This is another consistent set from you. It has the "Tony Schreiber look," which is a good thing. I agree with the previous poster that all of the shots feel very tightly composed, with few WA shots to give us context. I think that mixing in some more WA work would diversify the set and strengthen it overall.
Oooh, don't you start on consistency too now. *shakes fist*
I did really seem to stay tight (even when shooting with the 35 or 24), I'm trying to think back and meditate on why that was.
The lighting on the group shot is spot-on great.
I really like #31.
Thank you - I've become a big fan of one light/above/center.
#31 is one of my favorites too, thanks. I love being able to see the smile in the eyes.
The comps feel a little center-heavy overall. I think that adding in some more negative space and getting the subs off to the sides in a few might go along with that WA idea. You have a remarkable sense of timing, and to go with that I feel like you want to shoot tight constantly to maximize that effect. However, if you can mix in some abstraction it may paradoxically increase the impact of the moments. You're working so tightly that you've clipped a forehead/limb of your primary subject in almost a majority of the shots.
You think they're center heavy, really? I'm usually a big obvious-thirds guy. Maybe it is a result of shooting so close for so much. Hmm. Who needs a forehead?
As noted by many... very solid set here Tony.
There are a lot of good shots, so I'll just mention that the ring shot rocks, and that 9, 21 & 28 all have a classic sense of awesomeness
On a side note, I love when threads are replied to in the way you're doing so...
I skipped most of the posts untill I saw that you had replied to them, then I read them.
