fredmiranda.com
Login

Moderated by: Fred Miranda
  New fredmiranda.com Mobile Site
  New Feature: SMS Notification alert
  New Feature: Buy & Sell Watchlist
  

FM Forums | Leica & Alternative Gear | Join Upload & Sell

1       2       3              82              84              138       139       end
  

which lens has the most 3D POP?

  
 
tuxounet
Offline

Upload & Sell: Off
p.83 #1 · which lens has the most 3D POP?


Rainbow Chaser wrote:
Are you referring to Sony Sonnar T* FE 55mm f/1.8 ZA?



Yes. And I could also add the Sony 1.4/50 ZA.
The Summicron mentionned by gammarART is really impressive.



Nov 02, 2025 at 11:08 AM
Rainbow Chaser
Online
• •
Upload & Sell: On
p.83 #2 · which lens has the most 3D POP?


Do you know of any image samples from these Sony 50mm and 55mm lenses demonstrating pop?

tuxounet wrote:
Yes. And I could also add the Sony 1.4/50 ZA.
The Summicron mentionned by gammarART is really impressive.


I agree: They really stand out.



Nov 02, 2025 at 11:28 AM
tuxounet
Offline

Upload & Sell: Off
p.83 #3 · which lens has the most 3D POP?


Yes


Nov 05, 2025 at 06:16 AM
crf59
Online
• • •
Upload & Sell: On
p.83 #4 · which lens has the most 3D POP?


Leica 135mm f3.4 APO-Telyt. Most under appreciated lens in the Leica M lineup (if hard to focus).
Zeiss 35mm f1,4 ZM
Leica 28mm f1.4 Summilux



Nov 05, 2025 at 06:50 AM
RustyBug
Offline
• • • • • • •
Upload & Sell: On
p.83 #5 · which lens has the most 3D POP?


crf59 wrote:
Leica 135mm f3.4 APO-Telyt. Most under appreciated lens in the Leica M lineup


+1



Nov 05, 2025 at 07:39 AM
evanhanded
Offline

Upload & Sell: Off
p.83 #6 · which lens has the most 3D POP?


cookieyh wrote:
Do you think that this picture has 3D pop?



Nope



Nov 06, 2025 at 01:10 PM
evanhanded
Offline

Upload & Sell: Off
p.83 #7 · which lens has the most 3D POP?


gdanmitchell wrote:
In this case the (purported) shortness of the list is inversely proportional to its significance.

No one says that lens choice makes “no” difference. But the differences between excellent lenses are so small and so subjective that they are virtually meaningless by comparison to the other factors that influence these qualities in a photograph. (t is a little like having an excellent Yamaha grand piano (they are quite good) and being utterly convinced that the way to making your piano performance great is to switch it out for a Steinway. Sorry, but it doesn’t work that way.

The fact that a painting
...Show more

I've done the test part comparing the Sony Zeiss 55mm f/1.8 to the Sony kit lens zoom, the 28-70mm set at 55mm. I saw no difference in the images I took. Does that prove 3D pop does not exist? No. Does that even prove that the 55mm lens can't be more "pop"-y with the right subjects or lighting? No. But since I wasn't able to discern any difference, then it's likely any 3D pop out of the 55mm is likely to be small and not worthy of my consideration, Which, of course, begs the question: If a lens has some small amount of 3D pop, so what? And if any lens had a lot of 3D pop, why hasn't it been shown here?



Nov 06, 2025 at 01:28 PM
philip_pj
Offline
• • • • • •
Upload & Sell: On
p.83 #8 · which lens has the most 3D POP?


One solid reason for the controversy is that a fair extent of overlap exists. Flat lenses can, given ideal lighting and choices of aperture and compositional aids (leading lines etc.), mimic 3D satisfactorily.

And poor photographic conditions can, on occasions, undo the optimal 3D lenses. But these lenses are always trying to deliver for you, if they were designed well against the criteria that support 3D. The flat ones are injecting their designers' preferences into your work! They want to be in charge..not to work with you.

So, the upshot is this: the more you shoot in sub-optimal conditions, the more you need 3D, and the more you are likely to want 3D. Think flat vertical light, strong sunlit illumination. The acid test.

And because people can get a little scruffy about the subject, they should not do so. 3D is not required for much of photography, though it never fails to enhance it. However, once you step away from the Zeiss 3D model of high contrast focal plane followed by rapid descent into a strong bokeh field, a different world awaits.

A much more beautiful one, full of life and tonal variation, one that conforms with natural human vision. That it is not desirable among many lens design teams is a travesty. What on Earth are they thinking, introducing and accentuating a visual artefact into the process?

One that removes useful context with a fog of blur, to then erroneously call the result 3D? This too shall pass, given time. Vision is a learned process, you never stop seeing.



Nov 06, 2025 at 04:34 PM
RustyRus
Offline
• • • •
Upload & Sell: On
p.83 #9 · which lens has the most 3D POP?


philip_pj wrote:
One solid reason for the controversy is that a fair extent of overlap exists. Flat lenses can, given ideal lighting and choices of aperture and compositional aids (leading lines etc.), mimic 3D satisfactorily.

And poor photographic conditions can, on occasions, undo the optimal 3D lenses. But these lenses are always trying to deliver for you, if they were designed well against the criteria that support 3D. The flat ones are injecting their designers' preferences into your work! They want to be in charge..not to work with you.

So, the upshot is this: the more you shoot in sub-optimal conditions, the more
...Show more

Hey Phillip, maybe ease up a bit on the sweeping statements. You’ve been calling a lot of people’s lenses and shots “non-artistic,” but some of your own examples in the Thypoch thread don’t really back that up.



Nov 06, 2025 at 06:25 PM
gdanmitchell
Offline
• • • • • • •
Upload & Sell: Off
p.83 #10 · which lens has the most 3D POP?


evanhanded wrote:
I've done the test part comparing the Sony Zeiss 55mm f/1.8 to the Sony kit lens zoom, the 28-70mm set at 55mm. I saw no difference in the images I took. Does that prove 3D pop does not exist? No. Does that even prove that the 55mm lens can't be more "pop"-y with the right subjects or lighting? No. But since I wasn't able to discern any difference, then it's likely any 3D pop out of the 55mm is likely to be small and not worthy of my consideration, Which, of course, begs the question: If a lens has some
...Show more

Which has kinda’ been my point.



Nov 06, 2025 at 11:06 PM
 


Search in Used Dept. 

old-gregg
Offline
• • •
Upload & Sell: Off
p.83 #11 · which lens has the most 3D POP?


philip_pj wrote:
Flat lenses can...


Wowza! Flat lenses! I am so glad I'm back to this thread after a week. I am about to learn a new concept in photography: lens flatness.

Philip, do you mind quickly posting two identical images (same scene, exposure, focal length and aperture) taken with a flat lens and with a 3D lens so I can educate myself?

Would you please? THANK YOU.



Nov 07, 2025 at 12:10 AM
James Markus
Offline
• • • • •
Upload & Sell: On
p.83 #12 · which lens has the most 3D POP?


83 pages on "which lens has the most 3D POP?". IMO - I have many lenses that meet that criteria. Personally, I think it is a combination of distance to subject, f-stop, and dof. For example: you can get the 35mm f1.4, 55mm f1.2, 85mm f1.4, 105mm f1.8, 135mm f2, 200mm f2 etc to all look similar by using your feet to compose. Another thing I have noticed is that fast long lenses (200-800mm) all have 3D pop if shot wide open - which most of them are intended to be used wide open. I think only Nikon has attempted to make a couple lenses that allow shifting the oof area within the lens (the 105 and 135 DC - "Defocus Control "), but there are amazing lenses from every manufacturer that can produce equal results by simply changing distance to subject.


Nov 07, 2025 at 10:08 AM
EB-1
Offline
• • • • • • •
Upload & Sell: Off
p.83 #13 · which lens has the most 3D POP?


Canon also has made at least the RF 100/2.8 macro with a Spherical Aberration Control Ring.

EBH



Nov 07, 2025 at 11:46 AM
tuxounet
Offline

Upload & Sell: Off
p.83 #14 · which lens has the most 3D POP?


James Markus wrote:
83 pages on "which lens has the most 3D POP?". IMO - I have many lenses that meet that criteria. Personally, I think it is a combination of distance to subject, f-stop, and dof. For example: you can get the 35mm f1.4, 55mm f1.2, 85mm f1.4, 105mm f1.8, 135mm f2, 200mm f2 etc to all look similar by using your feet to compose. Another thing I have noticed is that fast long lenses (200-800mm) all have 3D pop if shot wide open - which most of them are intended to be used wide open. I think only Nikon has
...Show more

Yes, there is definitely a combination of several factors. Probably LoCA and distortion/field curvature also play a role.

I remember the first time I had this impression (I had never heard of the “Zeiss look,” “3D pop,” or other related terms): looking at the images taken with my new 1.8/55 ZA. I told myself that there was something unsettling about many of those images without knowing what. I was consistently able to tell the 55’s images apart from the others. Why, I don’t know, and I was never able to put it into words.

I then got the Loxia 2/35. And there, the same feeling. Why? I don’t know.

What do they have in common? They’re Zeiss lenses, their images aren’t “perfect,” there is LoCA, vignetting, and high contrast.

But there are other lenses that meet those criteria. Why don’t they give the same impression? No idea.

Sometimes I tell myself it’s “luck” when photos taken with these two lenses give me that impression (because I never have other lenses on hand to take exactly the same photo). I decided to try testing the same photo with several lenses (35mm ones, in this case). At the time I had the Loxia 2/35, the Sony 1.4/35 GM, and the Sigma 2/35. Unfortunately I’d have to dig deeper to find the photos (if I still have them…), but the conclusion was as follows. Looking at the three photos at once, the Loxia was the least “good”: field curvature, vignetting, “odd” bokeh. The GM was the winner.
Looking at the photos one by one, the Loxia produced an effect the other two did not. Why? My scientific mind has no answer, but it’s certain the lens influences something. My leading hypothesis: field curvature that makes the bokeh “uneven” (softer in the center, more “edgy” at the edge). But that’s only a hypothesis, still without a rational explanation…

Also de Zeiss 2/35 ZM produces a similar effect.



Nov 07, 2025 at 11:52 AM
Garmadon
Offline
• •
Upload & Sell: Off
p.83 #15 · which lens has the most 3D POP?


The 55mm was my first sony lens and I also noticed that it has somthing different. Like it renders the subject differently ,give it more light . I really liked the effect and tried to find other lenses that have it . So far I found the Batis line.
I opened some threads few years ago searching for 24mm and 35mm that have it.


tuxounet wrote:
Yes, there is definitely a combination of several factors. Probably LoCA and distortion/field curvature also play a role.

I remember the first time I had this impression (I had never heard of the “Zeiss look,” “3D pop,” or other related terms): looking at the images taken with my new 1.8/55 ZA. I told myself that there was something unsettling about many of those images without knowing what. I was consistently able to tell the 55’s images apart from the others. Why, I don’t know, and I was never able to put it into words.

I then got the Loxia 2/35. And there,
...Show more



Nov 07, 2025 at 01:50 PM
tuxounet
Offline

Upload & Sell: Off
p.83 #16 · which lens has the most 3D POP?


The Sigma 1.2/35 Art MK1 has a little something. The Loxia 2/35 definitely.


Nov 07, 2025 at 06:23 PM
evanhanded
Offline

Upload & Sell: Off
p.83 #17 · which lens has the most 3D POP?


gdanmitchell wrote:
Which has kinda’ been my point.


Okay, just for "fun", let me take the other side. Connoisseurs of wine reportedly can detect all kinds of "notes" in the wine from a particular vintage. I would only know whether I liked the taste or not. So, I can accept that others may fixate on small details that would not impress me in the least. They are free to call it whatever they want. 3D, 4D, 34D. Spirits emanating out of the picture when taken with the right lens and/or camera. Whatever floats your boat. As for me....boxed wine will do.



Nov 07, 2025 at 09:21 PM
Rainbow Chaser
Online
• •
Upload & Sell: On
p.83 #18 · which lens has the most 3D POP?


I like generic wine from Trader Joe and the pictures from Oliver Gross a page back. I don't know Leica at all but I guess it's called "Leica 35mm f/1.4 Summilux-M ASPH" [11874].

evanhanded wrote:
As for me....boxed wine will do.



Nov 08, 2025 at 12:55 PM
gammarART
Offline
• •
Upload & Sell: Off
p.83 #19 · which lens has the most 3D POP?


Yes, it is the Summilux 11874 (11873 for the silver one) and is the Asph without a floating element (often called Asph pre FLE).
When you focus via EVF instead of a mechanical rangefinder the focus shift (because of no floating element) isn’t a problem.



Nov 08, 2025 at 01:07 PM
philip_pj
Offline
• • • • • •
Upload & Sell: On
p.83 #20 · which lens has the most 3D POP?


We kind of need a parallel thread - 'which lens has the least 3D Pop?'

Step well back and watch the flood of entries, all scrabblling to be next at the turnstile. They do not need a Judas Goat.
Anyway, I had this Damascene realisation a little while back, and haven't picked up any APO lens since. I'll stick with the lovely little Voigtlander 50/3.5, and an old one, the 75/2.5 Heliar.

Anyway, I did this rugged walk in Tas in mid-winter and could not believe how flat this CV APO went. It would be a rough favorite for the title of flattest APO lens. I have scores like these below, different light, subjects.

This kind of photography is where I need my lenses to do well with depth perception, clarity and vitality, if not to actually shine. A few for your 'pleasure', and they were very tough to process to this stage. Never again. One of the problems is that until you see something better in your working environment, you don't know if it even exists.





if I ask you to estimate distances of objects, that's not a pleasure in this postcard.







shaded mountain looks wall-like; the ridge the camera is on is around 40m deep, but you would never know it.







hillside trees look digital; dead tree doesn't have any real separation; rear mntn rises straight up from near hill







insurmountable cyan cast (with authenticity); trees look fake and gay; vignette at f5.6 (very technical to fix)




Nov 11, 2025 at 01:16 AM
1       2       3              82              84              138       139       end






FM Forums | Leica & Alternative Gear | Join Upload & Sell

1       2       3              82              84              138       139       end
    
 

Welcome back
Log in to your account