Lotusm50 Offline Dedicated FM Upload & Sell: Off
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denoir wrote:
Lloyd calls it a gem yes, but he also says it has severe color fringing issues and that it's not any good for closeups. One more telling thing is that in the review he states that "The color rendition of the 25mm Distagon is more pleasing than the Canon EF 16-35mm f/2.8L II, highly-regarded zoom of very recent design". Contrast this with his review of the 21/2.8 where he basically states that the 16-35 II is utter crap or for that matter his 16-35 II review where he concludes that "Both the 17-40mm and 16-35mm are disappointing...The mediocre performance is painfully obvious when viewed by comparison with a world-class lens like the Zeiss 21mm" etc.
So, when compared to the 25, the 16-35 is "highly regarded" while when compared to the 21 it's "disappointing" and "mediocre". Lloyd Chambers is a fantastic reviewer and his Zeiss guide has helped me a lot. He does however have a strong pro-Zeiss bias and even the worst Zeiss glass is an underappreciated gem to him.
Furthermore the examples Lloyd shows aren't very encouraging. Indeed as far as optical flaws go, the Canon zoom has fewer. I have the 16-35 II and it was it that drove me to Zeiss glass. A prime lens that can't match a mediocre UWA zoom doesn't get many points in my book.
Having said that, I know there are plenty of people that love it. Furthermore it does have the characteristic Zeiss rendering style which I do like.
Calling the 16-35II "highly regarded" is not a comparative remark regarding the ZF 25mm. I think you are over-reading that statement. The 25mm's color rendition is better than the 16-35II, he says, and I would certainly agree with that.
No, it is not as good in MTF terms compared to the ZF 21mm. But then again, little is. That alone, does not make it a bad lens. But of course, the ZF 25 is only a little more than HALF the cost the 21mm and more compact. Quite frankly I consider its rendition to be smoother and less clinical than the 21mm. Further, as others have suggested, CA is virtually non-existent. While he suggests that it is "not any good for closeups" (your words), that is EXACTLY where a lot of people use it! It's artistic rendering there is one of its features. It's not meant to be a clinical macro copy lens close-up, but rather an artistic tool and it is well and justly appreciated for this quality.
Bottom line is that while it doesn't have the ultimate sharpness of the 21mm (where this is most noticeable is wide open in the corners), it is a fine, high-value, performer that is sharp with wonderful rendering and character. People love using this lens for very good reason. Again, as I and others have suggested, USE the lens and you will understand.
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