jcolwell Online Dedicated FM Upload & Sell: On
|
p.2 #9 · ultra wide [20-21mm] for 5D? still looking | |
I've decided to keep my Voigtlander Color-Skopar 20/3.5 SL II, at least until I can afford a Zeiss 21/2.8 ZE. Both of these lenses have moustche distortion (see examples in the first link below: ZE by SKumar25 near the bottom of page 1, and C-S by me at end of page 2). This would have to be corrected for architecture shooting, but it looks relatively easy to do using PTlens, as illustrated by Andrew Gough, at the bottom of the first page of the first link.
http://www.fredmiranda.com/forum/topic/830416
http://www.fredmiranda.com/forum/topic/832874
The Color-Skopar 20/3.5 is very small, extremely well made, and sharp as a tack on a 5D in the centre and edges. In the corners, it's acceptable but not as sharp as my 17-40L and Tokina 17/3.5 AT-X Pro. OTOH, the Color-Skopar produces beautiful colour and contrast, it's relatively immune to flare, and it consistently provides great exposure in Av mode on my 5D (and 1DII), for all apertures to f/8 or /11, which is not true for many other Alt wide and ultra-wide lenses. (The Ultron 40/2 is similar for colour, contrast and exposure, plus it's sharp all-over.) Don't get me wrong, it's not too difficult to get great exposure with all of the Alts, but many of them behave differently with respect to camera metering, as you stop down the aperture.
|