butchM Offline Buy and Sell: On
|
Andy Swanson wrote:
Anyway, one other point regarding the D3/D700 question is to be realistic about the shots you can get under the lights at a high school field. If your field is anything like our local field you could shoot at ISO 50,000 and F1 and still not have enough light
Jack
AMEN
So true of many HS fields. The recommendation of at least a 300 mm lens for an FX sensor is quite accurate. Anything less and you will find yourself doing a lot of cropping, throwing away a lot of valuable pixels in the end. You can get by with a 200 mm if you are patient and let the action come to you, this will also limit your opportunities in some situations.
As far as the decision on D700 or D3 goes, if your potential income/reward is at a level to warrant a D3, go for it. Otherwise, I think the D700 sounds pretty good. I have made a decent living for the past 30+ years staying one level below the top of the line. When many were shooting the F3, I had a pair of FM2s (yeah, that's right 3fps with the MD-12 and MF/manual exposure), When many were shooting the F4, I was shooting a pair of N90s. Right now I have a pair of D200s and I don't feel any real pressure to move up just yet. (Yes, they won't do 8fps, but I miss very little because of it.) Not sure if I'll go D300 or D700 ... FX sounds great, but I like that extra reach I've been getting with DX.
|