thapamd
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Registered: Nov 12, 2002
Total Posts: 11137
Country: United States
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 Sunset/Night Photography Tutorial | |
Night photography can be both fun and challenging. Difficult lighting condition is often the biggest stumbling block on your path to obtaining a captivating photograph. How often have you seen a beautiful, colorful sunset above a city skyline, only to wish the building lights were already on? By the time the building lights do finally turn on (or become conspicuous against the ambient light), the sunset hues in the sky have disappeared. Wouldn’t it be great if we could capture both the tones in the sunset sky and the building lights on a single image? In this tutorial, I will show you, step by step, how to accomplish this very task. It’s easier than you think. All you need is a sturdy tripod, Photoshop (or similar program) and some patience. With helpful images, I’ll walk you through the steps of both acquiring and processing your photograph. I’ll be using Photoshop CS3 Beta for the demonstration. However, all the steps should also be available in older versions. Let’s begin!
Find your composition. This is perhaps the single most important step. Make sure your tripod legs are very steady. You want to minimize camera movement as much as possible. If conditions are windy, you may want to hang some weight (a heavy backpack, for example), on your tripod. Compose your image and turn autofocus off. Why turn autofocus off, you ask? As you take subsequent images, the ambient light will be falling off very quickly, and your autofocus may “hunt” and become inaccurate. Therefore, prefocus on your spot of interest and turn on the manual focus. If you have a cable release and/or mirror lock up, use them. From here on, you don’t want to touch the camera or tripod. If you have to touch the camera, you want to do it as gently as possible and as infrequently as possible. Remember camera movement is your enemy. Here are some other settings I use: ISO 100; aperture priority; f-stop with high depth of field (usu f/11-f/16 on a standard zoom lens); auto white balance; noise reduction off.
The below image is a direct RAW conversion of a sunset scene. This image (and subsequent images) has only been resized, sharpened, and bordered for web presentation. I also included an image of the layer’s palette. As you can see, the sky has some nice pink hues. Some of the building lights have come on, but not very many, or they are difficult to see against the ambient light. Let’s not worry about such things as contrast and levels just yet. We’ll take care of those in the end.
The image below was taken about 20 minutes after the 1st image. As you can see, the color in the sky has all but disappeared, but the buildings look a lot more interesting.
Use [Command]-A to select all of the 2nd image. Then paste it on to the 1st image. The layers palette of your 1st image should look like this (the sunset shot is your Background, and the building light shot is your Layer 1):
Click on the blending option and make sure you change it from “normal” to “lighten.” The resulting image looks kind funny, doesn’t it? The building lights look great but the sky has an “unnatural” mixture of pink and gray clouds.
We can correct the sky with some judicious use of the gradient and paint brush tools on the mask. While you have Layer 1 selected, click on the mask icon at the bottom of the layers palette. Your layers palette should now look like this:
On the Layer 1 mask, apply a “background to foreground” gradient. Apply the gradient from top to bottom. You can see the sky looks pink but we have “lost” some of the building lights. This is easily correctable. Select the brush icon and paint over building areas while you have the Layer 1 mask selected. The building lights magically reappear. It’s not so important to “stay within the lines” of the buildings because you have already selected “lighten” as your layers option, and only the brighter portion from the two images will show through. The resulting image and layers palette are shown below:
The history palette below shows all the steps I’ve performed so far:
We’re almost finished. All I do now is apply curves and levels layers as below:
When I applied the levels tool, the sky became a richer shade of pink, but the bottom of the image became too dark. Therefore, I added a mask to the levels layer and applied a gradient to the mask as below:
Here’s the history palette showing all the steps I performed to arrive at the final image:
Finally, here’s the finished image of the Seattle sunset skyline:
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