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Archive 2010Black & White (89 Images)
p.8 #1Black & White (89 Images)
Ixania wrote:
i mostly asked questions. and i'm shure you are so familiar with the history of photography that you know, these questions are originally from henry cartier-bresson :-)
I'm pretty shure you spelled "sure" wrong.....unless you have a turntable laying around somewhere. If so, please disregard.
(that was for you, grits)
i mostly asked questions. and i'm shure you are so familiar with the history of photography that you know, these questions are originally from henry cartier-bresson :-)
I'm pretty shure you spelled "sure" wrong.....unless you have a turntable laying around somewhere. If so, please disregard.
(that was for you, grits)
Apr 29, 2010 at 08:45 AM
p.8 #2Black & White (89 Images)
maxwell1295 wrote:
(that was for you, grits)
*curtsy*
(that was for you, grits)
*curtsy*
Apr 29, 2010 at 09:51 AM
p.8 #3Black & White (89 Images)
Awesome series, Evan. Nice to see film back in full effect. From seeing the scans (what did you scan these with?) they pass muster now. Film has a different look and can work as it is now.
Apr 29, 2010 at 02:10 PM
p.8 #4Black & White (89 Images)
Evan Baines wrote:
These images were developed in Ilford DD-X.
Forgive my lack of film knowledge. How/where do you develop film? I'm shooting some and my labs around Seattle kinda suck. I'm looking for a developer that can correct some of my crappy exposures. I'm shooting all manual with no light meter...sooo
Any ideas?
These images were developed in Ilford DD-X.
Forgive my lack of film knowledge. How/where do you develop film? I'm shooting some and my labs around Seattle kinda suck. I'm looking for a developer that can correct some of my crappy exposures. I'm shooting all manual with no light meter...sooo
Any ideas?
Apr 29, 2010 at 07:10 PM
p.8 #5Black & White (89 Images)
NikonAndy wrote:
Any ideas?
yup. buy a light meter.
Any ideas?
yup. buy a light meter.
Apr 29, 2010 at 07:17 PM
p.8 #6Black & White (89 Images)
Thank you all for the comments!
Andy: I use a local pro lab in my area called Chromatics, although sometimes I develop my own B&W film at home, which isn't terribly difficult.
In addition to Grits' pithy advice.... As far as your exposures, if you're shooting B&W, its generally better to err on the side of over-exposure. If you are in a really questionable situation, you MIGHT get some benefit out of finding a skilled darkroom technician who can develop by inspection. This is very hard to do in smaller formats, but still possible with a very skilled tech. With development by inspection, the technician develops the film incrementally, observing the progress of the negative with a faint green light.
Hope this helps.
89.
http://www.onatuesday.com/photography/cavalli.jpg
Andy: I use a local pro lab in my area called Chromatics, although sometimes I develop my own B&W film at home, which isn't terribly difficult.
In addition to Grits' pithy advice.... As far as your exposures, if you're shooting B&W, its generally better to err on the side of over-exposure. If you are in a really questionable situation, you MIGHT get some benefit out of finding a skilled darkroom technician who can develop by inspection. This is very hard to do in smaller formats, but still possible with a very skilled tech. With development by inspection, the technician develops the film incrementally, observing the progress of the negative with a faint green light.
Hope this helps.
89.
http://www.onatuesday.com/photography/cavalli.jpg
Apr 29, 2010 at 08:14 PM
p.8 #7Black & White (89 Images)
Evan Baines wrote:
Thank you all for the comments!
Andy: I use a local pro lab in my area called Chromatics, although sometimes I develop my own B&W film at home, which isn't terribly difficult.
In addition to Grits' pithy advice.... As far as your exposures, if you're shooting B&W, its generally better to err on the side of over-exposure. If you are in a really questionable situation, you MIGHT get some benefit out of finding a skilled darkroom technician who can develop by inspection. This is very hard to do in smaller formats, but still possible with a very skilled tech. With...Show more →
Ok, that's it. that's my favorite right there. LOVE it.
Thank you all for the comments!
Andy: I use a local pro lab in my area called Chromatics, although sometimes I develop my own B&W film at home, which isn't terribly difficult.
In addition to Grits' pithy advice.... As far as your exposures, if you're shooting B&W, its generally better to err on the side of over-exposure. If you are in a really questionable situation, you MIGHT get some benefit out of finding a skilled darkroom technician who can develop by inspection. This is very hard to do in smaller formats, but still possible with a very skilled tech. With...Show more →
Ok, that's it. that's my favorite right there. LOVE it.
Apr 29, 2010 at 08:44 PM
p.8 #8Black & White (89 Images)
Evan Baines wrote:
In addition to Grits' pithy advice....
i love it when you use big words.
In addition to Grits' pithy advice....
i love it when you use big words.
Apr 29, 2010 at 08:45 PM
p.8 #9Black & White (89 Images)
WOW! You're right about the black-and-white. Amazing!
Did people give you funny looks when you were swapping out the film and not checking the "lack of viewfinder" on the back of the camera?...
Did people give you funny looks when you were swapping out the film and not checking the "lack of viewfinder" on the back of the camera?...
Apr 30, 2010 at 07:57 AM
p.8 #10Black & White (89 Images)
Evan Baines wrote:
Thank you all for the comments!
Andy: I use a local pro lab in my area called Chromatics, although sometimes I develop my own B&W film at home, which isn't terribly difficult.
In addition to Grits' pithy advice.... As far as your exposures, if you're shooting B&W, its generally better to err on the side of over-exposure. If you are in a really questionable situation, you MIGHT get some benefit out of finding a skilled darkroom technician who can develop by inspection. This is very hard to do in smaller formats, but still possible with a very skilled tech. With...Show more →
Definitely helps, thanks. Great video btw
Thank you all for the comments!
Andy: I use a local pro lab in my area called Chromatics, although sometimes I develop my own B&W film at home, which isn't terribly difficult.
In addition to Grits' pithy advice.... As far as your exposures, if you're shooting B&W, its generally better to err on the side of over-exposure. If you are in a really questionable situation, you MIGHT get some benefit out of finding a skilled darkroom technician who can develop by inspection. This is very hard to do in smaller formats, but still possible with a very skilled tech. With...Show more →
Definitely helps, thanks. Great video btw
Apr 30, 2010 at 11:52 AM
p.8 #11Black & White (89 Images)
ksmahgrts wrote:
yup. buy a light meter.
Thank you Captian Obvious
NikonAndy wrote
Any ideas?Thank you Captian Obvious
Apr 30, 2010 at 11:53 AM
p.8 #12Black & White (89 Images)
I didn't want this series to finish...... Superb work.
Apr 30, 2010 at 11:30 PM
p.8 #13Black & White (89 Images)
b&w is timeless.. love it.. especially film.
Aug 11, 2010 at 03:42 AM
p.8 #15Black & White (89 Images)
it would be cool to create a stickie with 5-10 weddings as examples..... ( maybe a recap the best of year....)
but also use as a tool for noobs and gray refreshers for the rest.
just thinking out loud on Maxwell's happiness....
but also use as a tool for noobs and gray refreshers for the rest.
just thinking out loud on Maxwell's happiness....
Aug 11, 2010 at 07:47 AM
p.8 #16Black & White (89 Images)
Big...BIG fan here! LOVE this series...simply stunning work!!
Aug 13, 2010 at 08:28 AM
p.8 #18Black & White (89 Images)
Evan Baines wrote:
With development by inspection, the technician develops the film incrementally, observing the progress of the negative with a faint green light.
Found this thread reading this thread https://www.fredmiranda.com/forum/topic/926138
Evan's comment on "development by inspection" brought back memories of MANY hours in the darkroom.
My photography "career" began almost 40 years ago with a Canon A-1 and FD lenses. (Those are non-auto-focus lenses for you youngsters) And 80-90% was B&W and all the B&W self developed. Still have the A-1 as well as all the darkroom equipment. Also have my Yashica Twin Lens 2ΒΌ.
Seeing Evan's set makes we want to find a 1v or a 1n so I can use all these L lenses I've been collecting lately.
Thanks Evan for showing how timeless film is. And with all the comments here showing that as far as digital has come, it has not completely replaced film..... yet! And thanks Sam, for your part in enabling Evan's experiment.
Now, back to Sam's post.
-Mickey
With development by inspection, the technician develops the film incrementally, observing the progress of the negative with a faint green light.
Found this thread reading this thread https://www.fredmiranda.com/forum/topic/926138
Evan's comment on "development by inspection" brought back memories of MANY hours in the darkroom.
My photography "career" began almost 40 years ago with a Canon A-1 and FD lenses. (Those are non-auto-focus lenses for you youngsters) And 80-90% was B&W and all the B&W self developed. Still have the A-1 as well as all the darkroom equipment. Also have my Yashica Twin Lens 2ΒΌ.
Seeing Evan's set makes we want to find a 1v or a 1n so I can use all these L lenses I've been collecting lately.
Thanks Evan for showing how timeless film is. And with all the comments here showing that as far as digital has come, it has not completely replaced film..... yet! And thanks Sam, for your part in enabling Evan's experiment.
Now, back to Sam's post.
-Mickey
Aug 15, 2010 at 11:17 AM