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Archive 2009 · add mo' again, e-sesh thing

  
 
Sam Hassas
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p.2 #1 · add mo' again, e-sesh thing


jeremy_clay wrote:
Thanks bro. Is 1 'horses**t' though


No, I would goes so far as to calling it horses**t. Maybe cats**t or mouses**t. Certainly not horses**t.

It's good up to the chin. It might even be salvaged if cropped.

`Sam



Apr 15, 2009 at 11:11 AM
unblinkable
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p.2 #2 · add mo' again, e-sesh thing


I like the new crop on the guy shot best.

THIS is the lighting I was going for... I see the difference now. It's dramatic, but not so harsh. I gotta work on that.



Apr 15, 2009 at 11:15 AM
jeremy_clay
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p.2 #3 · add mo' again, e-sesh thing


Sam Hassas wrote:
No, I would goes so far as to calling it horses**t. Maybe cats**t or mouses**t. Certainly not horses**t.

It's good up to the chin. It might even be salvaged if cropped.

`Sam


Will get on the chin(s) good sir, that I will. They seem to keep popping up:

http://img13.imageshack.us/img13/6928/img9968edit.jpg
http://img13.imageshack.us/img13/6666/img9949edit.jpg

Ring shot
http://img145.imageshack.us/img145/8099/img9849edit.jpg



Apr 15, 2009 at 11:16 AM
Evan Baines
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p.2 #4 · add mo' again, e-sesh thing


Love those last two couple shots. I'd love to see more detail in their black upper garments in the car wash.


Apr 15, 2009 at 11:21 AM
jeremy_clay
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p.2 #5 · add mo' again, e-sesh thing


unblinkable wrote:
I like the new crop on the guy shot best.

THIS is the lighting I was going for... I see the difference now. It's dramatic, but not so harsh. I gotta work on that.


Did you happen to have any setup shots with how your light was set in that series mel?



Apr 15, 2009 at 11:23 AM
jeremygrieff
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p.2 #6 · add mo' again, e-sesh thing


The second picture from the last set looks as though the guy is uncomfortable as the way he is holding his hands.


Apr 15, 2009 at 12:23 PM
unblinkable
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p.2 #7 · add mo' again, e-sesh thing


jeremy_clay wrote:
Did you happen to have any setup shots with how your light was set in that series mel?


I don't... but it's just Jeff off to the side with the 580... he was closer cause the pier was narrow.



Apr 15, 2009 at 12:41 PM
Spencer_Fu
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p.2 #8 · add mo' again, e-sesh thing


Hi Jeremy,

Where are the other shots?!

I like #1 as it's very emotiony and the crop is weird and unique which I like.

#2 is pure cheese and I don't like it as much as your fashion/lifestyle influenced images.

#3 I like but I prefer the wider cropped version of #3a as the tight one puts more emphasis on his lack of fashion skills.

I hate it when couples come to a shoot not dressed well!

Anyways, I am a huge HUGE fan of your work and will be stalking you in Toronto and on your blog this summer. Haha.

Spencer





Apr 15, 2009 at 01:25 PM
jeremy_clay
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p.2 #9 · add mo' again, e-sesh thing


bumpy. Last time. Images in the OP.


Apr 16, 2009 at 11:16 AM
unblinkable
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p.2 #10 · add mo' again, e-sesh thing


Oooo... the black and white is YUMMY!

I also love this kiss shot from underneath. I sense these popping up in the future from others.



Apr 16, 2009 at 11:39 AM
jeremy_clay
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p.2 #11 · add mo' again, e-sesh thing


unblinkable wrote:
Oooo... the black and white is YUMMY!

I also love this kiss shot from underneath. I sense these popping up in the future from others.



tyvm I used that pose under a symmetrical gazebo last year..it works well with schmexy lines!

*edit* founds it:

http://www.jclayphoto.com/v1site_images/galleries/gallery158/_MG_5760-Edit.jpg



Apr 16, 2009 at 11:41 AM
TNshooter
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p.2 #12 · add mo' again, e-sesh thing


Good stuff Jeremy, #2 is the pick of the litter in my most humble opinion. I love it!!
Greg



Apr 16, 2009 at 02:29 PM
57suzi
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p.2 #13 · add mo' again, e-sesh thing


Jeremy, love your lighting and PP.
Not sure if the numbering sequence is changing, I hope everything matches up.

1) I like it a lot but I'd like it better if she looked into the moment and not aware of the camera
3) I like the expressions here and it's kinder to his chin than 2
5) She looks good, natural, his body language just looks stiff and wrong to me
6) My first reaction to this was very positive, then little things started to bother me, his chin, the tilt, so much of his stomach area
7b) I love everything about this, the lines behind work in this for me
9) Great everything about this but the thing behind them. Her face! Perfect. Their body language, LOVE it.
12) My favorite. You nailed this one to me.
13) I like it a lot. Wish her hands weren't just hanging there.
14)Great expression on him

I've never had the ambition to do this kind of work, but you are making it look fun, hmmm, I don't think I could pull off the required directing.




Apr 16, 2009 at 05:06 PM
Sam Hassas
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p.2 #14 · add mo' again, e-sesh thing


B&W shot = goldbricks


Apr 16, 2009 at 05:20 PM
jeremy_clay
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p.2 #15 · add mo' again, e-sesh thing


Thank you everyone for your thoughts on these. A lot of variety in the finals, will toss em on the blog. Definitely will make some changes as per some good crits. TYVM!


Apr 16, 2009 at 05:29 PM
ContagiousIdea
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p.2 #16 · add mo' again, e-sesh thing


This is seeeeexy, your off camera lighting is getting stupendous. Yes I used stupendous.

Good stuff




Apr 16, 2009 at 08:24 PM
Andrew Welsh
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p.2 #17 · add mo' again, e-sesh thing


Ya wondering why peeps were hatin on #1, but now with reordered images and the last couple of feedbacks I see that the image changed. The B&W is nice I like how she's lookin at the camera. My fave from the set.

#6 and #9 are the duds. 6 because her hands look wrinkly and the light color balance vs sunlight is (mildly) whack. 9 because of the power tower growing out of her head, no getting around that

Mel: just get one of those softboxes on your strobe, should take the edge off the light. May weaken it beyond the point of overpowering the sun tho, so be warned (I'm not sure). Or AB800-Softbox-Vagabond-Jeff setup will def. overpower sun.



Apr 17, 2009 at 02:28 AM
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