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Archive 2008 · Is film really going away???

  
 
mh2000
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p.4 #1 · Is film really going away???


I was out shooting my Leica IIIC + Color-Skopar 50 today... what a blast!

Regarding DOF, in practise *I* find that composing with a viewfinder is often better than composing with a fast lens on a D/SLR because I actually see the background clearly and account for it, even if in the final stage the DOF will blur it out. With a SLR and a fast lens distracting objects will be blurred out while you compose and during a rapid shot you may not account for them... and with SLRs you *tend* to look much more *through* your camera (especially with zooms) than with a RF. Different shooting. Also, since DOF depends on final print size (no matter what esoteric arguments people want to make to the contrary), a SLR still is not WYSIWYG so you still have to rely on knowledge and experience.

Inaccurate framing in the VF is the biggest beef I have, but you get to learn with experience.

Lack of mirror slap easily buys you 1stop+ extra handholding ability over traditional SLRs.

I shoot C41 b&w almost exclusively, very convenient and cheap while giving superb results.

Film is not just for photo-nuts... film is loaded in all the disposable cameras sold and they are still very popular... and are capable of taking very decent photos too (small prints of course).



Jul 18, 2008 at 04:20 PM
Gary Petersen
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p.4 #2 · Is film really going away???


mh2000 wrote:
Film is not just for photo-nuts... film is loaded in all the disposable cameras sold and they are still very popular... and are capable of taking very decent photos too (small prints of course).

All the drug stores around here sell disposable digital cameras now. Same price as the ones with film.



Jul 18, 2008 at 04:26 PM
Daniel Buck
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p.4 #3 · Is film really going away???


ISO1600 wrote:
Daniel, and others that shoot a lot of B&W- how are you developing? I have been doing my 35mm in 2-roll tanks, with all the stupid hand-agitation and all that jazz.

I definitely ENJOY the finished product, and i enjoy the different looks i can get when developing w/ different chemicals and all that- but i hate the whole tank part of it. Are you guys using Jobo machines, or what? I just can't do this every day haha.


For 120 and 4x5, I use a jobo tank, and invert it by hand for agitation. For 8x10 film and paper I use a roller motor and a print drum, and let the roller motor do the agitation.


Edited on Jul 18, 2008 at 05:09 PM



Jul 18, 2008 at 05:09 PM
tennclay
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p.4 #4 · Is film really going away???


brainiac wrote:
therefore it is impossible to accurately focus off-centre subjects with a 35 f1.4 because the act of recomposing will move the focus behind the subject. Always. No way out.


It is not impossible to get in-focus, recomposed shots with a rangefinder. Of course lenses vary in their flatness of focus, but I find the camera to subject distance to be a much more critical factor.

I use quite fast lenses and recompose a fair amount of the time and I haven't seen it as a practical problem, even when using a F1.2 or 0.95 lens - as long as I am not trying to do this extremely closeup. Plus, a lot of wide open shooting with fast (1.2 and faster) lenses would be in low light - a situation where an SLR is at its worst with a dimmer viewfinder and the practically impossible task of using a matte surfaced focusing screen.

And, BTW, this field curvature is not designed "into" the lens, rather they are not designed "out" (meaning corrected). And any problems you would have would be seen as focus being in front of the subject, not behind it. And in general, RF lenses seem to be much better corrected, in my experience.

That said - I am not questioning Brainiac's preference for an SLR, which camera works best for you is highly personal. But, a rangefinder has advantages for many people which outweigh the negatives.



Edited by tennclay on Jul 18, 2008 at 05:26 PM GMT

Edited on Jul 18, 2008 at 05:26 PM



Jul 18, 2008 at 05:24 PM
tennclay
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p.4 #5 · Is film really going away???


Gary Petersen wrote:
All the drug stores around here sell disposable digital cameras now. Same price as the ones with film.


I still see quite a few "soccer moms" still picking up film at the local 1 Hour when I drop by.



Jul 18, 2008 at 05:26 PM
mh2000
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p.4 #6 · Is film really going away???


I'm not seeing many people shooting the digitals, nor have I seen better photos coming from them either. $4 film disposables will mostly beat sub-$100 digitals still... and not everyone wants to waste $100+accesories for a crappy digital only to take to the beach on a once a year vacation.

(Though the little Argus Beans do look fun )

>>All the drug stores around here sell disposable digital cameras now. Same price as the ones with film.



Jul 18, 2008 at 05:57 PM
brainiac
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p.4 #7 · Is film really going away???


> The ground glass for manually focusing an AF DSLR with an off-center subject usually leaves much to be desired, especially with wide angle lenses. Accuracy is not grea, and it gets worse with slower lenses...

I find accuracy of ground-glass off-center focussing very good on my 5D and 1Ds3, using Canon's Ee-S and Ec-S screens. With slower lenses it requires concentration, but at least it can be done. On a rangefinder there is no way of focussing your subject if you want to put it off-center, so I'm afraid it's really one-nil to the SLR. Bearing in mind that I almost never put my focussed subject in the middle of the picture, the rangefinder method almost guarantees misfocus, which increases the further from the center the subject is, and the wider and brighter are your lenses.

>...With any camera though, you just need to be aware of the inaccuracy that a focus-recompose technique can cause and compensate for adjust for it.

Being aware of it is not enough. The mis-focus varies depending on how wide your lens is and how far from the center your subject is. Those two continually changing variables make it almost impossible to use dead-reckoning to adjust accurately when using a lens at f2 or f1.4.

> ...a great deal of the famous photos taken with Leicas and other RF do show that focus isn't one of their strengths. But this also shows that sharpness isn't everything to make a great photo.

OK. Accurate focus isn't important to you. I get paid to take pictures. Lots of them are out of focus, but I do try my best to get focus as good as possible. A camera which had no way to accurately focus at wide apertures would be a severe limitation. Why pay so much for a camera that can't accurately focus off-center subjects?

> With a SLR and a fast lens distracting objects will be blurred out while you compose and during a rapid shot you may not account for them...

That's a great point - thanks for raising it. I mostly use alt lenses on Canon, and manual screens which give a very good approximation to real depth of field, so in that case the point doesn't apply, but I agree that with auto-aperture lenses, depending on the set aperture, SLRs can be _as_misleading_as_a_rangefinder_ by not showing the depth of field. They do have d.o.f. preview for that reason though, and liveview works well with d.o.f. preview too. A rangefinder doesn't even have d.o.f. preview.

>...a SLR still is not WYSIWYG so you still have to rely on knowledge and experience...

...unless you're using a Canon manual screen, alt lenses, or d.o.f. preview, in which case the viewfinder really is about AWYSIWYGAYCG (As WYSIWYG As You Can Get).

> Plus, a lot of wide open shooting with fast (1.2 and faster) lenses would be in low light - a situation where an SLR is at its worst with a dimmer viewfinder and the practically impossible task of using a matte surfaced focusing screen.

I shoot with bright lenses in very low light all the time, and I don't find it practically impossible at all. Here's an example with Oly 28 f2 at f2, and 5D at iso 3200, where a rangefinder could not have accurately focussed what my SLR did:
http://cyberphotographer.com/5D/nathanlo.jpg

> ...field curvature is not designed "into" the lens, rather they are not designed "out" (meaning corrected). And any problems you would have would be seen as focus being in front of the subject, not behind it. And in general, RF lenses seem to be much better corrected, in my experience.

I didn't say curvature was designed in. Field curvature is not the problem. The reason why a rangefinder can not focus off-center subjects is because the lens has a PLANE of focus. Lens makers prefer to make planar lenses so that brick walls look uniformly focussed. As a result, the center of the lens circle focusses at a _different_distance_ than the periphery. If you point your RF patch at the subject, and the subject is six foot away, and then recompose to place your subject nearer the side of the frame, then the lens is focussed at let's say 8 foot (in the direction of the subject), while the subject is still only 6 foot away. At f1.4 or f2 that constitutes a serious back-focus problem. On rangefinder the center patch is the only way of confirming focus, and in those very very common circumstances it is completely broken by design. OK - you could draw a line along the ground in the direction of the lens axis, and mark the distance on that line from which a perpendicular bisector passes through the subject, but I promise you that you will be less accurate and much slower than me and my SLR, which allows me to focus planar lenses on off-center subjects by eye, with no less accuracy than it allows me to focus the center of the frame.

Edited on Jul 18, 2008 at 06:43 PM



Jul 18, 2008 at 06:38 PM
mh2000
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p.4 #8 · Is film really going away???


SLR's are obviously more versatile in a number of way, that is why rangefinders have been niche items for many years now. People manage to focus both types of cameras. Some people really enjoy shooting Leica rangefinders (etc.) and generally, when someone enjoys using something they get better results from them... so all the arguments one way or the other become meaningless by the time you get to photos.


Jul 18, 2008 at 06:52 PM
brainiac
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p.4 #9 · Is film really going away???


And in case I still haven't made my point, it is surprising how many well composed shots are not appropriately focussed in the center. In a shot like the following, taken at dusk with a wide aperture like f2 or f2.8 and a focal length around 28-40mm, it is quite important to get the eyes accurately in focus. A rangefinder can't.
http://www.cyberphotographer.com/c/20080628costa/39.jpg

Here are a few other examples from the same job, of photos that could not have been accurately focussed with a rangefinder...
http://www.cyberphotographer.com/c/20080628costa/141.jpg
http://www.cyberphotographer.com/c/20080628costa/146.jpg
http://www.cyberphotographer.com/c/20080628costa/153.jpg
http://www.cyberphotographer.com/c/20080628costa/157.jpg

there are hundreds more from that job alone.

Edited by brainiac on Jul 19, 2008 at 12:02 AM GMT

Edited on Jul 18, 2008 at 07:02 PM



Jul 18, 2008 at 06:54 PM
mh2000
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p.4 #10 · Is film really going away???


Go to www.flickr.com and search on Summilux... you will find many many examples of people doing the impossible.

>>...it is quite important to get the eyes accurately in focus. A rangefinder can't.



Jul 18, 2008 at 07:01 PM
brainiac
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p.4 #11 · Is film really going away???


> Go to www.flickr.com and search on Summilux... you will find many many examples of people doing the impossible.

I did just that. On the first page of results there was only one image with an off center subject, and it was done with a 50mm lens. There were no eyes in the image, so focus did not appear to be very critical. If you read what I wrote above you will see that I specifically stated that this is a problem with wide-aperture wideangle off-center focussing.

Guesswork will always net you a few off-center successes with wide lenses at f1.4, but why play hit or miss?



Jul 18, 2008 at 07:09 PM
tennclay
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p.4 #12 · Is film really going away???


brainiac wrote:
Here's an example with Oly 28 f2 at f2, and 5D at iso 3200, where a rangefinder could not have accurately focussed what my SLR did:
http://cyberphotographer.com/5D/nathanlo.jpg



Actually a shot like that would be no problem to focus with a good rangefinder. I assume your intended focus was on the man just off center. And there is no question the RF VF would be much brighter than a SLR VF. It will be significantly easier to focus a RF than a relatively dim F2 SLR lens using the edges of a matte focusing screen.



I didn't say curvature was designed in. Field curvature is not the problem. The reason why a rangefinder can not focus off-center subjects is because the lens has a PLANE of focus. Lens makers prefer to make planar lenses so that brick walls look uniformly focussed. As a result, the center of the lens circle focusses at a _different_distance_ than the periphery. If you point your RF patch at the subject, and the subject is six foot away, and then recompose to place your subject nearer the side of the frame, then the lens is focussed at let's say 8 foot
...Show more

I see where you are coming from - you are considering the plane of focus and field curvature as unrelated, but I believe they are - at least indirectly. The "PLANE" you mention the designers are after is a correction of a aberrated plane of focus that cause bad brick wall shots. A correction required, at least partly, as a result of astigmatism and curvature of field, I would think. But I would agree these corrections could result in focusing discrepancies like you describe. But they could be inversely competing with differing aberrations like a parabolic curature of field with the point of focus moving nearer as you mover toward the edges.

But rather than try to agree on the fine points of optics, which I respectfully suggest neither of us are adequately versed (though I admit I am no Brainiac!), can we focus on whether it is a practical problem?

It really isn't even under fairly brutal conditions, it is perfectly easy to get in focus shots when recomposing an RF. RFs have other disadvantages - macro, long telephoto, fast moving subjects - but recomposing or focusing in low light aren't among them....



Edited on Jul 18, 2008 at 08:07 PM



Jul 18, 2008 at 08:05 PM
tennclay
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p.4 #13 · Is film really going away???


Just to offer proof, here is a quick test done with an RF at F1.2 at very close to the minimum focusing distance - about as bad as it can get. DOF is less than an inch. I focused on the yardstick shot, then immediately recomposed and shot again.

Side by side full shots of my messy desk...

http://www.tunachaser.com/modules/pnCPG/coppermine/albums/userpics/10001/recomposefull.jpg

Now a 100% crop of the yardstick.
http://www.tunachaser.com/modules/pnCPG/coppermine/albums/userpics/10001/recompose_crop.jpg

I think I accomplished the impossible!



Jul 18, 2008 at 09:00 PM
brainiac
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p.4 #14 · Is film really going away???


Looks good. Can you do this reliably with all your wideangle lenses? What was the effective focal length?

Edited on Jul 18, 2008 at 09:07 PM



Jul 18, 2008 at 09:05 PM
tennclay
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p.4 #15 · Is film really going away???


This is a 50mm lens - wide angle is no problem.


Jul 18, 2008 at 09:14 PM
jcolwell
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p.4 #16 · Is film really going away???


Yes, film is going away. Film is a technology, and technology is constantly changing. Last year, I went to my camera store and asked for some Astia 120 - they didn't have any. They also didn't have any E100G. Two years ago, their front counter fridge was full of useful emulsions. Last year, it was partially full of CD's (not that they need the cooling, they need the shelf space). Now, the fridge is gone (I hope it's in the basement, full of beer), and I'm describing the "digital darkroom" to friends.

Edited on Jul 18, 2008 at 09:24 PM



Jul 18, 2008 at 09:16 PM
brainiac
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p.4 #17 · Is film really going away???


tennclay wrote:
This is a 50mm lens - wide angle is no problem.


Was this on a 1.3 crop? 50mm on a 1.3 crop isn't much of an angle to turn during recompose.

I like to shoot 35mm f1.4 wide open or a stop down on full frame, and I would expect the effect to become visible in those circumstances. The lack of a full frame rangefinder means that there aren't many bright wideangle options to test. I would expect to see the effect more with something like a 35 f1.4 or 21 f2.8 wide open.

Edited on Jul 18, 2008 at 10:05 PM



Jul 18, 2008 at 10:02 PM
mh2000
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p.4 #18 · Is film really going away???


actually, *everything* is going away... when the sun explodes and vaporizes the earth, everything we know will be gone... prepare for that or live to enjoy what today has to offer? Walgreens still sells and processes my favorite b&w film...


Jul 18, 2008 at 10:13 PM
mh2000
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p.4 #19 · Is film really going away???


>>Side by side full shots of my messy desk...

The Pan F is a nice touch



Jul 18, 2008 at 10:18 PM
tennclay
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p.4 #20 · Is film really going away???


brainiac wrote:
Was this on a 1.3 crop? 50mm on a 1.3 crop isn't much of an angle to turn during recompose.

I like to shoot 35mm f1.4 wide open or a stop down on full frame, and I would expect the effect to become visible in those circumstances. The lack of a full frame rangefinder means that there aren't many bright wideangle options to test. I would expect to see the effect more with something like a 35 f1.4 or 21 f2.8 wide open.



You said
"Rangefinders...
- offer no way of focussing off-centre subjects with normal or wide-angled lenses at wide apertures"


Now you are adding additional criteria to try to salvage your argument - the crop invalidates the test, or it has to be a 35mm 1.4. All the while the example you posted has a subject significantly more "on axis" than my sample as a demonstration of what RFs can't do. I know that the small additional amount I'd be able to rotate the camera on a full frame camera would again make no practical difference.

I think you are sticking by you speculation and I doubt there is any test demonstrating the contrary that would sway you. But I'll surely read the results if someone else wants to take the effort.



Jul 18, 2008 at 10:46 PM
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