tivv - I try to avoid commenting portraits OR processed photos - however I liked what you had done on post processing to enhance the skin texture on this one, great work!
Ronny - enjoyed the two dragonflies picture (on large size in Flickr, on forum the wing patterns weren't at their best)
JaKo wrote:
Now, with Samuli back on FM trees are back in fashion thanks
Talking about trees - few "cheat" photos (took 3-6 frame panoramas to "enlarge sensor"):
Carl Zeiss APO-Sonnar T* 2/135 @ f/2, 2.5 seconds, ISO 100
Carl Zeiss APO-Sonnar T* 2/135 @ f/2, 2.5 seconds, ISO 100
Carl Zeiss APO-Sonnar T* 2/135 @ f/2, 15 seconds, ISO 100
Ulff - Great scene, love it
Dalmas - love those colors
Nibutto - wonderful detail and I know what you mean about 'makro'!
Samuli - You're making it hard to resist that 135!
Luka - lovely fall scene . . . Catskills?
Ronny - glorious as always
Paul - love the composition
When I first ventured into Zeiss-mania, the 35/2 was the first lens I ever purchased. Certainly not the last. I eventually sold that lens for the 35/1.4. However, I always had some regret as I loved the look of the smaller slower f/2. Well, I recently sold the 35/1.4 and purchased the 35/2 which I hope to use on a new a7R when it arrives. In the meantime, I went for a short walk and snapped a few images with my 5DIII. I just love the look of this lens.
rji2goleez wrote:
...I just love the look of this lens.
I can see why; those are very nice!
I've always been unsettled with my choice of the 1.4/35mm. I think I may appreciate the 3d rendering that the 2/35mm seems to deliver more than I like the gorgeous bokeh of the 1.4/35mm. Also, the 2/35mm has a warmer cast than the 1.4/35, right?
I believe it is a bit warmer. Now I have to fiddle with the profile settings for this lens in lightroom. I like the distortion correction but I like retaining the vignetting when shot wide open.
Bob, great utilization of 2/35's characteristics!
EDIT: U.C. - marvellous landscapes! First 3 were very inspiring, thanks for posting.
I have been shooting almost 100% with polarizer filters at 2013 summer. Mostly because I can avoid some time wasted on photo processing (less tweaking with the damn sliders in Apple Aperture), but also for controlling amount of skylight reflected from the forest undergrowth.
Samuli Vahonen wrote:
tivv - I try to avoid commenting portraits OR processed photos - however I liked what you had done on post processing to enhance the skin texture on this one, great work!
Thanks! I really love what you did with that last wide panorama. I will have to experiment with something similar once I pick up the 100mm f/2 in the not so distant future.