered: Oct 06, 2005
Total Posts: 7443
Country: United States

I haven't been shooting many portraits, but my Elmarit-R 135 is getting to be a favorite:



This image is copyrighted by the owner




I think it has a very pleasing way of rendering...


Spyro P.
Registered: Mar 24, 2008
Total Posts: 1358
Country: Australia

Heh funny that, I'm currently tossing up between my EF85/1.8 and Planar 85/1.4
One of the 2 has to go and I'm taking similar shots with both to compare.
Here is my wide open portrait test:

EF @ 1.8
This image is copyrighted by the owner

(sorry about the noise it was lightly underexposed and my 5D didn't miss a chance to punish me for it)

CZ @ 1.4
This image is copyrighted by the owner


And, just because I had it handy, a third shot with my zuiko 55/1.2 @ 1.2
This image is copyrighted by the owner


The Zeiss is certainly not a perfect lens, not my copy/adapter anyway, but at the moment it grabs me in terms of 3D. I like how it retains detail in the oof areas without distorting them like the zuiko or wiping them out completely like the Canon. Notice how with the Zeiss you can still see the stripes on the suit, even if the dof is thinner? The CZ is more... real if thats the look you're after.

Cheers,
Spyro



mawz
Registered: Sep 11, 2005
Total Posts: 4631
Country: Canada

Sirfishalot wrote:
s23chang wrote:
$400 to $600 depends on condition and when you buy it

Paul Yi wrote:
AhamB wrote:
Which Pentax 85/1.4? There is an SMC A* version and a FA* (AF) version.

Ok, I think it's the A version that has the better reputation.
http://www.16-9.net/lens_tests/pentax85/index.html



How much is this lens going for ?
Sounds tempting...


Yeah, good luck finding one of those. Let alone finding one for less than $600.
The FA* version will easily go upwards of $1k.

JayT


And the FA* is the cheaper of the two. The A* is typically in the $1300+ range if you can find one. One case where buying Zeiss is just downright cheaper (the ZK Zeiss is $1K new). Buying 85's in K mount is an exercise in either frustration or spending too much cash. Even the cheap ones cost a fair bit compared to other mounts.



CVickery
Registered: May 14, 2004
Total Posts: 2041
Country: Canada

mawz wrote:
Sirfishalot wrote:
s23chang wrote:
$400 to $600 depends on condition and when you buy it

Paul Yi wrote:
AhamB wrote:
Which Pentax 85/1.4? There is an SMC A* version and a FA* (AF) version.

Ok, I think it's the A version that has the better reputation.
http://www.16-9.net/lens_tests/pentax85/index.html



How much is this lens going for ?
Sounds tempting...


Yeah, good luck finding one of those. Let alone finding one for less than $600.
The FA* version will easily go upwards of $1k.

JayT


And the FA* is the cheaper of the two. The A* is typically in the $1300+ range if you can find one. One case where buying Zeiss is just downright cheaper (the ZK Zeiss is $1K new). Buying 85's in K mount is an exercise in either frustration or spending too much cash. Even the cheap ones cost a fair bit compared to other mounts.


Has anyone tried adapting the FA 77mm f1.8 Limited? I sounds close to the A* in performance and costs ~$600-700 new.



mawz
Registered: Sep 11, 2005
Total Posts: 4631
Country: Canada

CVickery wrote:


Has anyone tried adapting the FA 77mm f1.8 Limited? I sounds close to the A* in performance and costs ~$600-700 new.


It's been done. Same issues as any other K lens, but the adaptation is mostly reversable. You need to remove the mount and aperture stop-down lever, reinstall the mount and (permanently) shorten the guard for the stop-down lever. Keep the lever and it can easily be reinstalled.

The 77 Limited is a real gem of a lens.



pat_c
Registered: Feb 04, 2006
Total Posts: 73
Country: United States

Canon 135mm f/2 L is extraordinary.



phuang3
Registered: Feb 09, 2005
Total Posts: 747
Country: Taiwan

Current 50mm summilux E60 is a great example.




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Spyro P.
Registered: Mar 24, 2008
Total Posts: 1358
Country: Australia

To be honest the most 3D shot I've seen was with a CZ 35mm, I think Brainiac posted it a while ago. I know its not a recommended focal length for portraits and not very flattering for people's faces, but telephotos do tend to flatten things a lot. Harder to get a 3D shot out of them.



tootalew
Registered: Dec 14, 2004
Total Posts: 973
Country: United States

Funny that we talk about 3D, and how some lenses seem to flatten the image. If any one here knows any spanish, you know that planar means to flatten.



Beni
Registered: May 31, 2005
Total Posts: 6960
Country: United Kingdom

Anyone have anything to say about the 3D effect of the Contax 85mm N, the one that can be converted to canon AF? my eyes are medically totally screwed up so MF is out but I do really love the 3D effect of zeiss glass.



Cableaddict
Registered: Jun 10, 2008
Total Posts: 3704
Country: United States

phuang3 wrote:
Current 50mm summilux E60 is a great example.




This image is copyrighted by the owner




Phuang, this pic is a very good reason to discuss the meaning of the term "3D" s it applies to photos.

To me, the woman herself looks quite flat (compressed) even though it's only a 60mm lens. Additionally, while the backround is clearly way behind her (one type of 3D, for sure, it almost looks like a cinema blue-screen effect. I get the sense that she is standing in front of a rear-projected image.

Weird, but very cool. Now, is that 3D or is that dual-2D? I dunno ......

When we say "3D" are we talking about the entire image, or depth in the face / body in the foreground? For the latter, I think Spyro's CZ85 shot is pretty spectacular.

Perhaps we need more than one term for these 3D effects. Or even MANY terms, like Eskimos & snow.
---------------------------------

OT, but why do we have only one word for bokeh? Why not one to denote blurred bokeh and one to denote defined bokeh? (Sig 50 vs Zeiss 50)

And what about Hoshi? ......


adamM
Registered: Jun 21, 2005
Total Posts: 242
Country: Canada

My most '3d' lens is the Leica 90mm f2 Summicron, and that's between a fair number of primes.

There's just something so eye-catchingly 3d about the way that lens renders.

Shot wide and near wide open, it's just otherworldly.

The older radioactive Super-Takumar 50mm f1.4 deserves an honorable mention. Shot wide open, of course. Very dreamy, lush and 3D.



eddyboy
Registered: Jun 25, 2006
Total Posts: 598
Country: United States

This is a straight up across the table portrait. 5D with the girlie-man 85mm 1.8.


This image is copyrighted by the owner




5D with 90mm Summicron. Subject distance ca 5 feet.
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eddyboy
Registered: Jun 25, 2006
Total Posts: 598
Country: United States

Paul Yi wrote:
Lovely....


dittoes!



Zalllon
Registered: Jun 05, 2005
Total Posts: 353
Country: Canada

I really like the look of the 135L ... my next planned lens purchase. Here are some Flickr link samples taken by others:

http://flickr.com/photos/jjjohn/2695638324/sizes/o/
http://flickr.com/photos/jae_nj/2511292929/sizes/l/
http://flickr.com/photos/astragony/2557541915/sizes/o/



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