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p.1 #9 · 580EX, ST-E2, CP-E4 and consistancy | |
-rce-
On the plus side the ST-E2 is very light and compact and its pre-flash signals are in the deep red, near-IR part of the spectrum human eyes can't see well so subjects are less likely to blink due to pre-flash.
On the negative side, in comparison to a 580ex/580exII/550ex used as Master, the ST-E2: 1) has a much smaller effective range, especially outdoors; 2) is only designed to control two groups (A:B) and only in ETTL mode. The the 580ex/580exII/550ex as Master has a much greater signaling range can remotely control three groups (A:B C) in either ETTL or Manual power modes. The ST-E2 can be used to fire any number of Canon slaves set to M mode, but changes to power level must be done on each slave flash.
I've used dual flash using one flash on a bracket for fill + one off camera flash as key light since the early 1970s when I learned the dual flash technique with manual flash from the guy who introduced and popularized the dual-flash technique for wedding candids. It allows seamlessly switching from single flash ideally positioned over the camera on the bracket, to dual flash in situations where two flashes are practical. The simple expedient of putting the off camera flash on a compact stand with wheels (I use a converted IV stand) makes the use of two flashes practical is nearly any situation. If the off camera flash can't be aimed precisely for short lighting simply parking it behind the action will produce 3D modeling via back/rim lighting which is far better than any single flash solution.
When switching to Canon I never even considered buying an ST-E2. Sure it saves a weight on the camera, but I see needing two stands for the flashes makes the overall set-up far more cumbersome than the bracket / single-off-camera-flash approach. A fill source kept near the camera axis creates few shadows visible to the camera. If there are no visible shadows there is no need for a huge modifier to soften them. Also with fill over the camera the apparent softness of the key light can be modulated with the lighting ratio. So its actually possible to get soft looking lighting in the overall perceptual sense with a pair of flashes in an overlapping neutral fill / key light configuration with relatively small modifiers.
If you want to mix Canon wireless with third-party manual flashes the best approach is to use the Canon flash in the hot shoe in either M or ETTL mode as Master to a Canon slave, then trigger the third-party flash via radio trigger connected to the camera PC outlet. The Canon will do its normal pre-flash sequence, then all the flashes will fire at the same time for the main exposure. The "fire main flash" signal is sent via the large center pin of the hot shoe and the PC connector at the same time. The pre-flash is controlled via the other 4 pins in the hot shoe.
Click the WWW button below for tutorials on Canon flash use...
Chuck
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