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Archive 2008 · Your Impressions? #53 Pianist 3

  
 
Steady Hand
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p.1 #1 · Your Impressions? #53 Pianist 3


#53 in a Series of Impressions Threads: "Pianist 3"

Franz Liszt: Piano Concerto No. 1 in E-flat major
_____________________________________________________

First...a couple of important points to read BEFORE seeing this image.

MY SPECIAL REQUEST FOR YOUR HELP:
I know this particular woman was self-conscious of how she would appear in a photo. That is natural, especially if most people only see themselves in "snapshots." So, please take a moment to write a few words in an "impression" comment that I can share with her to help boost her self-confidence and give her a new view (in your own words) of her unique and natural beauty. A few words from you may make a big difference in how she sees herself. Of course, from my POV, I think she is a natural beauty. But, if you folks around the world will say a word or two of the "beauty" (or other impressions) you see in her face, I will share those comments or impressions with her and I am sure it will make her feel not only better about her own appearance, but also more confident in her very public performance role too. I hope you will help me help her. By the way, she is about 21 years old, but has a very nice "mature" personality and impressed me as a very special and very talented young woman. And...for those who like to know a bit about the "subjects," she is not only a highly talented pianist, she is also an electrical engineer! So she has beauty, talent, and brains!

READ THIS FIRST: SOMETHING TO HELP YOU
For this discussion/image thread, I am also posting two "snapshots" of the portrait subject (the woman) that were taken with the same camera and lens just to illustrate a few things to help YOU folks on the forum. These snapshots were taken in the same location but using either ambient light (overhead lights) or "on camera flash" light. I want you folks to see the difference. Nothing was done to the snapshots except to take a "smile and say cheese" shot. NO effort was made to make a "bad" picture or a "good" picture. It was simply, point the camera, "say cheese" and click. But if you take a look at them in comparison to the final portrait, you should see differences in how the face and features appear. Why am I posting these for you to see? Well, I hope it helps some forum members or visitors "see the light" differently. I also hope to encourage you to use light to show a face in "the best light." And because I often recommend using natural window light (as used here). And...because I often make comments about how the facial features of a person can be seen differently because of the light striking them. These are just provided to help you understand "light." Please DO NOT comment on the snapshots in your impressions comments about the portrait (the B&W image). IF you want to tell me something about the snapshots versus the portrait, please send it to me via a Private Message (PM) via the forum. Finally, the makeup is the same, the hair is the same, the person is the same. Only a couple of tiny skin blemishes were retouched on the final portrait. The rest is all natural.

THE IMAGE LINK: Impressions Image #53 "Pianist 3"
http://www.steadmanuhlich.com/impressions53/index.html

NOTE1 : Make sure you scroll down the page linked above. Otherwise, you will not see the two snapshots that are posted below the Portrait.

NOTE2: Read the "Tools" and "Techniques" notes below to understand how this image was made without flash and how it captures a natural moment (not posed) as the musician is actually performing a piece of music. I wrote those sections to help you with some tips.

_______________________________________________

NOTE: This is a temporary title. Put your Impressionista beret on and if you have a title in mind for this image, tell me. This is part of the fun of considering images from different POVs.

My Intent or Goal:
Create a Black and White portrait of this woman that shows her unique beauty. For this image I wanted to create an image that captures her playing. She has fair skin, brown hair and a charming personality. I thought her eyes were beautiful (brown), her features very nice and her look refreshingly "natural." This image is one of several I made of her as I found her to be a "chameleon" who changes very easily from one "mood" to another and so she became the subject of several "Impressionistic" images.

This particular image is one of a set to show a few of those "moods." This one is one of the more "serious" portrait images. Now...what do YOU see?

The Piano (Prop):
For those of you who like pianos...I am sure you would like to see more of the instrument. This is a 9 foot Steinway Concert Grand piano. The price is about $100,000 or so for this instrument.

The Light:
She is sitting near a large window. I prefer natural light. See the note below about the limits of web viewing this image.

The Tools:
My preference is for keeping the use of tools very simple. The image is made with minimal equipment and processing. The lens was a 50mm, set at f2.8 and shutter speed 1/50sec and shot hand-held (in keeping with my nickname).

The Technique:
The most important things to use during a session like this is...patience and an open mind. Patience to see the image when the light and expression were just right. And while you might not think it, she is actually playing the piano for me and looked up at the moment...the moment I captured here. Since the shutter speed is relatively slow, I had to time this exposure just right. . I watched her play for a few moments and saw a movement that I wanted to capture. So, I asked her to play the musical phrase again. I waited until I saw what I wanted (I knew what was coming) and then "click" got this moment frozen. Her hand is obviously a key element of this image. It is at the position at the height/apex of her movement. That took careful timing and careful observation. Other exposures/frames were similar but it is a matter of "timing" (knowing or anticipating when to click the shutter release) more than a matter of luck or shutter speed. I use this same method when photographing dancers where flash is not allowed. It really helps if you listen to the music and understand and observe the rhythms and cadence and movements. IF you do that, you can get wonderful images that "appear" frozen at the "decisive moment" due to knowing what will happen with the figure in motion. This can work despite a relatively slow shutter speed. I hope that "tip" helps you.

Notes:
1. This is part of my Natural Expressions series and part of a project focused on pianists. So, while some "expressions" are very easy to see because of a broad smile, laugh, or scowl, this one is something more subtle, and depends on the body language or expression using the body. I don't expect everyone to see this.

2. This is a greatly reduced file for the web. Unfortunately, the image appears to lose some details at this reduction and also is beginning to show some jpg artifacts from all the saving for different sizes and formats I use on the web and in other media. So...the skin does not look as smooth (naturally) as it does in the actual print. In the original print (which appears sharper), the individual hairs on her head and her eyelashes are very distinct (as an example) and the skin has a completely natural texture (no smoothing). Also at this size on the web, the contrast is not what one sees in a final print. For example, in the web view, you may see a lack of texture in the highlight areas of the skin (or they may appear 'hot') and in the shadow areas too. In the final print there is a very natural look to the her skin, brown hair, and the textures of her garment. In fact, in large prints (and on my calibrated monitor) one can see the very subtle tonal differences between the dark background and the dark hair or black garments. The final print has natural texture there. It is subtle but lost in the web viewing.

3. This made a very "natural" and beautiful portrait that appears very much alive and 3-D.

_______________________________________________

Why is an Impressions Style Thread Used Here?

Short answer: To get a different kind of discussion going on a posted image, encourage lurkers to participate, and for the artist to learn something about the interpretations or impressions evoked by the image posted.

My Simple Suggestion for this forum: Contribute what you can in photographs, or comments or Impressions (as requested here) and this will be a richer viewing experience for everyone who visits.

IF you are a lurker, this type of thread is a very easy way for you to participate in the forum and you can contribute something and it can be fun. Go ahead and jump in. If you were a lurker before, let me know that too. I am hoping this type of discussion will get more people to participate here as that will enrich the forum.

I believe many people are just lurkers because they feel they cannot post "proof" of their expertise and they may be intimidated from posting anything that would not sound "smart enough" regarding photography and the technical aspects of it. I think the technical discussions are fine for those that want them (in their own threads). I also think there are many others who may not want to get technical and enjoy their photography a different way. This is NOT about technical stuff, so feel free to be poetic or "impressionistic" as that is encouraged.

The development of this new style of thread posting (Impressions) will give an opportunity to many people who do not feel comfortable discussing photos in technical terms.

This type of thread is NOT about technical things (that is "off topic" in this kind of thread), it is simply about how you "see" and "feel" things in the image shown. So, anyone from a rank beginner or newbie to an expert can participate on equal standing. Here is your chance.

A FUN Tip: It is more fun if you look at the image before reading any other Impressions posted by others. So take a look, get an impression, add your impression at the bottom (and please give your first name and city), and then take a minute to read some of the earlier postings. You might chuckle or smile as you see how others see the same image.
________________________________________________

How an Impressions Discussion Works:

This is the 51st Impressions Thread I have started. IF you have never read one of these before, please read the middle and bottom of this thread before viewing the photo or posting your comments.

This type of thread or discussion is NOT about technical critiques. IF you don't understand what I mean by "Impressions," simply spend a few minutes reading below or on the linked page where the image is shown. I give tips on this type of thread and answer some questions people have asked me here before.

I have put the link to the image closer to the top of this post to make it quick and easy to find. The other detailed text below the portrait introduction is for those who want to read it or need some guidance on this new approach to discussion threads here on the forum. Over time, I will reduce the amount of text as I believe others here on the forum begin to understand the intent of this type of discussion or "Impression" thread. You are encouraged to leave your Impressions (as described below) but I do ask that you leave "Impressions" as that is the topic. IF you missed the other earlier Impressions threads I started, simply look back in the forum or search for a thread with topics starting "Your Impression?" and you will find them.

IF you feel a need to debate the value of Impressions versus Technical Criticism, then please do not do it in this thread (as that is "off topic"), and instead do it in the thread where that debate IS the topic of discussion, here: https://www.fredmiranda.com/forum/topic/649345

You might also enjoy reading the different "Impressions about Impressions" thread here:
https://www.fredmiranda.com/forum/topic/653643

It is very simple. Here is my request: To add positive value to this thread or discussion, please share your "Impressions" of the figure or face or expression or action or "total image" in the photo you see. Put very simply: "What do you see or sense about the person in the photo?" Also, please tell me your First Name + City when you give me your Impression. That is important for my Global Impressions Project (A few paragraphs describing my project are found on the page linked to the image page. You will find it on the second page if you want to know more.)

Also, I encourage you to post your own "Impressions" thread with a photo some time. Reading the variety of Impressions is very satisfying and helpful to any artist who is interested in how a work of art (photo) affects a viewer or viewers. So, try it some time. My Simple Suggestion: Place the word "Impression" as the first word of your topic title for the thread and then people will know you want Impressions rather than technical criticism. The rest is up to you.

Edited on Nov 12, 2008 at 07:29 PM · View previous versions



Nov 09, 2008 at 02:43 AM
spxxxx
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p.1 #2 · Your Impressions? #53 Pianist 3


I think that you have achieved what you set out to do - capture her beauty and put it in context with her personality.

It is a stunning portrait and all the better for the B+W treatment you have given it.

The snapshots give an insight into what an accomplished photographer can do to bring out the beauty in everyone - using her strengths to produce a portrait which conveys style and intimacy.

Simon



Nov 09, 2008 at 03:51 AM
CAPT777
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p.1 #3 · Your Impressions? #53 Pianist 3


A most impressive image. The piano portrait is very appealing the black and white treatment really works well.

Doug



Nov 09, 2008 at 04:19 AM
genoph
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p.1 #4 · Your Impressions? #53 Pianist 3


You are too good a man Steady.

I find myself wondering what she is wondering. She seems to be very focused on her art, and my eye is drawn to hers and back out yonder. Her concentration is clear, her love is defined, she has found it in the keys.

Geoff
Vernon, Canada



Nov 09, 2008 at 05:02 AM
Y_vdm
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p.1 #5 · Your Impressions? #53 Pianist 3


Bonjour Steady

"Oser

Des milliers de notes, chacune subtilement insérée dans l'ensemble, partition un peu trop classique pour l'artiste. Elle sait qu'elle peut le faire, remettre en question toute son inteprétation par cette simple note, début d'un changement, origine d'un nouvel univers musical. Rien qu'un moment, elle hésite. Plus pour longtemps"

Ok, this time, my poor english will really be for me to translate and to you to understand what i tried to write

"To dare

Thousand of notes, each one subtle inserted in the whole music, score a bit too classical for this artist. She knows that she is able to do it, to totally rebuild her interpretation by an unique note, beginning of a major change, origin of a new musical universe. Only one more moment, only one .. she's still undecided. Not for a long time anymore.
"

Good light to you
(kind regards from M too)

Yves




Nov 09, 2008 at 05:29 AM
Steady Hand
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p.1 #6 · Your Impressions? #53 Pianist 3


spxxxx wrote:
I think that you have achieved what you set out to do - capture her beauty and put it in context with her personality.

It is a stunning portrait and all the better for the B+W treatment you have given it.

The snapshots give an insight into what an accomplished photographer can do to bring out the beauty in everyone - using her strengths to produce a portrait which conveys style and intimacy.

Simon


Hello Simon.

Welcome to the impressionist world.

Thanks for adding your impression (a very nice one) and for being the first to get the impressions comments rolling.

I appreciate every word. I am sure the subject/woman will like to know she is "stunning" too.

I took a quick look at your website, and I truly enjoyed seeing images of the "kiss" the little girl (at wedding) and the horses too. You do very good work and have a good eye for the moment and the light. I wish I had access to those horses. Equine portraits can be beautiful and fascinating.

I hope you participate in future Impressions discussions and encourage you to start one of your own (with your own images) as I think you will enjoy the difference in how the images are discussed.

Cheers (learned this from a fellow Brit...Liamh).

And...Good light to you.

P.S. You have a nice avatar headshot. It looks good at even that small size.

Edited on Nov 09, 2008 at 08:38 PM · View previous versions



Nov 09, 2008 at 05:58 PM
Steady Hand
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p.1 #7 · Your Impressions? #53 Pianist 3


CAPT777 wrote:
A most impressive image. The piano portrait is very appealing the black and white treatment really works well.

Doug


Howdy Capt. Doug.

Thanks for that impression too. And welcome to this type of discussion. I hope to see you in future Impressions discussions (either mine or your own).

I am glad you liked the image too.





Nov 09, 2008 at 05:59 PM
Steady Hand
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p.1 #8 · Your Impressions? #53 Pianist 3


genoph wrote:
You are too good a man Steady.

I find myself wondering what she is wondering. She seems to be very focused on her art, and my eye is drawn to hers and back out yonder. Her concentration is clear, her love is defined, she has found it in the keys.

Geoff
Vernon, Canada


Howdy Geoff,

Thanks for joining in and for adding that interesting Impression too.

"wondering what she is wondering" is an interesting thought too. I especially liked the last sentence in your Impression. Nice and poetic. Good writing. Good thoughts.

Thanks for sharing these thoughts. I will in turn share them with the woman and I am sure she will read them again and again with good feelings. Thanks for helping in this project.

And...where is Vernon? What part of Canada?



Nov 09, 2008 at 06:02 PM
Steady Hand
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p.1 #9 · Your Impressions? #53 Pianist 3


Y_vdm wrote:
Bonjour Steady

"Oser

Des milliers de notes, chacune subtilement insérée dans l'ensemble, partition un peu trop classique pour l'artiste. Elle sait qu'elle peut le faire, remettre en question toute son inteprétation par cette simple note, début d'un changement, origine d'un nouvel univers musical. Rien qu'un moment, elle hésite. Plus pour longtemps"

Ok, this time, my poor english will really be for me to translate and to you to understand what i tried to write

"To dare

Thousand of notes, each one subtle inserted in the whole music, score a bit too classical for this artist. She knows that she is able to do it,
...Show more


Bonjour Yves + M.

You never fail to amaze me with those words of yours!

Really....each Impression from you is a real joy to read. Deep, thoughtful, expressive, and poetic. They really do compliment the images in a very beautiful way. Thank you for the time you devote to them (and for the English translation too).

Hey...I think my French is improving each time I read your Impressions and then read the English translation. Who knows...someday I might actually sound "poetic" in French (beyond the normal schoolboy French syntax). I will owe it all to you.

Good light to you mes amie.



Nov 09, 2008 at 06:05 PM
bob parrish
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p.1 #10 · Your Impressions? #53 Pianist 3


ahhhhhh... at last the crowning moment of the series. Even though you don't want technical comments, I have to say I am stunned at the perfection of the lines in this image.

My first thought upon seeing this portrait was a rehearsal. The expression in her face is one where time has slowed and she is able to ponder her progress while not losing time or intensity.

But she is too dressed up for a simple rehearsal. So it must be a performance.

Classical musicians practice hours and hours playing the same piece, or parts of it over and over hoping to achieve perfection. When finally ready to perform they can in a way, let go, or forget all of those hours and just let the music flow. I've heard some performers say that sometimes it seems they are watching themselves play.

Because of how she is dressed, I see a performance by a true artist. This moment in time that you have captured shows the confidence of hours spent, the artistry of the performer, the joy of the music, and the beauty of the performer when they are all put together.

Bob



Nov 09, 2008 at 06:49 PM
Gene Schilling
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p.1 #11 · Your Impressions? #53 Pianist 3


Hi Steady.

I admit I did not read your entire note at the top (it is a little long), but went right to the photo. I agree with all here that the technical merits are indeed exceptional. She is quite a lovely subject. However, I do find her pose somewhat awkward. I'm sure this is meant to capture her during a moment in her performance, but my first impression is that she is distracted and must look away, as opposed to focused. I also find her hand to be somewhat distracting, I know it is probably quite normal looking for a piano performance, but to me it seems to be far less elegant looking than the lady herself.

I don't claim to be a professional, nor am I an expert on classical music, but I hope this helps coming from another perspective.

Cheers.

Gene




Nov 09, 2008 at 07:11 PM
Steady Hand
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p.1 #12 · Your Impressions? #53 Pianist 3


Gene Schilling wrote:
Hi Steady.

I admit I did not read your entire note at the top (it is a little long), but went right to the photo. I agree with all here that the technical merits are indeed exceptional. She is quite a lovely subject. However, I do find her pose somewhat awkward. I'm sure this is meant to capture her during a moment in her performance, but my first impression is that she is distracted and must look away, as opposed to focused. I also find her hand to be somewhat distracting, I know it is probably quite normal looking for
...Show more

Hi Gene,

Thanks for adding your impression to the mix.

I will tell her you find her "lovely."

I understand your comments.

Here's the thing...this is her actually playing the piano.

The side glance was her "thinking" of the next phrase in the score and as she played she tended to move from side to side and her head moved from side to side....naturally. She was "into" the music.

In fact...it was sort of hard to focus as she kept moving.

The hand?
I understand. This again is her playing the piano in a pretty dramatic moment (in the music) and with that "drama" comes some dramatic gestures (remember this is a "concert pianist"). So...I suppose one has to consider that her "gesture" as she begins to come down. I don't expect that all pianists would do this. Probably very few do. I suppose it comes from "stage performance" attitude more than anything. It is a "performance" that is of a different type from what most pianists would...perform. And...unlike most pianists...these "concert pianists" have practiced their music so many times they don't even need to read a sheet of music when performing. So much memorized is impressive. And..that also frees them to look where they want or even to close their eyes when playing. Dramatic!

I wish I could provide a music clip. IF I did...I am sure you would understand better (as would anyone) as the music reaches a point where "power" and "drama" come through with great force and expression. Sort of like a "dance" where the sound is expressed by the motions of the hand/figure too.

And...another comment on the hands....

I carefully observed this pianist and several others. One might think the hands always look "graceful" and delicate. On the contrary... Sometimes the hands and the fingers actually look VERY awkward...especially while performing. The fingers stretch...the backs of the hand arch...the hands sometimes look very "claw-like." So...even at the most "natural" (during the performing) the hands can look very "awkward." This is surprising, but true.

Sort of like the time I spent carefully observing a ballet company from the wings during a performance. From the audience perspective (POV) the dancers seem to "float" across stage and seem "weightless." When on stage up close...one learns that they are actually "huffing and puffing" and "sweating buckets" and "thudding" across the stage while lifting 100+ pounds of women in tutus. I admire the physical stamina and strength of the male dancers and their grace. I doubt many men could do what they do and make it look so effortless. It really is lifting and jumping and all to the moment in the score. It can be very physical and lots of hard work and somewhat like "wrestling" with the sounds and the effort. ONLY the sound of the orchestra or music covers this so the audience never knows. So...the actual reality is sometimes not what the audience is used to seeing.



Nov 09, 2008 at 08:19 PM
MGrenkow
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p.1 #13 · Your Impressions? #53 Pianist 3


She has a classic beauty that is very serene, with a hint of timelessness caught in the moment.

I love the detail of the piano (strings, keys, etc.) but upon further study of the piano, it almost takes on a surgeons table appearance being that it's stainless steel (?!) and with her hand frozen in mid stroke, it now almost seems that she is reaching for a scalpel or tool. Her reflection above almost gives the feel of a surgical lamp. It may sounds odd to compare it with an O.R., but as someone who worked in one for years, it can be just as much of a symphony!

Michele
BC, Canada (not all that far from Geoff)



Nov 10, 2008 at 12:19 AM
Tony Brown
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p.1 #14 · Your Impressions? #53 Pianist 3


in the B/w she looks beautiful...i'm sure she will like the image.


from my perspective though........everything looks wonderful, except for her hand. it really takes away from her expression. IMO i would take the refection of here off the piano...again it takes away the attention from her. also i would change the crop, to get rid of the extra space at the bottom of the image.



Nov 10, 2008 at 12:54 AM
Tony Brown
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p.1 #15 · Your Impressions? #53 Pianist 3


i like you previous image of her better...#2


Nov 10, 2008 at 01:12 AM
Daniel Heineck
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p.1 #16 · Your Impressions? #53 Pianist 3


This photograph (and I had not looked at it before giving my impression of #2) is the same.

The piano is an extension of her person. The contemplative look and the hand paused says to me that her mind is in the music, and it flows from there to the piano. She carries a graceful strength with her.

That said, I prefer the first impression, because it comes across more as interacting with the viewer, and here she is lost in the music itself. I like this one better than the last.



Nov 10, 2008 at 01:39 AM
Jonathan H
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p.1 #17 · Your Impressions? #53 Pianist 3


Steadman, this is the first time I believe I've ever commented on one of your Impressions threads and I hope I do it justice. You've offered your own insights to my work more than once and I certainly appreciate it - I hope I can adequately return the favor.

This portrait (#3) is my favorite thus far of your "Pianist" series. It has the greatest amount of interaction and tension between the young lady and her piano, whereas the first two images are more "static."

I spent several years studying piano as a child and her movement in this image plus the tilt of her head actually make it seem to me as though she is composing, her head cocked ever so slightly, listening to discern the perfect tone and pitch of a note. Your introduction obviously tells a different story, but 1/50 of a second can occasionally be misleading .

What spoke to me most of all, however, is her grace and elegance while sitting at the keys. As someone of the same age group, I'm of the opinion that our generation seems to be characterized by a disheartening blend of hip-hop, narcissism, and drug abuse. Not even 24 hours ago, a girl in my graduating high school class murdered another woman by running her over with an SUV after a spat outside a club. The deceased wasn't even involved in the fight, just a bystander in the large group of people into whom my "classmate" drove her truck. I wish I was kidding - and I didn't go to a "rough" high school by any means.

To see one of my own contemporaries embracing the arts, with poise beyond her years, is quite heartening. I can almost see her character through your photograph - I believe she is someone I would be proud to call a friend. Her undeniably genuine smile, seen in your snapshots, only further affirms my belief.

Jonathan
Teaneck, NJ
College Park, MD



Nov 10, 2008 at 06:07 AM
Steady Hand
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p.1 #18 · Your Impressions? #53 Pianist 3


MGrenkow wrote:
She has a classic beauty that is very serene, with a hint of timelessness caught in the moment.

I love the detail of the piano (strings, keys, etc.) but upon further study of the piano, it almost takes on a surgeons table appearance being that it's stainless steel (?!) and with her hand frozen in mid stroke, it now almost seems that she is reaching for a scalpel or tool. Her reflection above almost gives the feel of a surgical lamp. It may sounds odd to compare it with an O.R., but as someone who worked in one for years, it
...Show more

Hi Michele,

Thanks for joining in this Impressionist discussion.

Your impressions are very different. I am sure the pianist will love to hear/read your first few lines. Very nice of you to write that.

About the "stainless steel" look and how it gave you an "operating room" impression....I don't know what to say. That was certainly not expected. Not that that is "bad," just that it (your impression and analogy) is very unexpected and different.

You know...that piano was "hand polished" by me just a few moments before the shoot. Pianos tend to collect dust and fingerprints. So I put some "elbow grease" into it and made it really shine. Perhaps like some "cold steel" too.

I hope you will accept my thanks for your unique perspective on this image. The "operating" analogy is one I will consider again and who knows where that might lead me in images.

I did spend some time with the piano tech when he was showing me how he tunes the piano (with digital gizmos rather than tuning forks). With his head, arms and uper body and wrenches "under the hood" I got the impression of a car mechanic at work.

Thanks for participating and I do hope you will join other Impressions threads too.




Nov 10, 2008 at 11:40 AM
Steady Hand
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p.1 #19 · Your Impressions? #53 Pianist 3


Tony Brown wrote:
in the B/w she looks beautiful...i'm sure she will like the image.

from my perspective though........everything looks wonderful, except for her hand. it really takes away from her expression. IMO i would take the refection of here off the piano...again it takes away the attention from her. also i would change the crop, to get rid of the extra space at the bottom of the image.


Hi Tony,

Thanks for adding your impression.

I understand your impression.

The thing about the hand...from my POV...is that it compliments the facial expression as they are truly natural and as she appears when she plays. She does have an "intense" look most of the time. The hand is "expressive" too. So...a compliment.

Of course...that is how I see it. I never expect two people to see or feel the same things.

Thanks again.



Nov 10, 2008 at 11:44 AM
Steady Hand
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p.1 #20 · Your Impressions? #53 Pianist 3


Daniel Heineck wrote:
This photograph (and I had not looked at it before giving my impression of #2) is the same.

The piano is an extension of her person. The contemplative look and the hand paused says to me that her mind is in the music, and it flows from there to the piano. She carries a graceful strength with her.

That said, I prefer the first impression, because it comes across more as interacting with the viewer, and here she is lost in the music itself. I like this one better than the last.


Daniel.

Thanks again for adding to the impressions.

I liked this one too. Well worded and meaningful to me. I am sure your words will mean even more to the pianist (I will show her soon).

And..thanks for telling me which you preferred too. That helps me again.



Nov 10, 2008 at 11:46 AM
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