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Archive 2016 · First Sighting: A7rii Thin filter in action

  
 
Fred Miranda
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p.4 #1 · First Sighting: A7rii Thin filter in action


uhoh7 wrote:
Really, I think SEM 21 would easily compete on Sam's body. We don't know, but I'm not sure why anyone has the urge to pre-judge or predict. Or, Gary, to tell people they should just use M lenses on M bodies.

Especially since the best 35 available for STOCK A7r2 is ZM 35/1.4 according to Fred, AN M LENS, unless I have that wrong. So why on earth can't the SEM 21, which is a fully modern 2011 design with fantastic MTFs, meet or beat the Zeiss 21/2.8, with a thinner filter than Kolari? The Sony micro lenses and sensor
...Show more

Wow, strong words.
I wrote that the Loxia 21/2.8 is in my opinion, the best choice for the A7RII simply because it's native and has incredible rendering and IQ for a reasonable price. My point was that we really don't need to adapt another 21mm and modify our bodies for this focal length.

Currently, that's not the case at 35mm as the ZM 35/1.4 is excellent on the A7RII at smaller apertures and that's an exception to the rule since it's superior to the native Loxia 35/2 and FÉ 35/2.8 and that's without the corrective front lens which improves it even further.



Feb 08, 2017 at 02:12 AM
samlee.hk
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p.4 #2 · First Sighting: A7rii Thin filter in action


iv4 thin filter seems very thin, how thin for the filter ? any anti dust coating?
it good to see the improvement for a7 mod

uhoh7 wrote:
Really, I think SEM 21 would easily compete on Sam's body. We don't know, but I'm not sure why anyone has the urge to pre-judge or predict. Or, Gary, to tell people they should just use M lenses on M bodies.

Especially since the best 35 available for STOCK A7r2 is ZM 35/1.4 according to Fred, AN M LENS, unless I have that wrong. So why on earth can't the SEM 21, which is a fully modern 2011 design with fantastic MTFs, meet or beat the native Zeiss 21/2.8, with a thinner filter than Kolari v2? The Sony micro lenses
...Show more




Feb 08, 2017 at 04:45 AM
Tmuussoni
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p.4 #3 · First Sighting: A7rii Thin filter in action


Gary Clennan wrote:
The absolute best overall performance with the 21SEM (and mostly all other Leica M glass) will be on a digital Leica M body. Why not pick one up and try it out? It would save you some headache from messing around with all this Kolari stuff....


I admit I really didn't express myself clearly enough. I have the M 240. Of course I love the IQ with SEM 21 + M 240. It's fantastic. I like to do landscapes, portraits and occasional street shooting.But there are some things which Leica bodies are really not good for. I really need a second body to try to solve these issues. I have only M glass so selling everything and changing system is out of the question. That would cost me several thousand euros. You always loose when you sell stuff.. Although I do admit Hasselblad X1D really speaks to me, but it's still out of my reach.

The limitations for Leica bodies are:
1) Limitations with landscape use. M 240 is only limited for 1 minute bulb mode at base ISO and only 8 seconds at higher ISO. This really drives me insane and lot of the landscaping stuff I occasionally like to do simply can't be accomplished. I waited years for M10 to finally remedy these issues, but sadly it did not pan out. M10 does 125 seconds at base ISO and 16 seconds at ISO 3200. While a modest improvement but it's still not good enough. In addition there is no way to turn off long exposure noise reduction. So Leica's Achilles' heel remains the inability to provide decent bulb mode. Does not matter if it's 17000$ Leica S007 or 6500$ Leica M10. Same issues.

2) I admit, after using the X1D at 50 MP there is definitely an advantage when having almost twice as many pixels. I see the difference. Leica SL and M10 are both stuck at 24 megapixels, and I admit I was hoping for a modest increase.

3) I love the rangefinder focusing. No doubt. However, sadly for wedding portraits there are moments rangefinder focusing simply is not accurate enough. Take a look at my ugly solution how to accurately focus Summilux 75 with M 240 and using strobes:. Not really ideal solution. I love Summilux-75 for portraits, but for wide open shooting I can't trust the rangefinder to get what I want.

4) Leica SL is an option, but it's so huge body. In addition it's 6500 €, no increase in megapixels and still it's plagued by inability to turn off long exposure noise reduction. In addition M10 is not going get multifunctional handgrip so it means there is no way to use flash socket and EVF in same time. A huge bummer for me.

5) So if a modded A7r II would perform as well as M240 / M10 with SEM 21 that would be very interesting option for me. It would eliminate bulb mode problems, doubles the megapixels (a very positive thing) and it would make a much better studio camera than M 240.






Feb 08, 2017 at 05:55 AM
Gary Clennan
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p.4 #4 · First Sighting: A7rii Thin filter in action


Tmuussoni wrote:
5) So if a modded A7r II would perform as well as M240 / M10 with SEM 21 that would be very interesting option for me. It would eliminate bulb mode problems, doubles the megapixels (a very positive thing) and it would make a much better studio camera than M 240.


I see where you are coming from and would agree that the M series has limitations with respect to some types of landscape shooting - especially longer exposures. That is why I own both a Leica and Sony. I simply feel that some are being a bit too optimistic about how much better a modded A7RII would perform compared to stock. It's easy to get excited about these sort of things though.... My opinion is why not just stick with stock A7RII with 21loxia than mess around with your new sensor just to try to make a 21SEM work? My 21SEM (when I owned it) worked brilliantly for years on my M. I have yet to see a single photo taken with it on any other digital body that delivered the same exceptional results as digital M. I guess in the end, people like to tinker with things to see what they can get out of their body and lenses - I get that.



Feb 08, 2017 at 10:17 AM
uhoh7
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p.4 #5 · First Sighting: A7rii Thin filter in action


Gary Clennan wrote:
I simply feel that some are being a bit too optimistic about how much better a modded A7RII would perform compared to stock. I have yet to see a single photo taken with it on any other digital body that delivered the same exceptional results as digital M.


Based on what Gary? You have no experience with the mod and I very much doubt you have followed testing closely, or the mod owners themselves. You had no interest in modding your Sony at any time.

I'm not sure why you feel the need for an opinion on the subject. There's nothing wrong with staying native as you do. No reason why you should care, or take the time to look into it.

Why not just let the truth come out, instead of prejudging results and other people's optimism? All you need is a lawn and a hose You acted the same way when the A7 had just come out. Now you own one

I know it's a r2.

Did you read Kasson and Digiloyd testing on the v2 Kolari? If you want to know what you are talking about, you should read all his many blog posts on various lenses comparing A7ii stock and mod and M240. Lloyd is one of the few to test the v2 on a A7rii also with the 18 SEM

Here is Kasson with M240 v A7ii and super-elmar.

Lloyd r2 SEM18 Kolari

I will shoot the SEM 21 on M9, A7.v2 and A7.ut and then you can tell us how you were right all along, while we all make our own judgments. I've already seen it on Sam's Camera and another Taiwan Mod, as has Derek. I'll let him report on that.

Here SEM 21 F/4 on Kolari v1:

a7m_sem21_f/4 by unoh7,no PP

Fred Miranda wrote:
My point was that we really don't need to adapt another 21mm and modify our bodies for this focal length.

Who is "We"?

You have a single choice at 21mm, finally. I am not trying to talk you out of it. Maybe some of us would like to use other lenses. Maybe we would like our Sony to be a great ALT body, so we can have more choices that do well. How many M/LTM options at 21mm? Many, with distinct traits. How would they compare with Leica thickness coverglass on r2, or other A7 flavors with the Loxia 21? You don't know. I don't think you care. Nothing wrong with that. But not everyone is of the same mind.

Considering how much you have fiddled with the internals of the ZM 35/1.4 to get it working right, I'm surprised you have such little sympathy for those who would like to reach the same potential on many non natives with a single modification. But I guess if Sony made you a 35 you liked, you would not be trying to improve the ZM35/1.4.

How many 35s do they make?

Some people use one of those, and love them. Other people want to shoot a bunch of M lenses well. That's really what this thread is about. I don't know why that is somehow controversial, but it it always draws the "you should not do that" mentality. Why?

Maybe the Loxia really will beat the SEM 21 on the best r2 mod. I hope we get to find out But as much nicer to use as the SEM 21 is for MF than the Loxia, many would like to see the CV/21 working decently. M10 has it going pretty good now, and I often take it over the SEM 21 on my M9. What could possibly be the attraction, besides the price of 275 USD?


Sony A7.mod by unoh7, A Tiny Thing

We had some incredible skiing today. I took M9, those two lenses and TE 90. I kept up with a very strong crew off-piste all morning. I never once noticed the camera skiing, despite the huge range of motion you get skiing fast in crud and bumps. And I am not young. I like those tiny lenses, Fred.

I like choices

The CV 35/2.5 Skopar, on the A7 above, is another great lens to test a Mod


Not Waiting by unoh7,35 Skopar on M9 today

Below I tested it on the A7r in 2013 at 5.6 or F/8:

Spray Them! by unoh7, CV 35/2.5 F/8 .could be 5.6

So much for that, I thought. Un-usable. It's BW because the colorshift was sickening. Then a year and a month later I tested it on the Kolari A7 v1:

a7M_CV35_56 by unoh7, on Flickr

It still has some edge problems as you can see. Vast improvement. Some saw that and said hey that is fine! So it's a good one to test the new ultra-thin Kolari mod

Now, do I have stronger 35s for the M9? Yes. But I don't have smaller lighter 35s for it, Fred. Which is why I still have the lens. How light and small can I go and still take a FF body?

That in essence is the only reason we have the 35mm format at all. The asthmatic Barnack wanted a hiking camera. Sony took a strong step in that direction with the Nex-5, which is how many us got into the E mount. But with the 600+ gram r2 and numerous DSLR sized lenses, they have lost that plot, not withstanding the lip service to a small system. A r2 without IBIS and the A7 474 gram footprint would be nice, but we will see things go in the other direction this spring I think. Of course, pine for a small camera, and many will chime in to defend their loves: ii is so much better to hold. "We" would not want it any lighter...

Well some of us would, just like some would like to get great performance from a bunch of M lenses

Edited on Feb 08, 2017 at 10:25 PM · View previous versions



Feb 08, 2017 at 06:25 PM
uhoh7
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p.4 #6 · First Sighting: A7rii Thin filter in action


samlee.hk wrote:
iv4 thin filter seems very thin, how thin for the filter ? any anti dust coating?
it good to see the improvement for a7 mod


I agree Sam. I'd guess 2mm. Can it do the IR like that? There are some new types of IR cut developed for cell phones, and this may be one of those. Kolari does keep the glass choice private, as of course does Leica .

I'll try to find about dust. It has not been a problem with previous mods for me. I should have A7 with this new .2mm soon, so I'll be testing. It has not been really tested yet. Our guy found the glass just recently, inspired by what you have been able to do with NKIR. It could very possibly have problems. But instead of vetting the whole thing carefully and then shelving or unveiling it, we decided why not just share the testing? Then those interested may get a better idea of how the various issues effect performance.

I guess the risk is: it does not prove good enough to offer, and you have people say: Ah Ha! A7 cannot do M wide! I knew it! Now, if it really does cut IR well, with WB we can use, I think I know one question we might both think of

I love to see all the lenses you are trying on your special no-coverglass mod, by the Taiwan Master.

I have to ask, I saw your camera with the ZM21/4.5 mounted. Many have lamented this lens does not work well on any digital Leica M but is fantastic on film. Much loved.

Did you have a chance to test that lens?



Feb 08, 2017 at 09:29 PM
Steve Spencer
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p.4 #7 · First Sighting: A7rii Thin filter in action


Tmuussoni wrote:
I admit I really didn't express myself clearly enough. I have the M 240. Of course I love the IQ with SEM 21 + M 240. It's fantastic. I like to do landscapes, portraits and occasional street shooting.But there are some things which Leica bodies are really not good for. I really need a second body to try to solve these issues. I have only M glass so selling everything and changing system is out of the question. That would cost me several thousand euros. You always loose when you sell stuff.. Although I do admit Hasselblad X1D really speaks
...Show more

I see where your frustration is coming from. I think the Leica M digital cameras and especially the new M10 make great out and about cameras. They are excellent for some types of photography and fill a nice niche, but they don't do some things very well at all. Trying to use one as a studio camera is like trying to put a square peg in a round hole, IMO. No tethering. No using flash and the EVF (something that makes a lot of sense in the studio). And although I think the digital M cameras can do landscapes very well (and the M10 is a nice advance in that capability) they can't do exposure over 2 minutes and not being able to shut off the extra frame for long exposures is just daft. So, yes for what you want to do a second body certainly makes sense.
But what second body? I think a good case can be made for a Kolari modified A7rII, but I think you should also consider a stock A7rII. For portraits with the 75 lux, the stock camera will do very well. One thing you will want to watch with any a7rII (modified or not) is to shut the electronic first curtain shutter off at speed over 1/1000. It can wreak havoc with the bokeh of fast lenses. I am not sure what other lenses you shoot for portraits, but the 90 cron AA, and the 50 cron AA both are excellent on the stock camera, and at 35mm a good (no actually great option) is the Zeiss C/Y 35 f/1.4. It is a bigger lens (but not all that much bigger than the 75 lux) but I think it is better for portraits than anything for Leica M. It isn't that expensive either. So, I think you can have an excellent portrait set up without modifying the A7rII. Now if you use a Noctilux or the 50 lux ASPH extensively, then that would argue for a modified camera.
What about landscapes? Again, I don't know what lenses you use, but I think there is a case for the stock a7rII. I know you love your 21 SEM and for good reason, but as others have said the Loxia 21 f/2.8 really is a special lens on the stock a7rII and I think for landscapes every bit as capable as the 21 SEM. I'm not saying it is better (except for the sunstars, which IMO are better), but I think it is as good and it is cheaper. It is a little bigger, however. Still if you only use the 21 SEM for landscapes and you plan to use the Sony for landscapes, then I think your are ahead by selling the 21 SEM and getting the Loxia 21. You have capability at 21mm that is at least as good as the 21 SEM and you have about $1,000 in your pocket (when you consider the cost differential of the lenses and the money you save by not doing the Kolari mod).
So again, I don't know what lenses you have, but I can imagine a number of scenarios in which getting a stock A7rII would make sense. For example, you have the 21 SEM, and let say you have a 28 cron ASPH, a 50 cron Pre-AA, the 75 lux, and a 90 Elmarit-M. You could sell just one lens the 21SEM, and get a Loxia 21 and a Zeiss C/Y 35 f/1.4 and you Leica M kit would be the 28 cron, 50 cron, 75 lux, and 90 Elmarit-M. That is still a great kit for street shooting and out and about shooting. Your Sony kit now becomes a stock A7rII, the Loxia 21, Zeiss C/Y 35 f/1.4, 50 cron, 75 lux, and 90 Elmarit-M. For portraits you have the excellent Zeiss C/Y 35 f/1.4 and 75 Lux, and for landscapes you have the Loxia 21, 50 cron, and 90 Elmarit-M. The Sony would also work well in the Studio. I think this kit works well and it is no more expensive than the Kolari modified kit and it has the advantage of being able to add the Zeiss C/Y 35 f/1.4 for portraits, and you won't void your warranty on the Sony camera, and when it does come time to upgrade your Sony it will likely be worth more. You do have the downside that the 28 cron doesn't work on the stock Sony A7rII very well, but i think in this case it is worth having that limitation.
Of course this is just one scenario. A lot will be determined by exactly which lenses you own and how those lenses work on the stock Sony. I would never advise you to sell all your M lenses, but selling one or two when you can buy a cheaper and equally capable lens for the Sony might well make sense. Of the two lenses you mentioned, I think the 21 SEM falls into this category, but I don't think the 75 lux does. If you had a 35 lux FLE, then I think it would be worth considering selling it (and potentially getting the Zeiss ZM 35 f/1.4), but if you have a 50 lux ASPH, I couldn't advise you to sell it (there really is nothing on the Sony that comes close to the performance of this lens on the Leica, IMO). Anyway, I am not saying that you shouldn't consider a modified A7rII (or an A7r), but I think you should also think about your exact lenses and consider selling one or two and getting a stock a7rII as well.



Feb 09, 2017 at 12:10 AM
samlee.hk
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p.4 #8 · First Sighting: A7rii Thin filter in action




I got a Quick testing w ZM21/4.5 + A7RII (removed cover Glass+0.7mm thin filter) testing this afternoon




FULL SIZE : https://c1.staticflickr.com/1/467/32759468426_e0ed92a07c_o.jpg

ALL PIC ARE TAKEN AT F5.6









THERE ARE SOME PIC MORE:
https://www.flickr.com/gp/rokkorx/9a44p6



Feb 09, 2017 at 07:33 AM
Tmuussoni
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p.4 #9 · First Sighting: A7rii Thin filter in action


Steve Spencer wrote:
I see where your frustration is coming from. I think the Leica M digital cameras and especially the new M10 make great out and about cameras. They are excellent for some types of photography and fill a nice niche, but they don't do some things very well at all. Trying to use one as a studio camera is like trying to put a square peg in a round hole, IMO. No tethering. No using flash and the EVF (something that makes a lot of sense in the studio). And although I think the digital M cameras can do landscapes
...Show more

Hi Steve. I appreciate you took the time to answer to me. Some really good thoughts here. It made me thought about options I never did before. Right now I have 21 SEM, 28 Cron version #2, 50 Lux ASPH, 75 LUX and Apo-90. Out of these lenses 21SEM and 50 LUX ASPH are the lenses which could degrade a little bit with stock A7r II. I am sure my Cron 28 #2 will handle A7r II just fine as evidence by Lux 28 as both of these are designed for digital. I have to give it a lot of thought. The thing is it took me years to get where I am today: a set of M lenses I always wanted. So I am not so keen on selling 21SEM and getting Loxia 21, because then I effectively would have two systems. I wish I could stick to just one system. Even if two bodies are different manufacturers that would be ok to me if they would perform as they are supposed to. And I know Loxia 21 is just as good as SEM 21 so that is not the issue. They are two remarkable lenses.

I guess I have finally realized that no system is perfect. What really bums me out is the fact that Leica is so close being there close to perfection. But sometimes it seems they are purposely limiting the functions on the camera just to annoy the h€ll out of the photographer: e.g. not granting them bulb mode unlike every single other camera manufacturer out there. Or providing one little PC socket to trigger external flash. And I know Sony is not perfect either. Oh well, such is life...



Feb 09, 2017 at 10:06 AM
Gary Clennan
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p.4 #10 · First Sighting: A7rii Thin filter in action


Steve Spencer wrote:
...So again, I don't know what lenses you have, but I can imagine a number of scenarios in which getting a stock A7rII would make sense.





Feb 09, 2017 at 10:10 AM
Gary Clennan
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p.4 #11 · First Sighting: A7rii Thin filter in action


Tmuussoni wrote:
Hi Steve. I appreciate you took the time to answer to me. Some really good thoughts here. It made me thought about options I never did before. Right now I have 21 SEM, 28 Cron version #2, 50 Lux ASPH, 75 LUX and Apo-90. Out of these lenses 21SEM and 50 LUX ASPH are the lenses which could degrade a little bit with stock A7r II. I am sure my Cron 28 #2 will handle A7r II just fine as evidence by Lux 28 as both of these are designed for digital. I have to give it a lot of
...Show more

Yes, it can be frustrating at times. However, your 50lux, 75lux, and 90 should all be just fine on the A7RII. The 50lux may be slightly questionable but I personally find it to perform just fine. As I said though, all these lenses perform differently on a digital M body and it comes down to whether or not those rendering/performance differences are super important to you. Could you rent an A7RII for a few days to see if you like it or not?



Feb 09, 2017 at 10:17 AM
Tmuussoni
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p.4 #12 · First Sighting: A7rii Thin filter in action


Gary Clennan wrote:
Yes, it can be frustrating at times. However, your 50lux, 75lux, and 90 should all be just fine on the A7RII. The 50lux may be slightly questionable but I personally find it to perform just fine. As I said though, all these lenses perform differently on a digital M body and it comes down to whether or not those rendering/performance differences are super important to you. Could you rent an A7RII for a few days to see if you like it or not?


I wish I could just rent it to test the lenses but sadly here in Finland camera renting is very limited business. Or it's way too expensive. I will see if I find someone who could rent it to me for few days



Feb 09, 2017 at 11:07 AM
uhoh7
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p.4 #13 · First Sighting: A7rii Thin filter in action


Sam, Thank You!! I have take a close look at those

Tmuussoni wrote:
Right now I have 21 SEM, 28 Cron version #2, 50 Lux ASPH, 75 LUX and Apo-90. Out of these lenses 21SEM and 50 LUX ASPH are the lenses which could degrade a little bit with stock A7r II. I am sure my Cron 28 #2 will handle A7r II just fine as evidence by Lux 28 as both of these are designed for digital. )


Great lenses. I think it just depends on how you feel about the edges, and if you shoot landscapes. The performance of your 21, 28, and 50 will not be great on any stock Sony, and the closer to infinity you are, the worse. Centers are sharp with everything. Each of the Sonys have a slightly different filter stack and this does effect longer lenses. Charles K sold his 75 lux, which he'd been using on A7s and other versions, once he used it on the A7rii. He loved it on the A7r.

There has always been alot of confusion about M performance on Sony, since the "smearing" is really FC, so if details are closer on the edge, they can be sharp.

I shot many M lenses on stock Sony cameras and I have lots of samples. The 50 cron and 90 Summarit I found usable, but still nicer on the M9. I basically stopped using the Sony for about a year until a fellow M user, Michael, approached Kolari and asked they see if a thin filter might be possible. He wanted to get the CV 21/4 working.

On thing all the A7 cameras have in common is a thick filter stack, though it varies in composition. So a thin filter will improve nearly all M lenses wider than 50mm by alot. Kasson shows how dramatic this difference is in a series of comparisons which are mentioned in the thread. The outliers are limited: CV 21/1.8 ZM35/1.4 CV 35/1.2. Those actually are usable, and in the case of the ZM 35/1.4, quite good on stock cameras. I know of no others, including v2 corn, or 28 Lux: but if somebody has good tests at infinity to show they are, I'd love to see them.

So there is a choice. If you love a native lens, like the 21/2.8, a very good UWA, the mod will hurt performance on that lens. Kasson also documents this. If I shot native lenses seriously, I would not get a thin-filter mod. The whole reason people buy the natives is because they are so much better with the thick filter stack. The stock A7 cameras cannot be used seriously for landscape without them below 35mm FL.

Now, there is a big thread about adding external filters to address this, tuned to specific lenses. You see real improvement that way also.
https://www.fredmiranda.com/forum/topic/1453834

You will note however that much of the latest work to get there renders those lenses useless on M bodies.

Leica M and Sony A7 are natural siblings for M lenses is many many ways. But Sony has a glass barrier in the way. Deal with that and you can shoot M lenses well on both bodies. So, you have Fred who does not have any interest in an M digital body, and mods his lens in way that it cannot be used on one. You have Gary, who buys two completely different lens sets, one for M, his main body, and one for Sony which he shoot landscapes with at times. You have me: I use one set of M lenses on my M9 and A7. Often I cannot tell which camera made the image.

It's no rocket science. Many techs have been changing filter stacks and coverglass on all sorts of digital cameras for years. Tons of sonys are used in astro-photography right now, with part of the stack removed. Perfect native lens performance is of no consequence for them. They don't use native lenses.

Me neither


Apparition by unoh7,SEM 21 A7/mod

Edited on Feb 09, 2017 at 11:56 AM · View previous versions



Feb 09, 2017 at 11:50 AM
Steve Spencer
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p.4 #14 · First Sighting: A7rii Thin filter in action


Tmuussoni wrote:
Hi Steve. I appreciate you took the time to answer to me. Some really good thoughts here. It made me thought about options I never did before. Right now I have 21 SEM, 28 Cron version #2, 50 Lux ASPH, 75 LUX and Apo-90. Out of these lenses 21SEM and 50 LUX ASPH are the lenses which could degrade a little bit with stock A7r II. I am sure my Cron 28 #2 will handle A7r II just fine as evidence by Lux 28 as both of these are designed for digital. I have to give it a lot of
...Show more

Given those lenses, I think the two to think about are the 21 SEM and the 50 lux ASPH. If you really want a kit that will work on both cameras, you could replace the 21 SEM with the WATE (which will work fine on the stock A7rII). The WATE may not sparkle quite as much as the 21 SEM, but it is more versatile, then you could replace the 50 lux ASPH with the 50 cron Pre-AA. The 50 cron Pre-AA is still a very nice lens and it too works fine on the stock A7rII. I think the 50 switch is more of a loss, but the money would be very close to the same and you would now have a kit that works well on both cameras. Alternatively, you could start taking advantage of having two systems and some lenses that only work on one camera, but you gain by having that ability. So, for this sort of approach you could sell the 21 SEM and buy the Loxia 21. Then use the money you saved by selling the SEM to get a Loxia 50 (a lens that in a lot of ways is very similar to the 50 cron Pre-AA) and a Zeiss C/Y 35 f/1.4 for the Sony. This would give you two distinct but very functional kits. For the Leica M you would have the 28 cron ASPH vII; the 50 lux ASPH, the 75 lux, and the 90 cron AA. That is a fantastic out and about kit to use with a rangefinder. For the Sony A7rII you would have the Loxia 21, the 28 cron vII; the Zeiss C/Y 35 f/1.4, the Loxia 50, the 75 lux, and the 90 cron AA. Another great kit that would serve excellent in the studio, and for landscapes (here the classic 21 (loxia) , 28 (cron ASPH), 50 (lox), 90 (cron AA) set ought to be excellent and small). For portraits you could use a two camera kit and it would be excellent also. The Sony you could use the Zeiss C/Y 35 f/1.4, and the 75 lux, and use the 50 lux ASPH on the M240. You can now use flash on either camera (as it shouldn't be too hard to focus the 50 lux ASPH with the rangefinder) and you have arguably the best 35, 50, and 75 mm portrait lenses that are made. So, I would lean to developing two systems with a lot of overlap, but that is just me. Either way, I think a stock A7rII could well be a good choice.



Feb 09, 2017 at 11:52 AM
Steve Spencer
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p.4 #15 · First Sighting: A7rii Thin filter in action


uhoh7 wrote:
Sam; Thank You!!

Great lenses. I think it just depends on how you feel about the edges, and if you shoot landscapes. The performance of your 21, 28, and 50 will not be great on any stock Sony, and the closer to infinity you are, the worse. Centers are sharp with everything. Each of the Sonys have a slightly different filter stack and this does effect longer lenses. Charles K sold his 75 lux, which he'd been using on A7s and other versions, once he used it on the A7rii. He loved it on the A7r.

There has always been alot
...Show more

As I think you know Charlie, I have posted tests here comparing the 28 lux ASPH to the 28 Otus on the A7rII and the 28 lux looks awfully close to the Otus at f/4 and narrower. I think that suggests it works. I do have an M10 on order and when I get it I will directly compare the performance of the 28 lux on the stock Sony A7rII and the M10. In your list you also missed the WATE. There have been lots of test of that lens and it might do slightly better on an M camera, but any difference is small. Lots of people have found it works well on a stock Sony A7rII.

You also are a bit off (or better incomplete) in your description of the issue with thick cover glass as field curvature. The cover glass does induce field curvature but it does so more in the tangential plane than the sagittal plane. Depending on the relation of the native curvature in the two planes this can either result in astigmatism and smearing or less astigmatism and stronger field curvature. If the tangential plane already has more field curvature than the sagittal plane, then this difference will be exaggerated by the thicker glass and induce even more astigmatism than the lens already has. The result will be what looks smeared. If on the other hand the tangential plane has less field curvature than the sagittal plane, then the extra induced field curvature in the tangential plane will results in less astigmatism (less smearing), but greater field curvature. So, depending on the native strength of the field curvature in the two planes the cover glass with either induce greater astigmatism and smearing (and you see this in some lenses) or greater field curvature (and you see this in some lenses). The bottom line is that it won't be good either way, but you can't just say that all you get is greater field curvature and not smearing. With some lenses you definitely get smearing and with others you definitely get more field curvature.

Back to the stock A7rII. I certainly can understand why someone would want to get a Kolari mod and the new one certainly is interesting. I think, however, it depends on the lenses you want to use. Perhaps we can agree getting the mod for the 90 cron AA makes basically no sense. Jim Kasson's test show almost identical performance on a Leica M240, Sony A7 II and Sony A7 II with Kolari mod. We may disagree about the 75 lux, however. Yes, it is true that Charles dropped using his 75 lux after using it on the A7rII, but I wonder if that wasn't because he was using the electronic first curtain at high shutter speeds at times. We now know, and didn't know then, that using the EFCS with fast lenses and high shutter speeds has pretty negative effects on the bokeh. He might well ditched the lens on the A7rII because of this problem without knowing what caused it and how it could be avoided. Consistent with that thought, he still loved the lens on the Sony A7r which does not have EFCS. I have not seen any systematic testing that has demonstrated that the 75 lux has decreased performance on the A7rII compared to a Leica M. Until I do given the long exit pupil of this lens and the many excellent shots I have seen with it on the Sony A7rII, I remain unconvinced that it has any performance decrements on the Sony if you handle the EFCS issue properly. The 28 cron ASPH vII, we have very little evidence about. There was one test at Lens Rentals that suggests it does well close up on the Sony A7rII, but you are right it hasn't been tested at infinity. So, I think there is reason to believe it might do well, but you are right it hasn't been tested.

Anyway, I think it is good that people are getting opposing views on these issues and I appreciate you chiming in.



Feb 09, 2017 at 12:19 PM
uhoh7
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p.4 #16 · First Sighting: A7rii Thin filter in action


samlee.hk wrote:
I got a Quick testing w ZM21/4.5 + A7RII (removed cover Glass+0.7mm thin filter) testing this afternoon

https://c1.staticflickr.com/1/433/31956809334_57bbe50a36_b.jpg

https://c1.staticflickr.com/1/467/32759468426_1a2d1604b0_b.jpg
FULL SIZE : https://c1.staticflickr.com/1/467/32759468426_e0ed92a07c_o.jpg

ALL PIC ARE TAKEN AT F5.6

https://c1.staticflickr.com/3/2013/32419471700_9c240cda22_b.jpg

https://c1.staticflickr.com/3/2728/31956814694_0f75043c37_b.jpg

https://c1.staticflickr.com/3/2862/32759470266_ed48a08be1_b.jpg

https://c2.staticflickr.com/4/3838/32419469920_312db9afff_b.jpg

THERE ARE SOME PIC MORE:
https://www.flickr.com/gp/rokkorx/9a44p6


That seems remarkable to me.

Obviously we have no profile or cornerfix. I'm not sure if there are any who know this lens on film, or have tried it on digital M. As far as the edges it seems as good as any digital M, but please check me with samples on that impression.

It was used quite a bit on M8

Sam, any crop on this one?

Edited on Feb 09, 2017 at 12:23 PM · View previous versions



Feb 09, 2017 at 12:21 PM
Fred Miranda
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p.4 #17 · First Sighting: A7rii Thin filter in action


uhoh7 wrote:
You have a single choice at 21mm, finally. I am not trying to talk you out of it. Maybe some of us would like to use other lenses. Maybe we would like our Sony to be a great ALT body, so we can have more choices that do well. How many M/LTM options at 21mm? Many, with distinct traits. How would they compare with Leica thickness coverglass on r2, or other A7 flavors with the Loxia 21? You don't know. I don't think you care. Nothing wrong with that. But not everyone is of the same mind.


Of course, that's was just my opinion.

Considering how much you have fiddled with the internals of the ZM 35/1.4 to get it working right, I'm surprised you have such little sympathy for those who would like to reach the same potential on many non natives with a single modification. But I guess if Sony made you a 35 you liked, you would not be trying to improve the ZM35/1.4.

I don't look for brands. When choosing a lens, I'm interested in overall rendering, aberration control, sunstar shape, flare performance, and the best possible IQ in a compact form. Price also plays a big role and I try staying native as much as possible.

Yes, the ZM 35/1.4 is currently the best lens for my needs (landscapes and environment portraits) and it gets even better with a front-end PCX lens but you can be sure that if sony/zeiss/sigma or any other manufacture develops a native lens that beats it in areas I consider important, I would not hesitate making the move...

It's all relative though. For example, Zeiss released the Loxia 85/2.4 which is native and superb but I still prefer the ZM 85/4 for its compactness and because it has similar characteristics and IQ at apertures I use the most for landscapes. It's not my portraits lens and for that I much prefer using my 85/1.4 GM.

I believe we agree on many points. I also love having options and don't mind adapting lenses.



Feb 09, 2017 at 12:22 PM
uhoh7
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p.4 #18 · First Sighting: A7rii Thin filter in action


Fred Miranda wrote:
Of course, that's was just my opinion.

I don't look for brands. When choosing a lens, I'm interested in overall rendering, aberration control, sunstar shape, flare performance, and the best possible IQ in a compact form. Price also plays a big role and I try staying native as much as possible.

Yes, the ZM 35/1.4 is currently the best lens for my needs (landscapes and environment portraits) and it gets even better with a front-end PCX lens but you can be sure that if sony/zeiss/sigma or any other manufacture develops a native lens that beats it in areas I consider
...Show more

Your adoption of the Sony bodies, and your quest to get the best out of them and share your experiences has been one of the great themes of this forum since 2013.

Right now, there is not an M body, Gary, which can beat the performance from F/1.4 on down that Fred is getting from his modified ZM 35/1.4 on the A7rii. Anyone, check me there, but I honestly believe that is the case.

Maybe Fred will summarize what he's done to get there. Gary can argue, well it's not a M lens anymore

My point, which in no way is meant to say "thin-filter is best for everyone", is that you can deal with the thick-filter issue in the Lens, like Fred, or at the source as with a thinner filter over the Sensor. Sam, and a few of his friends are the only person yet to be at the Leica thickness of glass over sensor.

Now, Gary, you might argue: Leica has worked with sensor designers to get the best architecture for Leica wides and made profiles, which you will never equal. Except, Gary, we simply don't know that. The whole idea is to find out.

There are all sorts of possible holes in that "Leica is best" declaration, Gary. The newer UWA lenses are more digital friendly, and far easier to get woking well, like the SEM18. Leica consultation with their sensor source does not in anyway preclude sony being just as good given the same thickness of glass over the sensor, before profiles are applied. Sony is at the cutting edge of sensor design. They have a short mount and a thick stack. All the more reason for the underlying configuration to be friendly to ray angles. The A7rii naked BSI sensor may be just as good in this regard as M10. We don't know. Do you see those edges on the notorious ZM 21/4.5? There is more evidence the Sony configuration under the glass is fine, than not.

If that happens to be the case, then you have only the profiles to stand on, in your "M is always better on M" declaration.
Gary, are you aware of this profile creation app for A7x?

Can we use that to make really good profiles? We don't know. The whole idea is to find out!!

In my dream system, I would have M10 and an A7rii with a new "Leica-thin" filter as the basis. M glass to 135. And my big lovelies after. That's because I love RF shooting, but also love the new options the sony would give: 42mp, AF, silent shutter, better EVF for fast shooting, 4K video, etc. It's a match made in heaven. The money you save on not needing two lens systems pays for the mod and thousands more.

Your contribution is to just tell us it's impossible? We should stop trying? Seriously? Those who choose the thin-filter route will always be a tiny minority of Sony users. There is no danger of mass infection. I am not an evangelist.

I just know my own priorities and like Fred, it's not brands, or marketing talking points guiding my choices. It's possibilities. To set up a system for my own needs. Which I don't claim are yours.

Why attack possibilities before we understand them? We should celebrate those willing to try stuff, not tell them they are on a fools errand.

Like, for example, the "front end filters"

The mission to great performance from RF lenses on A7x is ongoing, on multiple fronts. You might never try any of the ways, but any curious user should be entertained be the efforts, let alone somebody who already owns these lenses.



Feb 09, 2017 at 01:28 PM
Gary Clennan
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p.4 #19 · First Sighting: A7rii Thin filter in action


uhoh7 wrote:
I'm not sure why you feel the need for an opinion on the subject.


Funniest thing I read all day - thanks for that Charlie! I certainly do have an opinion and will share it whenever I like. If your opinion doesn't align - that's perfectly fine, just disregard whatever I say (or hide me). You have always been good at playing sides and throwing around names (like above) to (attempt to) support your cause. I personally enjoy seeing a spirited yet balanced discussion of the pros & cons of anything. It's what I like about the FM community. I also know that you love engaging in (unconstructive) internet arguments (as seen countless times over the years) and I would personally rather not participate.



Feb 09, 2017 at 01:46 PM
naturephoto1
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p.4 #20 · First Sighting: A7rii Thin filter in action


uhoh7 wrote:
Really, I think SEM 21 would easily compete on Sam's body. We don't know, but I'm not sure why anyone has the urge to pre-judge or predict. Or, Gary, to tell people they should just use M lenses on M bodies.

Especially since the best 35 available for STOCK A7r2 is ZM 35/1.4 according to Fred, AN M LENS, unless I have that wrong. So why on earth can't the SEM 21, which is a fully modern 2011 design with fantastic MTFs, meet or beat the native Zeiss 21/2.8, with a thinner filter than Kolari v2? The Sony micro lenses
...Show more

Hi Charlie,

I believe that that Leica M 24mm f3.8 Elmar Asph lens should be very close to the performance of the Leica M 21mm SEM both on an M body as well as a thin sensor modified Sony A7 series camera.

Rich

Edited on Feb 09, 2017 at 08:29 PM · View previous versions



Feb 09, 2017 at 03:53 PM
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