christo™ Offline Image Upload: On
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p.1 #9 · What do you guys finally keep? | |
For me it depends on what I'm shooting and what the outputs will be.
For a zillion shot event, I'll shoot large/fine JPEG only, usually with custom WB, and keep only the original JPEGs and the final reprocessed JPEGs (which have typically had a simple process for sharpening, and some re-rezzing / file size reduction), plus maybe a few shots where I fixed an oops. Some months after the shoot when orders go away, I'll throw away the reprocessed images and just keep the original JPEGs. Oh, yeah, everything is sRGB
For most other things I shoot RAW plus (sRGB) medium JPEG. If I'm in a hurry and the WB is on target the JPEGs with a one-pass garbage discard are the instant proof set. If the WB is hosed, the JPEGs go into the recycle bin right quick. Anything that gets ordered or I care about gets processed from raws. I make a subdirectory called "keepers", and a few subdirectories under that. If I'm using C1 (larger batches), I process into 16 bpcpp TIFF images, then get to work in PS. The TIFF images get discarded after saving in .PSD. What comes after the .PSD depends on what the outputs are, but if it's screen, I'll usually keep the set of final flattened JPEGs (they're small) along with the .PSD and RAW files. Some months later, the stuff that didn't make it into the "keepers" subdirectory, raws and JPEGs get deleted. If the RAW processing and PS work was pretty elementary, I will usually discard all the .PSD's that didn't have some special extra work on them.
My weeding process is three-pass: first ditch all the dups, subject-blinked, pix of people's butts, and Bozo-the-Photographer messed up stuff immediately. Second, separate anything that gets ordered or really catches my eye from the main memory card dump directory, and only keep the original camera images for anything that doesn't make the cut. Finally, "some months later", I make another, harsher cut and anything that didn't make the grade gets axed. Also anything I can easily reproduce from the source images with the basic processing steps for the batch. For stuff I go nuts with like hand sharpening in regions and/or playing games in PS, I'll keep the .PSD's forever, often more than one for each image I spent real time on with intermediate stages of the PS work saved off as separate files.
I agree that storage is cheap and keeps getting cheaper, but time sure isn't. While, or immediately after, processing on whatever workstation(s), I migrate all files for an event to my RAID 10 NASD. When I have time, I archive to DVD, and that's usually when the final harsh cut comes in because DVD's just don't fit that much. They also need to be burned in duplicate, labeled, filed, and reburnt some years later -- adds up to significant overhead.
Anyone who says "storage is cheap" and "I keep EVERYTHING" -- well, I understand where you are coming from. Been there, had that attitude. Just wait a few years 
Right now, the SATA II HDD RAID arrays with the built-in RAID controller support on the motherboards makes the hard disk storage deal sweet, but the optical media is lagging. The BlueRay / HD DVD stuff is still way too expensive and way too slow for me, and 4.7GB is just too small a chunk with the time it takes per chunk to burn, label, and file.
Edited by christo™ on Feb 12, 2008 at 04:53 PM GMT
Edited by christo™ on Feb 12, 2008 at 04:53 PM GMT
Edited on Feb 12, 2008 at 10:53 PM
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