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p.2 #2 · Oly 60/2.8 Macro - First impresssions | |
Gunzorro wrote:
bobbytan wrote:
FlyPenFly wrote:
bobbytan wrote:
FlyPenFly wrote:
It does have a weak AA filter, however other lenses haven't been able to induce it. Maybe you can find some examples of moire on the OM-D? The only other lens I recall is the PL25 1.4
Why do you think macro lenses aren't generally sharp at infinity?
That's what I've read. Most photography books say that.
Which photography books?
I don't remember now as this was a long time ago.
Bobby -- Well, yes, a long time ago, like in the early 60s (and used into and 70s), most macro and close-up lenses were optimized for copy work -- close up flat field, and weren't so great for general shooting.
But since then, the rule has been sharp from close-up to infinity. Outstanding examples from the 70s are the Nikon AI 55/3.5 and the Canon FD 50/3.5 -- among others. These days, if you want stellar results at all distances, look to lenses like Canon 100L and Nikon's 105, again, among many others.
You might want to preface your remarks like this, "According to older theories. . . " keeping out of hot water!
Personally, I look to TS-E and macro lenses for outstanding details and overall shooting. The Leica R 60/2.8 is one of my favorites, and that comes from the late 60s-70s period of development, while the "experts" were busy writing what they knew from the preceding era.
Thanks for clarifying this, Jim. I have just exposed my age, haven't I? I wanted to say John Shaw books but some younger folks will wondering who the hell is John Shaw. Yup, I am still harboring some old school theories. I guess with the newer floating element macro lenses you get sharpness right up to infinity.
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