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Manual Focus Nikon Glass

  
 
kwoodard
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p.956 #1 · Manual Focus Nikon Glass




georgms wrote:
Samy (over at flickr) made me say „Hi” so „Hi everyone!” ;-)
Good to see that the MFNG-thread is steaming along.

I haven't shot much with MF-glass the last 2 years.
Here's a experimental-type of shot using the PC-E Micro-Nikkor 45/2.8 on the D3s:

https://live.staticflickr.com/65535/49474733192_b56e0ec39c_b.jpg
in-camera multi-exposure-shot (or shots) - f/3 and 1/4000sec
Exif shows exposure #299.886 out of this now-gone camera
This image was shot by the end of october 2018.

Glad to see you again Georg, hope all is well with you.



Feb 01, 2020 at 05:59 PM
SiMuMe
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p.956 #2 · Manual Focus Nikon Glass



D5500 + NIKKOR-Q Auto 135mm f/3.5 | F8 ISO 100


D5500 + NIKKOR-Q Auto 135mm f/3.5 | F5.6 ISO 200



Feb 02, 2020 at 01:35 AM
cadman342001
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p.956 #3 · Manual Focus Nikon Glass


Thanks for the likes and the positive comments, here are the last ones from Varanasi.

The subject matter here is a sensitive one and you may wish to move along and not view them as they are of the funeral pyres.

Here are some thoughts and background from an article in the Malta Independent website of all places ! It's what was described to us by an unofficial guide as he showed us the piles of wood that families buy for their loved ones cremation and the Eternal Flame of Benares that has burned for 4000 years and used for lighting the pyres.

A bit of a read but I recommend it as it will give you the low down on exactly why Varanasi is such a special place, both for Hindus and for travellers / toursists.

"Varanasi is the city of the dead and the dying, the abode of Lord Shiva – the annihilator and destroyer. It promises moksa (liberation) from the cycle of birth and death to anybody who leaves his body here and cremated on the banks of the holy river Ganges. Although cremation occurs throughout India, especially all along the Ganges, many sick or elderly people from all over the subcontinent come here to await their end.

Certainly the stark encounter with life and death, so pronounced on the ghats, contributes greatly to why Varanasi feels so intense. Along the way, India has taught me so much about the realities of life... and indeed death is one such reality – all who live must die, it is the harsh truth. Everything must pass. While everything around us is dying we think it will never happen to us – that is man's greatest madness according to the great epic, the Mahabharata.

I stand a little distance away from the enclosure in which eight bonfires are burning and another ten or so are in the process of being cleaned away or set up. Oddly, a little puppy is playing within the cremation grounds while a goat and a cow are sniffing about for food but nobody seems to mind. The wind blows some ash in my direction and I stare at it landing on my skin. The place smells just like barbeque.

My senses are in over-ride to the extent that I almost feel numb and I find it hard to concentrate on what this man is telling me while I am taking in all the activity, the sights, sounds and smells. There is a powerful, somewhat ominous energy hanging over Omanikarnika Ghat, “the burning ghat.” A couple of shady looking characters are lurking around me, trying to look friendly and give information but no doubt conceiving a way to obtain a “donation for the dying.”

Somehow I am able to follow what is going on. It transpires that each state has its own traditions regarding the cremation ritual and no local rules are imposed. Generally the oldest son is the one to set the body alight. His hair is shaved, he bathes in the Ganges and wears white cloth. Wood is purchased while the body is carried by four people to the river, bathed and smeared in sandal paste, ghee and other balms, wrapped in white linen and sometimes gold cloth.

The body is placed within the wood-pile which has been set up in the appropriate cremation area according to caste: the banks where I stand belong to the lowest caste, the Untouchables. Next further up is for the middle castes, and further up on a roof-top is the cremation area for the high caste, the Brahmins. Apparantly, during the wet season the river swallows up the banks so all, regardless of caste, use the highest burning ground.

The male member of the family who will perform the fire lighting goes to the 'eternal flame.' This is the fire from which all bonfires are started, said to never have stopped burning since 5,000 years. It is not too hard to believe since Varanasi's beginnings are truly ancient while the cremations go on at the burning ghat all day and all night, all the year round, without ever pausing.

A bald man wearing a white dhoti emerges from the building housing the 'eternal flame' and proceeds to turn clockwise around the body five times. He finally holds the smouldering long, dry grass hosting a bit of red-hot charcoal to the feet-end of the wood-pile and the fire slowly begins. Within minutes, flames are swallowing the body to the accompanying sound of creaking bone. For about three hours the fire will be tended to by the “Dom”, the untouchables who have the most exalted job.

There are no women in sight, only tourist women. It turns out that women are simply not allowed, because they get too emotional! Some say that crying captures the soul and does not allow it to merge with Brahman , but that is only part of the story. In the past, some have been so crazed by grief that they threw themselves into the husband's crematory fires. Some would add that back then, such a bleak future prospect existed for the widow within society that many considered death a better option.

Finally, some bones are placed in the holy Ganges, and water taken in a clay pot to put the fire out. Four times this is done facing the fire while the fifth and final time the clay pot with water is thrown over the left shoulder. This marks the putting out of the fire and the family member must leave the area without looking back.

At the next ghat, family members and friends interact for a while and make sweet offerings then finally go home. I am told that after about thirteen days, they will throw a huge party for all !"

- by Melanie Drury

Andy



Feb 02, 2020 at 02:46 AM
cadman342001
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p.956 #4 · Manual Focus Nikon Glass


Here are the pics, mostly with the 180ED, all from a boat. Some take pics from the ghats but to respect the families' privacy I think it best if you're going to take pics that you do it from some distance away from the river.

DSCF7169 by AndyMacDougallPhotography, on Flickr

DSCF7165 by AndyMacDougallPhotography, on Flickr

DSCF7164 by AndyMacDougallPhotography, on Flickr

DSCF7163 by AndyMacDougallPhotography, on Flickr

DSCF7162 by AndyMacDougallPhotography, on Flickr

DSCF7159 by AndyMacDougallPhotography, on Flickr

DSCF7156 by AndyMacDougallPhotography, on Flickr

DSCF7155 by AndyMacDougallPhotography, on Flickr

DSCF7154 by AndyMacDougallPhotography, on Flickr

DSCF7153 by AndyMacDougallPhotography, on Flickr

Don't look too closely at the next couple if you are squeamish

DSCF7152 by AndyMacDougallPhotography, on Flickr

DSCF7151 by AndyMacDougallPhotography, on Flickr

DSCF7150 by AndyMacDougallPhotography, on Flickr

DSCF7149 by AndyMacDougallPhotography, on Flickr

DSCF7148 by AndyMacDougallPhotography, on Flickr

DSCF7146 by AndyMacDougallPhotography, on Flickr

DSCF7142 by AndyMacDougallPhotography, on Flickr

DSCF7137 by AndyMacDougallPhotography, on Flickr

DSCF7136 by AndyMacDougallPhotography, on Flickr

Andy



Feb 02, 2020 at 02:59 AM
DeltaSigma
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p.956 #5 · Manual Focus Nikon Glass


Great Reportage Andy.
Pretty heavy for a Sunday morning breakfast read.

Colin



Feb 02, 2020 at 04:12 AM
cadman342001
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p.956 #6 · Manual Focus Nikon Glass


Thanks Colin. Of all the days of the week, surely the Sabbath is THE day to be reading such stuff? Perhaps before church? 😉



DeltaSigma wrote:
Great Reportage Andy.
Pretty heavy for a Sunday morning breakfast read.

Colin




Feb 02, 2020 at 04:43 AM
akul
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p.956 #7 · Manual Focus Nikon Glass


I am enjoying how 55/1.2 renders in B/W. It has he classic elegant feeling. It is a feeling, and not science.

Luka








Feb 02, 2020 at 07:48 AM
NightOwl Cat
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p.956 #8 · Manual Focus Nikon Glass


Hi Georg! I was just thinking we hadn't seen you in a while! Get those MF lenses out again!

georgms wrote:
Samy (over at flickr) made me say „Hi” so „Hi everyone!” ;-)
Good to see that the MFNG-thread is steaming along.

I haven't shot much with MF-glass the last 2 years.
Here's a experimental-type of shot using the PC-E Micro-Nikkor 45/2.8 on the D3s:

https://live.staticflickr.com/65535/49474733192_b56e0ec39c_b.jpg
in-camera multi-exposure-shot (or shots) - f/3 and 1/4000sec
Exif shows exposure #299.886 out of this now-gone camera
This image was shot by the end of october 2018.





Feb 02, 2020 at 09:01 AM
the solitaire
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p.956 #9 · Manual Focus Nikon Glass


SiMuMe wrote:
http://www.cimeza.com/stuff/fpic/20200202_D5500_06757.jpg

D5500 + NIKKOR-Q Auto 135mm f/3.5 | F8 ISO 100

http://www.cimeza.com/stuff/fpic/20200202_D5500_06769.jpg

D5500 + NIKKOR-Q Auto 135mm f/3.5 | F5.6 ISO 200


These photos illustrate really why I like this little lens so much. The transitions from in-focus to out-of-focus is just smooth. Very few lenses manage such a smooth transition.



Feb 02, 2020 at 09:54 AM
mp356
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p.956 #10 · Manual Focus Nikon Glass


Remember Fall. Taken with the 55 f3.5 Ai. Thanks for looking.
Scott












Feb 02, 2020 at 10:19 AM
 


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Reagan
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p.956 #11 · Manual Focus Nikon Glass


Frank Gallagher
here with a ShameLess plug

Anyone that might be thinking about a 85/1.8 G lens
I have one on the B/S board for sale

R



Feb 02, 2020 at 10:44 AM
mjgphotoz
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p.956 #12 · Manual Focus Nikon Glass


Andy,

Those are powerful and well done images. We have dear friends we consider as family from India and I have been honored to take engagement, maternity, newborn, and a wedding religious ceremony that is perhaps not seen by others ever. It is a deeply interesting and mystical culture. Your prior post is an excellent explanation of this event which is so very important to these families.

Thank you for sharing.

Mary



Feb 02, 2020 at 11:15 AM
mjgphotoz
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p.956 #13 · Manual Focus Nikon Glass


Scott,

Those are beautiful!

Mary



Feb 02, 2020 at 11:17 AM
SiMuMe
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p.956 #14 · Manual Focus Nikon Glass


the solitaire wrote:
These photos illustrate really why I like this little lens so much. The transitions from in-focus to out-of-focus is just smooth. Very few lenses manage such a smooth transition.


Interesting observation, Buddy. I thank you for writing it. I am very new to MFNG, this being my first. I think I have been very lucky that my first MF lens turned out to be such a joy to use. Light as a feather and good enough for me. The only thing I could have wished for was that it was AI-converted, so that I can use it on the D700. That's something for the future but I'm quite happy with it even now.

Siphiwe



Feb 02, 2020 at 11:23 AM
Phong.nh
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p.956 #15 · Manual Focus Nikon Glass


2828AIS



Feb 02, 2020 at 11:29 AM
rafaelcasd
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p.956 #16 · Manual Focus Nikon Glass


cadman342001 wrote:
Here are the pics, mostly with the 180ED, all from a boat. Some take pics from the ghats but to respect the families' privacy I think it best if you're going to take pics that you do it from some distance away from the river.

https://live.staticflickr.com/65535/48748002457_c0689a166d_b.jpgDSCF7169 by AndyMacDougallPhotography, on Flickr

https://live.staticflickr.com/65535/48747822886_bbd8a025d5_b.jpgDSCF7165 by AndyMacDougallPhotography, on Flickr

https://live.staticflickr.com/65535/48748006232_e49ee79155_b.jpgDSCF7164 by AndyMacDougallPhotography, on Flickr

https://live.staticflickr.com/65535/48747824861_01c41ab97a_b.jpgDSCF7163 by AndyMacDougallPhotography, on Flickr

https://live.staticflickr.com/65535/48747490703_4ddd153300_b.jpgDSCF7162 by AndyMacDougallPhotography, on Flickr

https://live.staticflickr.com/65535/48747826366_4a63b2f630_b.jpgDSCF7159 by AndyMacDougallPhotography, on Flickr

https://live.staticflickr.com/65535/48747828506_ea8937c22a_b.jpgDSCF7156 by AndyMacDougallPhotography, on Flickr

https://live.staticflickr.com/65535/48747494983_085a7dbe8c_b.jpgDSCF7155 by AndyMacDougallPhotography, on Flickr

https://live.staticflickr.com/65535/48747495648_e050ec9d48_b.jpgDSCF7154 by AndyMacDougallPhotography, on Flickr

https://live.staticflickr.com/65535/48748013527_8c9ff10e53_b.jpgDSCF7153 by AndyMacDougallPhotography, on Flickr

Don't look too closely at the next couple if you are squeamish

https://live.staticflickr.com/65535/48748014332_746b52e98f_b.jpgDSCF7152 by AndyMacDougallPhotography, on
...Show more

Thank you for sharing this somber but real experience Andy. When I was a child we used to keep our loved ones at home after they passed for a nigh vigil, with the burial the next day. The entire family had an opportunity to bid farewell and process their feelings. Children understood the preciousness of life.



Feb 02, 2020 at 11:55 AM
rafaelcasd
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p.956 #17 · Manual Focus Nikon Glass


last boring 18mm 4.0 test shot, promise.
Bought a B+W xs pro 86mm slim frame filter for this lens, from Amazon, inspected it carefully and it appears genuine. (Amazon is known for fakes).
It is said that any filter will cut into the corners and it does, a little, easy to fix in post.
Here is a sample with the filter, pre and pot processing. The lens field curvature matches subject well.

nikkor nikon 18mm 4.0 at 5.6 D810 b+w xs filter 001_02 by Rafael Batlle, on Flickr

nikkor nikon 18mm 4.0 at 5.6 D810 b+w xs filter 001_01 by Rafael Batlle, on Flickr



Feb 02, 2020 at 12:42 PM
serge07
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p.956 #18 · Manual Focus Nikon Glass


HI, everyone:

Powerful photos, Andy.

Stocking up on beverages for the Super Bowl.





Gotta have some sweets:





X-E1 + 28/2.8 AIs
For those who like American football, enjoy the game.
Have fun,
Serge






Feb 02, 2020 at 01:43 PM
the solitaire
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p.956 #19 · Manual Focus Nikon Glass


SiMuMe wrote:
Interesting observation, Buddy. I thank you for writing it. I am very new to MFNG, this being my first. I think I have been very lucky that my first MF lens turned out to be such a joy to use. Light as a feather and good enough for me. The only thing I could have wished for was that it was AI-converted, so that I can use it on the D700. That's something for the future but I'm quite happy with it even now.

Siphiwe


I owned a few of these over the years. First an Ai version, but then I exchanged that for a Nikkor-Q.C version, and even one without the multiple coatings, the Nikkor-Q version.

It is quite easy to convert this lens to Ai from being non-Ai. With the lenses being so affordable, and quite readily available it wouldn't be too hard to find a less-then-pristine copy and do an Ai hack on it. Would be perfectly usable on the D700 after that.

The 135mm f2,8 Nikkor-Q.C is the lens I held on to in the end, because OoF backgrounds are slightly softer then with the 135mm lens. Transitions are not as smooth, and the lens is much wider in girth, and heavier then the f3,5 lens.

I figured that the 80-200 f4 Ai-S Zoom Nikkor is very close to the 135mm f3,5 in rendering and open aperture, and I really did not need 4 lenses covering the same focal length.

The 80-200 f4 Ai-S is now back in my lens collection. My girlfriend owns the Sigma Art 135mm f1,8, and I own a 135mm f2,8 Nikkor-Q.C for those days when the 80-200, which is bigger and heavier again, stays at home.

Still, I kind of miss that little 135mm f3,5. I'll quickly dig out a somewhat older photo I made with that lens.

Taken with the 135mm f3,5 Nikkor-Q.C on a D3, at f3,5. (EXIF reads 105mm f2,5, which is incorrect. I had the 105mm on the D3 the day before though)



And here it compares to the 80-200 f4 Ai-S, at 80mm and f4, on my D3



And one with the 80-200 f4 Ai-S at 200mm and f4 on the D3



So basically, re-owning a copy of the 80-200 f4 was the only reason for me to sell the 135mm f3,5 Nikkor-Q.C as well as the 200mm f4 Nikkor-Q.C. The 80-200 f4 Ai-S was one of the very first lenses I ever owned, back then, on my Nikon FM and FM2. It was one of the first lenses I used on a DSLR, the D70s, and there it performed horribly. (I later found out the tube of the lens was broken, which made the lens inconsistent, and that caused me to sell it)



Feb 02, 2020 at 02:17 PM
rafaelcasd
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p.956 #20 · Manual Focus Nikon Glass


Love your dog photos Buddy.

Went looking for an oil change, but they had too many cars at the Escondido garage and no attendants.

nikon nikkor 35mm 1.4 ais Z7 pierce arrow 1 _01 by Rafael Batlle, on Flickr

nikon nikkor 35mm 1.4 ais Z7 pierce arrow 1 _02 by Rafael Batlle, on Flickr



Feb 02, 2020 at 02:33 PM
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