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TonyBeach wrote:
pr4photos wrote:
I use my d300 for press and pr work, and quality is great, but am wanting to get into the wedding market. Therefore i am thinking maybe i need a wider angle for some shots (i could buy the tokina 11-16mm for that, instead of going ff). also, i might want to take more with low available light, and as they will end up as prints, quality is an important factor, hence am thinking d700 for the higher iso shots.
It really comes down to cost versus quality then. Yes, a D700 with a 14-24 is better than a D300 with a Tokina 11-16, but the price is about twice as much for the latter combination. Now if I were you I would get the D700, but that's because I already have the 14-24. I'm not you though and my priorities are different [see my previous post about waiting for a "D700x"].
If I were doing weddings or any other paid work, I would want two identical cameras because the user interface and post processing workflow would then be seamless. In that regard, the difference between the D300 and the D700 is not at all unreasonable (two bodies equals about the cost of one good lens), but it's those differences in lenses that is going to end up making FX a lot more expensive and a little more heavy than DX. If your charging appropriately for your work though, and it gets you even a little more work, sell the D300 and any DX lenses you own and buy two D700 bodies and pro quality FX lenses.
If you can't afford to buy two D700 bodies and a 14-24 right away because you don't have $6500 to invest, then I would get another D300 and start buying FX glass as you can afford it. Get the Tokina 11-16 for now and mount it on one of those D300 bodies; use the other body with your longer lenses. When you have enough lenses and business to make the move to D700 bodies relatively painlessly, then sell both D300 bodies and that Tokina lens -- i.e., I think it's best to be all in or all out and not to straddle two formats and two bodies (at least during any one shoot).
Best advice of the day right here, folks. If I could pass off ISO1250 photos on my D2H/D2X cameras, a D300 should be okay. I would go with two identical bodies (especially nice if they come out with a D400 which will drive down prices) for the processing benefits. If you've got the money and it's not an issue, I would consider the d700 but I'd probably wait until they come out with the next iteration. Stay a gen behind on bodies and buy glass. An 85 f/1.4 and a used D300 would do a lot more for your business than a D700 and save you $200.
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