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Archive 2008 · Help With Santa Shoot
  
 
Roger33
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p.1 #1 · Help With Santa Shoot


I have been elected to take pictures of my fellow employees kids with Santa Claus at my work. My question or what I need help with is lighting. The room where I will shoot is lit with flourescent lights. I have an off camera bracket for the flash and a tripod. The ceiling is 8' with white tiles. Should I bounce the flash off of the low ceiling or aim it straight at the people? The background will be a canvas Christmas scene. My camera equipment is a Canon 30D and 430EX flash.

Dec 19, 2008 at 06:59 AM
cgardner
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p.1 #2 · Help With Santa Shoot


The best approach for Santa shots is to copy the way its done at the shopping Mall where you always see the same set-up: a single flash with a small SB a few feet above the camera. It's not great lighting in the sense of creating dramatic modeling, but accomplishes the most important goals of seeing the faces in the photo clearly with light in the eyes and no distracting nose shadow even if the face isn't square to the camera.

Natural light comes from above, creating downwards modeling on the face with highlight and shadow so for a natural look in artificial light its necessary to raise the key light above the head of the subject. A tripod is too low to that as a substitute for a light stand.

Here's what I suggest. Make a diffuser as shown here: LINK Material isn't critical, a couple of sheets of photo paper and staples will work fine.

Just put the flash on the camera , or on a bracket above it if you have one, and when shooting, stand on a stool or chair. That will raise the POV of the camera and put the top of the diffuser near the ceiling where you will get a nice mix of forward light from a downward angle from the diffuser, and bounced fill off the ceiling from the spill. That's the technique I used to take this shot with single flash:



This image is copyrighted by the owner




Note the highlight pattern on the face? That's the modeling resulting from the downward angle and centered alignment of the light to the face. That "mask" pattern of highlight is what tells the brain the pattern of contrast it sees in a 2D photo represents a 3D face.

The contrast pattern dynamic works identically on a perceptual level -- highlights are perceived to define the raised areas, shadows the lower -- whether the object is a face or a rock. But with a face you have the added consideration of eye contact so check and make sure there is light in the eyes (i.e. catchlights) and the nose shadow isn't causing a distraction. Those two things, plus a good expression on the face, are about 90% of what goes into making an effective portrait in a "photo w. Santa" situation.

Chuck

Dec 19, 2008 at 11:51 AM
sifpandor
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p.1 #3 · Help With Santa Shoot


Just curious about this myself, and not trying to hijack the thread, but I am wondering if it would be a good idea to put a green gel on the flash and use the flouro lighting as well?

-- Mark

Dec 19, 2008 at 03:26 PM
Roger33
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p.1 #4 · Help With Santa Shoot


Thanks for the ideas CG. I actually have that very diffuser. Would you use a silver insert or just use the white?

Dec 19, 2008 at 03:59 PM
cgardner
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p.1 #5 · Help With Santa Shoot


Silver will just create hotter reflections on the skin... stick with white.

The problem with gelling for fluorescents is that they come in a wide range of color temps. Also the downward direction of the light may cause the brow to shade the eye sockets. Fill alone can't cure that, something most don't seem to understand. By the time enough fill is added to open they eyes the highlights on the cheeks will be blown and the lighting flat because fill will be overpowering the key light. The solution for dark eye sockets is to either lift the face up into the key light or lower the angle of the key light (i.e. lower than the ceiling fixtures) so the brow does not shade it.

Chuck

Dec 19, 2008 at 08:42 PM




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