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Archive 2008 · My Wife -- High Key

  
 
derthax
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p.1 #1 · My Wife -- High Key


My wife will hardly ever pose for me, but I finally convinced her to let me play around with high key tonight. This was my favorite of the series.

What do you think? All C&C welcome.

Thanks for looking.

http://www.deronthaxton.com/_cc/HighKey.jpg



Nov 23, 2008 at 10:37 PM
gheller
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p.1 #2 · My Wife -- High Key


i think it is a decent first try at high-key

a few things:

1) try to get both eyes in focus with such an extreme angle

2) the extreme angle looks to be a strain on the eyes

3) the extreme angle puts her nose tip right at her cheek

in summary, try a not-so-extreme angle next time

HTH

greg



Nov 23, 2008 at 11:36 PM
paulhodson
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p.1 #3 · My Wife -- High Key


As above - it would also allow some of the white of the eye to show which usually looks better (between the iris and the nose)

She looks a little unhappy - but you did say she was hard to persuade to pose.



Nov 24, 2008 at 05:33 AM
Jim Rickards
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p.1 #4 · My Wife -- High Key


Looks good. The above suggestions will help. The biggest thing for me is the eye position.


Nov 24, 2008 at 07:44 AM
Steady Hand
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p.1 #5 · My Wife -- High Key


The eye positions look natural to me (for a side glance).


Nov 24, 2008 at 08:01 AM
farley
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p.1 #6 · My Wife -- High Key


Agree with Steady. Bottom lip appears dirty. I'm sure it is from lipstick. She is a very pretty woman. It is a shame she does not want to be photographed. I like the photo.


Nov 24, 2008 at 09:03 AM
cgardner
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p.1 #7 · My Wife -- High Key


Close-ups in B&W like this make the eyes and mouth the focal point. The nose always gets in the way for no other reason that it is in between them. So the most effective strategies make the eyes contrast and the nose "hide in plain sight".

First it helps if both eyes are clearly seen and the pupils appear more naturally centered, not skewed to the side. Here the bridge of the nose is blocking the far eye. The far eye ball is also profiled. Both are indicators that the facial angle to the camera is too acute. Moving the camera around to the right about an inch or so would reveal all of the far eye and not cause it to bulge out in profile. So put on your mental checklist: "Can I see both eyes clearly?"

Eye position is a perceptual thing. We expect eyes to appear centered, even when logically they shouldn't be. In an oblique pose if a person looks straight ahead they look disconnected and distant, not wanting to engage the viewer. That's neither good or bad, just cause and effect how we interpret the body language of a diverted gaze. Similarly when eyes are skewed to one side, as they naturally are in a oblique view looking at the camera directly, the person in the photo looks shifty-eyed. Too much sclera (white) is distracting and unflattering. What looks most natural in a oblique view in a photo is when the iris appears more or less centered in the orbit. So what I do is first establish the most flatting angle of the face to the camera, then with a raised hand tell the subject to leave their head still but track my hand with their eyes. When the eyes look centered from camera position (a judgement call) I tell them to find the spot on the wall beyond my hand and remember it. From that point I can move the eyes with verbal prompts referencing that spot... i.e. "look back at the spot, now an inch higher..... " What matters is how the eyes are perceived in the photo, not where the subject is actually looking. I find it necessary to fake the eye position about half way between straight ahead and straight at the camera to make it come across as natural looking in the photo. In a profile view its necessary to fake it even more.

Now lets address part two of the strategy, hiding the nose. The first way to do that is make it look smaller. Near / far size relationships in optical systems are a function of relative distance of near and far objects. To be convinced of this stand with your face an inch away from a mirror and note how big your nose looks relative to the size of your ears. Walk back slowly and observe how the size of the nose, relative to the size of the ears, changes. Both are the same physical size but with increased distance both are a more similar distance from your eye, minimizing the near/far perspective.

The same is true of a camera. If you shoot portraits from 4 ft away the nose which is closer to the camera, will look bigger than if the same face is photographed from 8ft away. Focal length doesn't matter. It just dictates the in camera crop. Still not convinced after doing the nose in mirror exercise? Do the same thing with a camera. Shoot the wife from 2, 4, 6, 8, and 10ft with a 50mm lens. Then open in Photoshop and resize so the eyes are the same width pupil to pupil with edit > transform scale. Note how the shape / size relationships of the face change.

So to make the nose smaller, in relative terms, shoot from further away. How far? Depends on the shape of the face and nose. Try different distances and pick the one which best makes the nose hide in plain sight.

Correcting the facial angle and using flat lighting are also effective ways to hide the nose. If there are no shadows hanging off the nose there are no clues how big it is. If the tone of the nose blends perfectly with the tone of the far side cheek behind it there is no contrast to catch the eye and make it noticed. In your shot above the lighting is effective but the camera position was too close and too far to the left of center of her face to hide the nose effectively.

As for how dark to make the lips? That's a matter of how much attention you want the lips to "steal" way from the eyes. Like the nose, if the tone of the lips is light and matching the surrounding skin the brain of the viewer will tune them out perceptually and lock on the eyes. The darker you make the lips the more likely the viewer will lose initial eye lock to go check them out. In that regard B&W works different than a color shot because in color there is both color and tonal contrast tugging on the brain to say "Hey look down here!!!" So in a color shot even natural lips without paint can be a distraction from the eyes in a tight shot like this. In a wider shot the eyes and mouth are seen together in the central area of focus and the mouth will not distract from the eyes as in a close-up.

Chuck



Nov 24, 2008 at 12:08 PM
bryanlindsey
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p.1 #8 · My Wife -- High Key


"She is a very pretty woman. It is a shame she does not want to be photographed. I like the photo. "

+1



Nov 24, 2008 at 03:14 PM
Steady Hand
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p.1 #9 · My Wife -- High Key


All of the following is written in a friendly tone of voice and with the sole intent to help the original photographer (Derthax) or others with another set of eyes and another POV.

It may seem otherwise to some. Mostly because it contradicts something someone else wrote. Just remember...they are both just opinions.

Chuck wrote a very detailed (well written) description of how he sees the "nose" issue. I give him credit for that. It all sounds very..."authoritative" and "scientific."

Just remember...it is his "opinion." (Though I am sure it will seem like "indisputable fact" to him or others.)

I don't agree with the "make the nose disappear" suggestion.

Of course, that is my "opinion," and I don't expect Chuck or others to agree.

I like noses (small, big, wide, pointed, sharp, Roman, pug, ski slope, hooked, freckled, etc.) and see no reason for anyone to think they must make them "disappear."

I think noses are "essential" to getting a sense of the unique facial characteristics of a person. In fact, as a painter of portraits, the Nose is a very critical part of the image...and one I (as a painter) would NEVER try to make disappear. For example, how would Bob Hope have looked if his nose "disappeared" in photos of him? A nose can be a "distinguished nose" too (e.g. Cyrano or Madame X) .

In fact, I think the "flattened nose (missing nose) look" seen in many photographs is very unflattering and unnatural too. It is too often seen in photos, in my opinion. In fact...in many photos posted here on FM, I see the "missing nose" phenomenon often. In some cases it is so extreme it looks like a "sunken nose" in the image. Usually this is because of the use of two light sources (at 45degrees) or too much fill above the camera and poor light control. Of course some people like "fill over the lens" and "lotsa light" to make faces look flat (for their reasons). I don't.

Folks, the nose is a very important part of the face. Show it. It adds "natural dimension" to the image, when seen with some shadows either around it or below it.

And...despite many online "tutorials" (some from ancient studio photographers "opinions"), there is "proof in the pudding."

Look at a real "three dimensional person" and see the nose? Now look at the typical "nose disappears/flat nose" photos and see if it looks natural to you.

It does not look natural to me.

In fact, when I finish a shoot and look over the images, I am truly disappointed if I find a shot that I made of a person ...and it has a "missing nose." It happens sometimes (usually when I am outside without control over the light or the position of the person or when I am rushed) and I regret it. I would like to show you an example, but I usually "toss" those or only keep one if it is too important for other reasons. In short, I avoid the "missing nose" look whenever possible.

Vive la nez! (French for "Long live the Nose!")

And about those eyes....

Too often I read on a forum like this that the eyes don't look good in some posted photo because they are not "perfectly" aligned (in the "center of the orbit of the eye") or because there is more than one catchlight, or the catchlight is not at the "1:00" position, etc.

Sorry...I see it differently.

I look at eyes all the time...closely and with sharp observation. I look at real people (not photos) in real situations. Look carefully at someone you love (or like) next time you are out together. Look at the eyes and see the "light" and the shapes. Look while they are giving you natural expressions (not just studio "cheese").

And what I see "naturally" is multiple catchlights, catchlights on the whites, catchlights in the iris, catchlights all over the eyes. I also see eyes that look all over the place too. It is part of what I call natural "expressions."

So my Simple Suggestion:
Look at eyes and noses as essential parts of a face and learn to see them as nature made them and as one sees them in a natural view. Don't try to force the eyes or noses to all look the same (or same direction) or "one size fits all."

Of course this is just one person's opinion...

Derthax, I think the image posted above looks VERY nice and it has a "natural" looking set of eyes (expressive) and a nice looking "natural" position for the nose. Pretty woman too.

Now...after reading all of this...just remember...this is an opinion. You are free to believe what you want and see it how you want to see it. Form your own opinion. For myself, I will "trust my own eyes" and "follow my own nose."

To Chuck: don't take this personally. You are entitled to your opinion and methods, and I am just stating a different POV and opinion. I am really just addressing the issue of "nose disappearances" and "perfect eyes" for a discussion. And, don't feel a need to debate this (I have no more time for the issue) and please don't feel the need to send me a long PM either. I have said just about all I have to say on this topic of "noses" and "eyes."

To Derthax: Sorry if this seems "off topic" and I don't want to hijack your thread. I simply wrote in detail to help you and encourage you to continue to make "natural" looking images of your subjects.



Edited on Nov 24, 2008 at 04:19 PM · View previous versions



Nov 24, 2008 at 03:54 PM
bryanlindsey
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p.1 #10 · My Wife -- High Key


Wow. I guess no one really NOSE the authoritative answer...

yuk yuk yuk



Nov 24, 2008 at 04:06 PM
Steady Hand
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p.1 #11 · My Wife -- High Key


bryanlindsey wrote:
Wow. I guess no one really NOSE the authoritative answer...

yuk yuk yuk


Why Bryan...I am surprised at you!

It is as clear as the nose on your face.

yuk yuk too.



Nov 24, 2008 at 04:17 PM
Burk Young
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p.1 #12 · My Wife -- High Key


Derthax, the true KUDOS comes in the form of your having used the maligned, debated, and almost ostracized term "High Key" without appology or disclaimer and with almost 1200 views nobody has stopped in to chide you... so congrats there !!!!!!!!

Speaks to me sometimes what is not said as much as what is :-) all said with a smile and I indeed like your image but do think it maybe interesting to see with both eyes in focus... tell her you just have to try again :-)




Nov 24, 2008 at 06:02 PM
MozzMann
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p.1 #13 · My Wife -- High Key


derthax Great shot IMHO. There are Probably only 2 things that I find a tiny bit distracting and that is the angle of each eye. If the Pupil of the right eye, Left as we look were blacked out leaving the 2 softbox highlights in each eye you would see more character.
You might like to try glossing up the Lips to balance the incredible intensiveness of those eyes, and maybe just subdue the background light so as to separate the subject ever so slightly from the background.
Overall I think you have a cracking shot. Frame it and set it on the Mantle piece while she is not looking.



Nov 25, 2008 at 02:09 AM
cgardner
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p.1 #14 · My Wife -- High Key


Steady:

You are far to literal...

What I mean by "make the nose disappear" should not be taken literally. What I mean is don't let it become a perceptual distraction which gets in the way of seeing the more important (for emotional reaction) eyes and mouth. There is no hiding the fact some people are born with big noses or wide faces. But the camera can either record them accurately as the eye sees them, make them seem larger than life, or minimize them. Its all a matter of how the shooting distance, camera angle and lighting are used to render the face. In other words the "craft" aspect of portraiture: understanding how to use the tools of the trade to "shape" the raw materials. Whether one chooses to use the tools to intentionally depict the nose as normal, larger or smaller is the creative expression aspect of portraiture. My assumption, unless told otherwise, is that the goal of a portrait is to find the most flattering rendering possible for a face, making it appear symmetrical (i.e not distorted in shape) and slender, two traits considered flattering in most cultures.

In this case the nose literally blocks the far eye. That's a fact, not an opinion. My suggestions address strategies for preventing the nose from blocking the eye or distracting from it. Nothing more, nothing less...

Chuck



Nov 25, 2008 at 06:44 AM
derthax
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p.1 #15 · My Wife -- High Key


Hi guys....thanks for all the great feedback. Exactly the type of things I was looking for.

I've made several posts without any explanation of what I was going for, and without descriptions of the things that I personally found wrong and/or would change. I purposefully did this one the same way. I find I get better, unbiased feedback.

It's funny that the "nose" was brought up from 2 completely different points of view. In this particular pose, I had her turn her head until the tip of her nose was completely flush with her left cheek. Did the results turn out like I wanted? Well, I was happy, so in those terms I did achieve what I was going for -- right or wrong.

I do agree the angle is a little extreme for the eyes, I'll have to work on that next time.

Disclaimer I should have put in at the beginning on the lips (lipstick).... This was taken at the end of a long day and her lipstick was almost completely worn off. If this were to be used as anything other than a practice shot -- I would have had her fix it before hand. But given that it was either snap a few shots right then...or not take anything at all -- I chose the shots.

Lighting setup was 2 strobes on her, softbox camera right, and shoot through umbrella camera left and farther away. One strobe was used to wash-out the backdrop.

Thanks!



Nov 25, 2008 at 04:48 PM





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