One shot towards a complete clear blue sky.
The other on an average landscape with land - sky almost 50% - 50%.
Both processed the same. Exposure and WB leveled in the centre frame.
Maximized Vibrancy and Saturation. Tone curve at strong contrast.
We can clearly see that the sensor responds more dramatic with most probably more visible artifacts
with strong blue skylight. Of course this might be also true with very direct sunlight when shooting into the sun.
Every tool has it\'s limitation and should be used accordingly to prevent unwanted surprises. It is good to explore the limits just to take care of them.
Herb
Oct 29, 2012 at 10:48 AM
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