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Archive 2008 · 5DmkII less sharp than 5D! Go to previous topic Go to next topic
brainiac
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p.3 #1 · 5DmkII less sharp than 5D!


DoubleNegative wrote:
Umm, that doesn't work.

Uprezzing creates (read: fabricates, interpolates, whatever) pixels that weren't there before. A straight 21MP file from the 5D2 has actual data in all of those pixels. You can't compare the two.


Here come the pantomime dromedaries ;-)

Downrezzing doesn't work either. I was downrezzing a landscape picture the other day, when my wife walked into the room. She looked at the screen and the downrez had turned the landscape into harcore porn. It's a lottery. Interpolation produces images which are in no way related to the source.

Sep 19, 2008 at 02:54 PM
Beni
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p.3 #2 · 5DmkII less sharp than 5D!


brainiac wrote:
DoubleNegative wrote:
Umm, that doesn't work.

Uprezzing creates (read: fabricates, interpolates, whatever) pixels that weren't there before. A straight 21MP file from the 5D2 has actual data in all of those pixels. You can't compare the two.


Here come the pantomime dromedaries ;-)

Downrezzing doesn't work either. I was downrezzing a landscape picture the other day, when my wife walked into the room. She looked at the screen and the downrez had turned the landscape into harcore porn. It's a lottery. Interpolation produces images which are in no way related to the source.


Now that was stupid, don't you know that you have to lock the door when you downrez?


(Dear moderator, I didn't say that he was stupid, it was a humerous comment in reply to his joke) Sorry guys, I'm on probation at present...

Edited on Sep 19, 2008 at 03:02 PM · View previous versions


Sep 19, 2008 at 03:01 PM
brainiac
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p.3 #3 · 5DmkII less sharp than 5D!


Daan B wrote:
When you compare cameras of any manufacturer according to the same specs, the differences in IQ will only be marginal at best. In the end, all cameras share the same basic design and technology. THAT was my point


That wasn't true in September 2005. I compared the 5D to the Nikon D2x and switched immediately. Nikon could not match the 5D back then, for any price. Today it's a bit different, and Nikon's sensors are much better, but it is a glib fallacy to maintain that all the gear is really the same.

Sep 19, 2008 at 03:01 PM
Emile Gregoire
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p.3 #4 · 5DmkII less sharp than 5D!


cogitech wrote:
It's actually a lot more like sitting and masturbating in your car.


Sure, but in a 200hp instead of a 100hp car nonetheless

Sep 19, 2008 at 03:16 PM
Photon
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p.3 #5 · 5DmkII less sharp than 5D!


Sigh, life was so much simpler when we waited a few years for film manufacturers to improve color, grain, ISO by some small amount, and plastered the magazines with ads about revolutionizing photography...

Not that I want to return to any "simpler times", no way, no how!

Sep 19, 2008 at 03:23 PM
snowboarder
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p.3 #6 · 5DmkII less sharp than 5D!


brainiac wrote:
I was downrezzing ... the other day, when my wife walked into the room. She looked ... and the downrez had turned ... into harcore porn...


Dude, what are you talking about?

Sep 19, 2008 at 03:26 PM
DoubleNegative
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p.3 #7 · 5DmkII less sharp than 5D!


Photon wrote:
Sigh, life was so much simpler when we waited a few years for film manufacturers to improve color, grain, ISO by some small amount, and plastered the magazines with ads about revolutionizing photography...

Not that I want to return to any "simpler times", no way, no how!


Actually, they did... Kodak is coming out with Ektar 100, due in October or November. Promises to be VERY good (better than Ektachrome E100G) and replaces the Ultra Color UC100/400 films.

Fuji I believe is also fully comitted to film, mentioning something recently.

Sep 19, 2008 at 03:28 PM
Daan B
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p.3 #8 · 5DmkII less sharp than 5D!


brainiac wrote:
Daan B wrote:
When you compare cameras of any manufacturer according to the same specs, the differences in IQ will only be marginal at best. In the end, all cameras share the same basic design and technology. THAT was my point


That wasn't true in September 2005. I compared the 5D to the Nikon D2x and switched immediately. Nikon could not match the 5D back then, for any price. Today it's a bit different, and Nikon's sensors are much better, but it is a glib fallacy to maintain that all the gear is really the same.


I switched from the D200 to the 5D, probably for the same reasons last year. But that's not what I meant... I was talking about the here and now (and the near future). Also, I was referring to technology rather than gear.

Looking at the grand scheme of things... The technology is out there... The cams that they are now making are a shadow of the cams they could be making (and maybe should be making). This goes for all the manufacturers. So they are working towards a virtual point in time through marketing driven intervals of tiny upgrades.

For the manufacturers it is a game of who is first with the release of these (tiny) upgrades and who will follow. In other words: who makes the most money by being first. It is a never ending cycle in which we, the customers are trapped (if we don't watch out). At least, Canon and Co expect us to pay 1000's of clams every year for these so called upgrades. Even stronger, we fight whole battles on forums based on the accompanying feature lists.

But in the end, all the manufacturers use basically the same design and technology. Even if they want to make us believe otherwise. Through marketing campaigns marginal differences are blown way out of proportion. So, when comparing todays DSLR's according to the same specs, differences in IQ will only be marginal when keeping the grand scheme of things into the back of our minds.


Sep 19, 2008 at 03:38 PM
scott f
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p.3 #9 · 5DmkII less sharp than 5D!


Daan B wrote:
brainiac wrote:
Daan B wrote:
When you compare cameras of any manufacturer according to the same specs, the differences in IQ will only be marginal at best. In the end, all cameras share the same basic design and technology. THAT was my point


That wasn't true in September 2005. I compared the 5D to the Nikon D2x and switched immediately. Nikon could not match the 5D back then, for any price. Today it's a bit different, and Nikon's sensors are much better, but it is a glib fallacy to maintain that all the gear is really the same.


I switched from the D200 to the 5D, probably for the same reasons last year. But that's not what I meant... I was talking about the here and now (and the near future). Also, I was referring to technology rather than gear.

Looking at the grand scheme of things... The technology is out there... The cams that they are now making are a shadow of the cams they could be making (and maybe should be making). This goes for all the manufacturers. So they are working towards a virtual point in time through marketing driven intervals of tiny upgrades.

For the manufacturers it is a game of who is first with the release of these (tiny) upgrades and who will follow. In other words: who makes the most money by being first. It is a never ending cycle in which we, the customers are trapped (if we don't watch out). At least, Canon and Co expect us to pay 1000's of clams every year for these so called upgrades. Even stronger, we fight whole battles on forums based on the accompanying feature lists.

But in the end, all the manufacturers use basically the same design and technology. Even if they want to make us believe otherwise. Through marketing campaigns marginal differences are blown way out of proportion. So, when comparing todays DSLR's according to the same specs, differences in IQ will only be marginal when keeping the grand scheme of things into the back of our minds.


I can't offer an informed opinion on whether they all have the access to the same technology , but I do agree with your other points. Just look at Canon's ridiculous upgrades from 20d-30d-40d, and 1dm2 to 1dm3.

Edited on Sep 19, 2008 at 04:14 PM · View previous versions


Sep 19, 2008 at 03:53 PM
brainiac
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p.3 #10 · 5DmkII less sharp than 5D!


scott f wrote:
I can't offer an informed opinion on whether they all have the access to the same technology , but I do agree with your other points. Just look at Canon's ridiculous upgrades from 20d-3-d-40d, and 1dm2 ato 1dm3.


Hang on a minute, you are expecting a kind of Moore's law for cameras. There isn't one. Just because there have been occasional leaps, that doesn't mean that there is no value in incremental upgrades. The 1Ds3 and the 40D weren't targeted only at 1Ds2 and 30D owners. They are often bought by people who don't have that kind of camera yet. Should Canon hold back the technologies that went into the 1Ds3 until all 1Ds2 users are ready to upgrade? Upgrade when you feel like it, and be glad the manufacturers continue the 'evolution' of their products with regular updates.

Sep 19, 2008 at 04:12 PM
scott f
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p.3 #11 · 5DmkII less sharp than 5D!


brainiac wrote:
scott f wrote:
I can't offer an informed opinion on whether they all have the access to the same technology , but I do agree with your other points. Just look at Canon's ridiculous upgrades from 20d-3-d-40d, and 1dm2 ato 1dm3.


Hang on a minute, you are expecting a kind of Moore's law for cameras. There isn't one. Just because there have been occasional leaps, that doesn't mean that there is no value in incremental upgrades. The 1Ds3 and the 40D weren't targeted only at 1Ds2 and 30D owners. They are often bought by people who don't have that kind of camera yet. Should Canon hold back the technologies that went into the 1Ds3 until all 1Ds2 users are ready to upgrade? Upgrade when you feel like it, and be glad the manufacturers continue the 'evolution' of their products with regular updates.


Evolution is probably the right term, as it implies change and improvements proceeding at a snail's pace, which fits my examples!


Sep 19, 2008 at 04:18 PM
abam
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p.3 #12 · 5DmkII less sharp than 5D!


"we must fight the fight."

we must confound jerry at every turn!

Sep 19, 2008 at 04:19 PM
Daan B
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p.3 #13 · 5DmkII less sharp than 5D!


scott f wrote:
brainiac wrote:
scott f wrote:
I can't offer an informed opinion on whether they all have the access to the same technology , but I do agree with your other points. Just look at Canon's ridiculous upgrades from 20d-3-d-40d, and 1dm2 ato 1dm3.


Hang on a minute, you are expecting a kind of Moore's law for cameras. There isn't one. Just because there have been occasional leaps, that doesn't mean that there is no value in incremental upgrades. The 1Ds3 and the 40D weren't targeted only at 1Ds2 and 30D owners. They are often bought by people who don't have that kind of camera yet. Should Canon hold back the technologies that went into the 1Ds3 until all 1Ds2 users are ready to upgrade? Upgrade when you feel like it, and be glad the manufacturers continue the 'evolution' of their products with regular updates.


Evolution is probably the right term, as it implies change and improvements proceeding at a snail's pace, which fits my examples!


Precisely... The longer they will take, the more money they will earn... They won't benefit from a revolution...

Sep 19, 2008 at 04:28 PM
SoundHound
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p.3 #14 · 5DmkII less sharp than 5D!


BRAVO Brianiac!! Now, using the idea that the best equipment is only barely good enough I have continued to upgrade my capture, electronic lab, printing equipment, framing/ mounting resources and. of course, skill resources. I do want to observe that this forum has helped me bring my skills along and continues to do so with those such as Brianiac who's agenda is improvement and education-not argument.

I cannot display the result of one of my presentation 24x36" prints on your screens but suffice to say many people have never seen anything like it (if their reaction is to be believed). I also am looking forward to the near future when large, electronic wall mounted displays for "Stills" become common (and no I am not talking about a vertically mounted Plasma TV). So yes More really is More.



Sep 19, 2008 at 04:32 PM
Mike Scott
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p.3 #15 · 5DmkII less sharp than 5D!


How about printing an 8X10 from each camera. Crop each file to 1/4 it's original size (do not change resolution) and You'll see how it will look as a 16X20.

Isn't that what really matters? Images from almost any modern DSLR will look great when viewed on screen, but what really matters is the print. If you don't print large or crop heavily then the differences become less important.

Mike

Sep 19, 2008 at 04:34 PM
LiquidAir
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p.3 #16 · 5DmkII less sharp than 5D!



It is VERY IMPORTANT TO REMEMBER THAT WHEN YOU EXAMINE 100% CROPS FROM A 21 MEGAPIXEL CAMERA YOU ARE VIEWING THE IMAGE AT SIGNIFICANTLY HIGHER MAGNIFICATION THAN YOU ARE USED TO. This means that although the lens defects and noise are more visible in 100% crops, the print is still better than you were getting from your 12 megapixel camera. A 100% crop of a 21 megapixel file is a much higher level of scrutiny. The per pixel noise doesn't need to be as good as that in a 12 megapixel file in order for the file to equal or surpass the lesser file's noise footprint.


If you are comparing full frame bodies, what you say is true. However all of Canon's current APS-C crop bodies (40D, 400D, 450D and 1000D) have a higher magnification than the 5D2. If you put the same lens on a 40D and a 5D2 it will look slightly sharper in the center of the 5D2 frame.

Sep 19, 2008 at 04:54 PM
stockriderman
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p.3 #17 · 5DmkII less sharp than 5D!


lol
100% crop of 12mp should not be any sharper than 100% crop of a 21mp. This is the reason why reviewers do this so call "mistake" I don't want to buy a 21mp camera so that it would only be as sharp as 5D at 12mp. I want it to be just as sharp at 100% crops as well. Otherwise, why not just re sample the 5D images via photoshop!!
OP,s view doesn't make any sense

Sep 19, 2008 at 05:19 PM
philber
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p.3 #18 · 5DmkII less sharp than 5D!


Brainiac, I take your excellent point and thank you for the info. The only issue I fail to get my head around is the "uselessness" of more pixels. Let's say we compare 2 shots from 5D and 5DII, 21Mp rather than 12 Mp, without cropping and that we print on A4 paper. The 21Mp picture is going to mean many more smaller pixels than the fewer larger ones from the 12Mp sensor, irrespective of print size. If it is meaningless, it means that either paper, printer, or both, are incapable of matching any resolution higher than 12Mp in A4 size. So we should be working hard at finding either better paper and/or better printers. Which we don't seem to be busy doing.
Conversely if more pixels make a difference, it should be visible in transition zones between volumes, objects and colours, which should be more "brutal" on the 12Mp sensor, and more delicately progressive and shaded of the 21Mp. Again, if it were meaningless, it would mean that a print off a 1DIII should be exactly the same as that off a 1DsIII, or a 5D and a 5DII unless you crop massively or print very large, not considering noise, ISO and DR.
Can you help me understand this better?
And thanks agains for the excellent thread.

Sep 19, 2008 at 05:45 PM
Steve Spencer
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p.3 #19 · 5DmkII less sharp than 5D!


brainiac wrote:

Well, I correctly predicted, in November last year, that the 1Ds3 would have a comparable noise performance (providing you want to make pictures, not crops) to the D3. I am going to be bold and make another prediction here: the 5D2 iso 12800 noise performance, optimally processed from raw, will look pretty much the same as that from the 1Ds3. Why?
(1) because Canon likely made some effort with the 1Ds3 sensor, so tweaks are unlikely to radically transform its performance, and
(2) sensor design and fabrication is a very expensive business in which costs are acutely sensitive to volume, so Canon would be foolish not to aim to use its latest sensor in more than one model at different price points, if it can get away with it, and
(3) Canon has stated that the 5D2 sensor is derived from the 1Ds3 design, and
(4) no detailed explanation has been offered of how the 5D2 sensor differs from that in the 1Ds3, a


Hi Richard,

Interesting analysis, but have you seen this description of the sensor from Rob Galbraith's web site:

"With a size of 24 x 36mm, 21.03 million image pixels and a pixel pitch of 6.4µm square, the 5D Mark II's CMOS sensor offers the identical pixel count in a sensor that's identical in size to the full-frame EOS-1Ds Mark III. The 5D Mark II's sensor also features the same light-gathering area within each pixel (called the fill ratio) and same microlens coverage over each pixel as the company's current flagship.

To achieve what Canon is saying will be the highest image quality and lowest noise ever to emerge from a Canon EOS digital SLR, they introduced several refinements: the array of red, green and blue coloured filters over the sensor have been made more transmissive, which effectively bumps up the sensor's light sensitivity, plus they tweaked the way the sensor's signal (the light it has gathered during the exposure) is amplified and then read out.

Canon is showing some serious confidence in the 5D Mark II's image sensor, and in particular its noise characteristics: they've given the camera an extended ISO range of 50-25,600, which is a three stop jump from the ISO 3200 upper limit of the EOS-1Ds Mark III (and the 5D as well).

The 5D Mark II incorporates Canon's Integrated Cleaning System in front of the sensor, but with a new anti-stick fluorine coating on the frontmost filter surface that's meant to better prevent slightly moist debris from clinging on, or for it to be more readily shaken off during a cleaning cycle."

If they made the filters more transmissive, then there might be real improvement in ISO performance. I think we will have to wait for real side by side test to really know.

Sep 19, 2008 at 06:37 PM
jvarszegi
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p.3 #20 · 5DmkII less sharp than 5D!


stockriderman wrote:
lol
100% crop of 12mp should not be any sharper than 100% crop of a 21mp. This is the reason why reviewers do this so call "mistake" I don't want to buy a 21mp camera so that it would only be as sharp as 5D at 12mp. I want it to be just as sharp at 100% crops as well. Otherwise, why not just re sample the 5D images via photoshop!!
OP,s view doesn't make any sense


You're failing to account for the fact that there is a middle ground between perfect sharpness at 100% on a 12 MP sensor and perfect sharpness at 100% on a 21 MP sensor. One of the things brainiac says is that a lens may out-resolve a 12 MP sensor but not a 21 MP sensor.

Sep 19, 2008 at 06:45 PM
jvarszegi
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p.3 #21 · 5DmkII less sharp than 5D!


Steve Spencer wrote:
brainiac wrote:

Well, I correctly predicted, in November last year, that the 1Ds3 would have a comparable noise performance (providing you want to make pictures, not crops) to the D3. I am going to be bold and make another prediction here: the 5D2 iso 12800 noise performance, optimally processed from raw, will look pretty much the same as that from the 1Ds3. Why?
(1) because Canon likely made some effort with the 1Ds3 sensor, so tweaks are unlikely to radically transform its performance, and
(2) sensor design and fabrication is a very expensive business in which costs are acutely sensitive to volume, so Canon would be foolish not to aim to use its latest sensor in more than one model at different price points, if it can get away with it, and
(3) Canon has stated that the 5D2 sensor is derived from the 1Ds3 design, and
(4) no detailed explanation has been offered of how the 5D2 sensor differs from that in the 1Ds3, a


Hi Richard,

Interesting analysis, but have you seen this description of the sensor from Rob Galbraith's web site:

"With a size of 24 x 36mm, 21.03 million image pixels and a pixel pitch of 6.4µm square, the 5D Mark II's CMOS sensor offers the identical pixel count in a sensor that's identical in size to the full-frame EOS-1Ds Mark III. The 5D Mark II's sensor also features the same light-gathering area within each pixel (called the fill ratio) and same microlens coverage over each pixel as the company's current flagship.

To achieve what Canon is saying will be the highest image quality and lowest noise ever to emerge from a Canon EOS digital SLR, they introduced several refinements: the array of red, green and blue coloured filters over the sensor have been made more transmissive, which effectively bumps up the sensor's light sensitivity, plus they tweaked the way the sensor's signal (the light it has gathered during the exposure) is amplified and then read out.

Canon is showing some serious confidence in the 5D Mark II's image sensor, and in particular its noise characteristics: they've given the camera an extended ISO range of 50-25,600, which is a three stop jump from the ISO 3200 upper limit of the EOS-1Ds Mark III (and the 5D as well).

The 5D Mark II incorporates Canon's Integrated Cleaning System in front of the sensor, but with a new anti-stick fluorine coating on the frontmost filter surface that's meant to better prevent slightly moist debris from clinging on, or for it to be more readily shaken off during a cleaning cycle."

If they made the filters more transmissive, then there might be real improvement in ISO performance. I think we will have to wait for real side by side test to really know.


That's interesting. IIRC, one of the delays with implementing the new Bayer sensor pattern by Kodak, involving the use of some clear pixels, is figuring out the edges of colored regions; per-color resolution at a given total sensor resolution obviously decreases when you make some pixels clear. However, the new push for high resolutions makes that less and less of a worry. Here's hoping for clear pixels someday soon-- and maybe even a black and white sensor.


Sep 19, 2008 at 06:48 PM
jvarszegi
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p.3 #22 · 5DmkII less sharp than 5D!


DoubleNegative wrote:
Umm, that doesn't work.

Uprezzing creates (read: fabricates, interpolates, whatever) pixels that weren't there before. A straight 21MP file from the 5D2 has actual data in all of those pixels. You can't compare the two.


It's more valid thant downresing the 21 MP file, throwing away information.

Sep 19, 2008 at 06:51 PM
DoubleNegative
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p.3 #23 · 5DmkII less sharp than 5D!


jvarszegi wrote:
It's more valid thant downresing the 21 MP file, throwing away information.


You're "throwing away" information but averaging real data to create the smaller size. With upresing you're "adding in" information that is an average of adjacent pixels, not real data. Slight difference... In the end though, neither are accurate representations.

Sep 19, 2008 at 07:42 PM
jvarszegi
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p.3 #24 · 5DmkII less sharp than 5D!


DoubleNegative wrote:
jvarszegi wrote:
It's more valid thant downresing the 21 MP file, throwing away information.


You're "throwing away" information but averaging real data to create the smaller size. With upresing you're "adding in" information that is an average of adjacent pixels, not real data. Slight difference... In the end though, neither are accurate representations.


You're not really adding any information when you upres with an averaging method. You're not creating detail. It's like adding water to a sponge-- you can dry out the sponge, and do it all over again without changing the shape or size of the sponge.

Downresing actually discards detail that you can't get back; it's a destructive transformation.

I don't see how simple interpolation is somehow inaccurate. The image looks fuzzier blown up, just as it would in the film days.

Sep 19, 2008 at 07:45 PM
Geofn
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p.3 #25 · 5DmkII less sharp than 5D!


There may not be much difference on SMALL prints (up to 8x10), but there is a big difference on large prints (16x20 and up). The larger the print, the more visible the difference.

Sep 19, 2008 at 08:02 PM

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