The in-camera settings I\'m working with now for jpegs seem to give me great ooc classic Fuji color, sharpness and tonality. The auto WB in particular seems to work very well. I did notice though that setting the WB to a specific Kelvin temp can be problematic as compared to either using Auto or Fine WB. Here is what I\'m using:
Astia, med. high for color, med. soft for both highlight and shadow tone and low for noise (that gives super sharp jpegs at the std sharpness setting ooc.), auto WB or fine, DR 100 and SRGB color space (unfortunately until the Adobe RGB space is fixed for jpegs). The only post processing required is to occasionally desaturate the green a bit and, depending on the scene, increase the contrast in the shadows (I would rather get more detail in the jpeg and later reduce contrast than degrade the file by doing the opposite.) I do wish Fuji would resurrect their decent raw converter which would allow exporting files using in-camera film simulation settings. As it is now, one can do so from a RAW directly within the camera but that\'s not a very good solution from a workflow standpoint.
Here is an example from the above settings. Sorry for the boring shot.
