RobertP Offline Image Upload: Off
|
p.1 #10 · Boom arm/grip arm and stands | |
Okay, before you go out and buy the Avenger A4050CS Junior Boom Stand, let me just tell you that I have the exact same thing (the older version that was called the A700, it's identical) and the above poster is right - it is no joke.
If you want to "buy right the first time" then maybe it's good, but just consider this:
It's big, and heavy, and I had to take it outside to bring out the boom arm from the center column because my ceilings are too low. And then bringing it back inside with the arm sticking out was tough, but carrying this thing by hand ANYWHERE is not very fun.
The stand is really designed to hold heavy hot lights for film-making. IMO, it's way overkill for a strobe and the largest softbox you can find on the planet, but it's so nice to just keep in the studio (once you have it set up and ready to go) to quickly attach a light for overhead, without having to setup a grip arm/grip head, boom arm, cinestand and/or century stand, and your lights will never fall on anyone.
A grip arm is designed to hold a million different things, from flags, scrims, pins, lights, gobos, etc. You'll see a million of them on a movie set holding scrims to diffuse or block light.
The Avenger ( http://www.bhphotovideo.com/c/product/243966-REG/Avenger_A2030DKIT_A2030D_Turtle_Base_Century.html ) is top notch, but it's a 40 inch arm, which might not suit you. You can always place another arm in the first arm.
To mount a light, just stick this pin: http://www.bhphotovideo.com/c/product/243787-REG/Avenger_E650_E650_Baby_5_8_Pin.html
into the grip arm and you're ready to go with a light.
I personally like having the century stands and the arms because you can use them as booms and take them anywhere. The big ass boom stand on the other hand...
|