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p.2 #12 · Comparison: Leica Noctilux f/0.95 and Voigtlander f/1.1 Nokton | |
Sorry to hear that Wilfredo. Two things to consider: There is considerable sample variation--unfortunately--with the Voigtlander lenses. It's possible you got a bad copy. Additionally, the Nokton--like many very fast lenses--suffers from reduced contrast wide open. Given that the Voigtlander lenses are already lower contrast than the Leica lenses, it will look even worse in comparison. Because we tend to perceive contrast as sharpness, this can lead one to conclude that the lens is less sharp than it really is. I always shot in DNG, so what I tended to do with all of my CV lenses (but in particular the Nokton f/1.1) is dial up both the contrast and the clarity sliders in Adobe ACR. The result was a marked improvement in the perceived sharpness of the images.
Finally, there is a big difference in the Leica Noctilux ASPH in native sharpness. I found the Nokton to be sharper than the old 50/1 Noctilux and similar in contrast, but the new f/0.95 is even sharper and contrastier, especially at the plane of focus. In this way, it's much like the 50 'Lux or 75 'Cron AA. This is achieved by the use of two aspherical elements and a floating element group. All of this leads to the hype surrounding what the lens can do, and it also increases the cost of the lens. So while the hype and the cost are related, one does not lead to the other as you imply; rather, the extremely complex nature of the lens results in a significant cost. No doubt that does lead some people to feel like they have to justify their purchase with glowing rhetoric, but it doesn't change that this is, and always will be, and expensive and exotic lens to manufacture, and will therefore command a price premium. If that wasn't the case, you would see every manufacturer cranking out 50/0.95 lenses, but in fact, in the last 50 years, we have seen exactly three 50/0.95 lenses made for the 35mm format, and all commanded sunstantial price premiums.
Jeff
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