k.brown Offline Image Upload: Off
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p.2 #4 · The look of film vs digital | |
I'm a 20 year-old photographer who shoots zero digital, and for many reasons.
a. Sorry I don't have the quote, but someone earlier commented on how he does not like the varying/incorrect color balances. You may be surprised to know that film comes in a variety of white balance figures, and when combined with proper use of filters (film manufacturers will let you know proper matches) there's no need to worry about proper color balance. In addition, digital post-processing or corrections made during the C-printing process will be able to compensate.
b. Image quality. Digital has overtaken 35mm, and is the king of high-sensitivity photography, but there is no way digital imaging can match medium/large format film pound for pound. I just found my friend a Mamiya 645AFd + 120/220 back + 80mm 2.8 for 625 dollars. We have access through our school to an Epson v750, but lets assume you buy it. 625 + let's say $750 for the scanner. Thats a total of $1375 for camera + scanner. I can get tens of megapixels out of my scans, at high quality even from the v750. The Mamiya DL33 is 19,999.00 from Adorama. That's slightly less resolution than I'm comfortable getting from the v750 and 645 negatives. 19,999-1,375= $18624, or about 2600 rolls of 120 film bought and developed. Sorry, film still makes sense unless we're talking about investment capital that lets us purchase MF digital equipment. Let's not even talk about 4x5 film and larger.
c. FIlm allows for c-printing. This is more of a niche, but allowing for c-printing is a big deal for anyone who has access to the technology. Anyone who has seen a well-done c-print knows what I'm talking about. Gorgeous.
d. Film has nostalgia. There's not much to expand on here, but film is f---ing beautiful. And there are so many varieties, its simply a great technique to experience.
That said, digital has such an incredible advantage over film in terms of speed and convenience, it's ludicrous to ignore it. I shoot (trying I swear to not sound pretentious) "fine art" and film makes sense. If I was still shooting sports, or pro portraits, or PJ - digital! It makes sense. I prefer the more laborious and deliberate process, the BEAUTIFUL 16x20s and larger, and the easy access to incredibly powerful camera systems.
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