And now for something completely different. Just because it\'s a rare example within this thread. I might be one of very few photographers having specialised in that peculiar field. Working on books on espresso this is my main work right at time.
Taken with the 2/35 on crop cam (D300) if I remember well.
To me it\'s important to keep the view of the original material porcellain as shown in the crop below, not to make a fine espresso demitasse look like a cheap plastic cup.
And now for something completely different. Just because it\'s a rare example within this thread. I might be one of very few photographers having specialised in that peculiar field. Working on books on espresso this is my main work right at time.
Taken with the 2/35 on crop cam (D300) if I remember well.
To me it\'s important to keep the view of the original material porcellain as shown in the crop below, not to make a fine espresso demitasse look like a cheap plastic cup.
And now for something completely different. Just because it\'s a rare example within this thread. I might be one of very few photographers having specialised in that peculiar field. Working on books on espresso this is my main work right at time.
Taken with the 2/35 on crop cam (D300) if I remember right.
To me it\'s important to keep the view of the original material porcellain as shown in the crop below, not to make a fine espresso demitasse look like a cheap plastic cup.
And now for something completely different. Just because it\'s a rare example within this thread. I might be one of very few photographers having specialised in that peculiar field. Working on books on espresso this is my main work right at time.
Taken with the 2/35 on crop cam (D300) if I remember right.
To me it\'s important to keep the view of the original material porcellain as shown in the crop, not to make a fine espresso demitasse look like a cheap plastic cup.
And now for something completely different. Just because it\'s a rare example within this thread. I might be one of very few photographers having specialised in that peculiar field. Working on books on espresso this is my main work right at time.
Taken with the 2/35 on crop cam (D300) if I remember right.
To me it\'s important to keep the view of the original material porcellain as shown in the crop, not to make a fine espresso demitasse look like a cheap plastic cup.
And now for something completely different. Just because it\'s a rare example within this thread. I might be one of very few photographers having specialised in that peculiar field. Working on books on espresso this is my main work right at time.
Taken with the 2/35 on crop cam (D300) if I remember right.
To me it\'s important to keep the view of the original material porcellain as shown in the crop, not to make a fine espresso demitasse look like a cheap plastic cup.
And now for something completely different. Just because it\'s a rare example within this thread. I might be one of very few photographers having specialised in that peculiar field. Working on books on espresso this is my main work right at time.
Taken with the 2/35 on crop cam (D300) if I remember right.
To me it\'s important to keep the view of the original material porcellain as shown in the crop, not to make a fine espresso demitasse look like a cheap plastic cup.
And now for something completely different. Just because it\'s a rare example within this thread. I might be one of very few photographers having specialised in that peculiar field. Working on books on espresso this is my main work right at time.
Taken with the 2/35 on crop cam (D300) if I remember right.
To me it\'s important to keep the view of the original material porcellain as shown in the crop, not to make a fine espresso demitasse look like a cheap plastic cup.
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Vincent Kluwe-Yorck
Apr 16, 2011 at 04:25 AM
Previous versions of Vincent Kluwe's message #9501105 « ZE/ZF/ZM Images (Official Thread!) »
Working on books on espresso this is my main work right at time.
