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Archive 2008 · Is film really going away???

  
 
edwardkaraa
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p.5 #1 · Is film really going away???


brainiac wrote:
OK. Accurate focus isn't important to you. I get paid to take pictures. Lots of them are out of focus, but I do try my best to get focus as good as possible. A camera which had no way to accurately focus at wide apertures would be a severe limitation. Why pay so much for a camera that can't accurately focus off-center subjects?


Please Brainiac don't put words in my mouth or assume things that I didn't say. Who said accurate focus is not important to me. I did not shoot RF since the Contax G2 and that was over 12 years ago. What I'm saying is that subject matter can be more important than sharpness for great photos. If you see Henri-Cartier Bresson work you will know what I mean. This said, I also get paid to take pictures, and I use alternative lenses exclusively. Sharpness is very important to me, otherwise why would I give up AF and aperture auto stop down. Moreover, as I stated in another thread, I used to find the lack of auto-stopdown very annoying, but then after a while of getting used to it, now I find it a blessing. It's very revealing to make the final framing with the aperture stopped down and see exactly how the DOF will look like and if there are any disturbing elements that are in or out of focus. I even do not want auto-stop down in a lens any more, and that's why I'm sticking with Canon/Contax instead of going the Nikon/ZF route.



Jul 19, 2008 at 12:06 AM
brainiac
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p.5 #2 · Is film really going away???


OK edward - I agree with you, and my response was a bit flippant. I take plenty of usable o.o.f. images too, but the point is this: the usefulness of o.o.f. images has nothing to do with whether you want a camera that, on occasion, is capable of being used with precision. The inaccuracy of focussing wideangle lenses at wide apertures on a rangefinder is quite a serious built-in limitation.


Jul 19, 2008 at 07:04 AM
brainiac
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p.5 #3 · Is film really going away???


tennclay wrote:
You said

Now you are adding additional criteria to try to salvage your argument - the crop invalidates the test, or it has to be a 35mm 1.4. All the while the example you posted has a subject significantly more "on axis" than my sample as a demonstration of what RFs can't do. I know that the small additional amount I'd be able to rotate the camera on a full frame camera would again make no practical difference.

I think you are sticking by you speculation and I doubt there is any test demonstrating the contrary that would sway you. But
...Show more

I don't regard 65mm effective focal length as normal. I regard 43mm on full frame as normal. I also said the effect tends to get worse the wider the aperture, the wider the lens, and the further you push the subject to the edge.

On an M8, a 35mm f1.4 or f2 is equivalent to a 45.5mm lens. The effect may begin to show towards the frame edge on those lenses wide open. A 28mm is equivalent to a 36.4mm lens, which is slightly wide of normal, and I would expect the effect to be visible on a 28 f1.4 wide open. Of course, a lens designer can design a lens to have a hemisphere of focus, which would solve the problem completely. I don't know to what extent M lenses take advantage of that, but the downside is that you can only focus small parts of a plane (i.e. wall) at small apertures.

In use, I have noticed the effect on a Mamiya 6 with the 50mm lens. It is frustrating to realise there is no accurate way of determining off-center focus.

If you never shoot wideangles at f1.4-2.8, then this effect won't often spoil a picture beyond repair.

Edited on Jul 19, 2008 at 07:27 AM



Jul 19, 2008 at 07:07 AM
tennclay
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p.5 #4 · Is film really going away???


brainiac wrote:
I don't regard 65mm effective focal length as normal. I regard 43mm on full frame as normal. I also said the effect tends to get worse the wider the aperture, the wider the lens, and the further you push the subject to the edge.

On an M8, a 35mm f1.4 or f2 is equivalent to a 45.5mm lens. The effect may begin to show towards the frame edge on those lenses wide open. A 28mm is equivalent to a 36.4mm lens, which is slightly wide of normal, and I would expect the effect to be visible on a 28 f1.4 wide
...Show more

Obviously, if shooting extreme closeups of subjects placed at the very edge of a full frame shot with a 35mm lens at F1.4 in lighting adequate to manual focus an SLR with the matte focusing screen WITH a RangeFinder doesn't satisfy you, then I would agree that an RF is not for you!



Edited on Jul 19, 2008 at 08:02 AM



Jul 19, 2008 at 08:01 AM
brainiac
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p.5 #5 · Is film really going away???


brainiac wrote:
If you never shoot wideangles at f1.4-2.8, then this effect won't often spoil a picture beyond repair.

tennclay wrote:
Obviously, if shooting extreme closeups of subjects placed at the very edge of a full frame shot with a 35mm lens at F1.4 in lighting adequate to manual focus an SLR with the matte focusing screen WITH a RangeFinder doesn't satisfy you, then I would agree that an RF is not for you!



It's one of the many limitations of focussing that I think is worth raising when rangefinder focussing is discussed. The party pictures I uploaded illustrate the kind of shot that can suffer from this limitation.

It would be great if someone was able to demonstrate the effect with a wide open 21mm or 28mm on an M8, but I doubt that's going to happen. Unfortunately I don't have a rangefinder to hand to show that the problem exists.



Edited on Jul 19, 2008 at 03:20 PM



Jul 19, 2008 at 03:19 PM
Kiron Kid
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p.5 #6 · Is film really going away???


ISO1600 wrote:
then don't drop the big bucks on a Leica. For persons like yourself, who have never messed with a rangefinder before, and don't know if you'll hate it or love it- i'd suggest at MOST, a used Bessa. The R2A is a great place to start, if you plan on shooting 50mm or below. 40mm and up, i'd go with a R3A.

My personal opinion- the Nikon FE2 is one of the greatest cameras ever made- and you already have an awesome 50mm f1.4 to put on it. Buy an FE2 for ~$150, and enjoy it! I love mine so much
...Show more

I agree completely. I love the FE-2 with the Viv S-1 28-90 and a roll of Neopan 400.

Kiron Kid



Jul 20, 2008 at 12:59 AM
brainiac
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p.5 #7 · Is film really going away???


Another good alternative to an FE2 as a cheap used lightweight SLR with great lenses is the Contax 139 or Aria. Arguably better lenses than the Nikons, and much nicer Porsche designed ergonomics. FE2's might be a bit overpriced due to their legendary status. They also suffer from a horrible exposure compensation interface, where four or five alien tentacles with suckers are needed to set +1:
http://upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Nikon_FE2_2.jpg/800px-Nikon_FE2_2.jpg

For the same money as an FE2 you can probably get a Contax RTS2, which handles much better, and has a superb viewfinder.

Edited on Jul 20, 2008 at 10:46 AM



Jul 20, 2008 at 10:33 AM
Daniel Buck
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p.5 #8 · Is film really going away???


I use the RTS2 as my 35mm film body, I don't use it to often, but when I do I enjoy it


Jul 20, 2008 at 11:43 AM
pascal03
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p.5 #9 · Is film really going away???


I sure hope film does not go away too quickly. I enjoy using my Contax T and the OM-4T - wish I used them more often.
Over the years, I used the Contax G system and more recently the Contax N system primarily as well as Canon and Nikon. Through it all, the one camera that has stuck by me and worked flawlessly has been my Contax T. Still delivers impressive images.



If only for a digital rangefinder like the Contax T.......

http://i.pbase.com/g5/26/807326/3/100331641.Nuqkcm6O.jpg



Jul 20, 2008 at 03:43 PM
wolfloid
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p.5 #10 · Is film really going away???


Hmm,
"The inaccuracy of focussing wideangle lenses at wide apertures on a rangefinder is quite a serious built-in limitation. "

Well, I use both Rangefinder and SLR. Probably my most used combination is an M6 with the 35/1.4, and I use it regularly for ill lit interiors, very often wide open.

I understand your theoretical objection (at least when shooting close up) but in reality I have NO problems. If I want to frame off centre, I simply focus on the ears, rather than the eyes (or any point a little further away than the eyes), when shooting portraits, and reframe. It works.

Whereas, the inherent weaknesses of focus accuracy when using wide-angles wide open on an SLR, even though I can use the edge of the frame to focus, make this far more hit and miss, particularly in low light, when trying to shoot quickly.

Given the situation you name, my experience tells me to grab the rangefinder, any day.



Jul 20, 2008 at 05:47 PM
brainiac
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p.5 #11 · Is film really going away???


wolfloid wrote:
If I want to frame off centre, I simply focus on the ears, rather than the eyes (or any point a little further away than the eyes), when shooting portraits, and reframe. It works.


Correct me if I'm wrong, but doesn't recomposing produce back-focus? Focussing on ears instead of eyes ought to make things worse. Are you just making this up? ;-)

Edited on Jul 20, 2008 at 07:24 PM



Jul 20, 2008 at 07:17 PM
brainiac
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p.5 #12 · Is film really going away???


I was curious about the extent of the off-center error, so I tried to do a bit of geometry to give us a better idea of the seriousness of the problem.

http://cyberphotographer.com/rangefindererror/rf_error.jpg

From the diagram you can see that the error is defined by

r - (r cos(a))

where r is the subject distance, and a is the angle you swing through during recompose.

You can test some values by pasting the following formula into your address bar and hitting return:

javascript: distance=2; swing=20; unit='meters'; alert('error is '+ distance * (1 - Math.cos( Math.PI * swing / 180 ) ) + ' meters' )

Substitute new values for distance and swing.

A 20 degree swing at 2 meters produces a focussing error of 12 centimeters.

6 centimeters of back focus at one meter is the kind of thing people go crazy about over on the Canon forum. You can probably see that much error at f4, let alone f1.4.



Edited by brainiac on Jul 21, 2008 at 10:10 AM GMT

Edited on Jul 21, 2008 at 05:10 AM



Jul 21, 2008 at 04:57 AM
wolfloid
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p.5 #13 · Is film really going away???


"doesn't recomposing produce back-focus"

Depends on whether you swing on axis (difficult to judge) or step to the side. Stepping to the side produces front focus and is easier to compensate.



Jul 21, 2008 at 05:04 AM
brainiac
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p.5 #14 · Is film really going away???


wolfloid wrote:
"doesn't recomposing produce back-focus"

Depends on whether you swing on axis (difficult to judge) or step to the side. Stepping to the side produces front focus and is easier to compensate.


I am interested in your technique. In your experience, is it better to step sideways while facing in the same direction, or do you turn through exactly 90 degrees, take a few accurate strides, and then turn and face again? If the latter, how do you get the 90 degrees exact? With a compass? And if the former, how do you maintain camera bearing? Do you mentally mark where a very distant spire lies in the frame, and then put it there at the end of your journey to the left? Distant spires are so useful. What is the maximum number of sideways steps you have taken during recompose?

Also, how does stepping to the side produce front-focus? Surely the most sensible sideways direction to step in is the direction parallel to the focal plane, in which case focus remains perfect as you maintain the camera's bearing by hand. The fact that you can do this successfully at f1.4 is impressive and a testament to the connectedness that a good photographer can feel with his camera and the fleeting moment. I think I am beginning to understand why HCB performed such strange camp dances when he was taking photos. Are you a freemason?


Edited on Jul 21, 2008 at 05:22 AM



Jul 21, 2008 at 05:08 AM
brainiac
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p.5 #15 · Is film really going away???


tennclay wrote:
Just to offer proof, here is a quick test done with an RF at F1.2 at very close to the minimum focusing distance - about as bad as it can get. DOF is less than an inch. I focused on the yardstick shot, then immediately recomposed and shot again.

Side by side full shots of my messy desk...

http://www.tunachaser.com/modules/pnCPG/coppermine/albums/userpics/10001/recomposefull.jpg

Now a 100% crop of the yardstick.
http://www.tunachaser.com/modules/pnCPG/coppermine/albums/userpics/10001/recompose_crop.jpg

I think I accomplished the impossible!


BTW, in my diagram...
http://cyberphotographer.com/rangefindererror/rf_error.jpg

you can see that smaller angles of swing produce negligible errors whereas big angles of swing produce much larger errors. That's why the problem afflicts wideangle use far more than telephoto use.

In tennclay's 65mm (effective) example above, the angle of view should be about 15 degrees, so the swing is probably no more than 5 degrees. The calculated error at one meter is about 4mm. Funnily enough, the swing does appear to have sharpened up the 19 marker a little, and certainly the 18 marker and the text under it are sharper after the swing. Also, look at the upright line behind the ruler which is sharper at the edge of the frame. Compare the 23's. Focus has moved back. Would it be fair to say that tennclay's result corroborates rather than refutes a calculated back-focus of a few millimetres? And would 4mm be enough to take the crispness out of eye glints?

As I said before, the effect becomes more frustrating if you use bright normal and wideangle lenses, where the swing can be 20 or 30 degrees. Telephoto examples like this one aren't relevant.

Edited on Jul 21, 2008 at 05:47 AM



Jul 21, 2008 at 05:37 AM
wolfloid
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p.5 #16 · Is film really going away???


This is really all moot when you consider how innaccurate SLRs are with wide angles.

As to stepping to the side, it is a technique I've developed without the help of either freemasons or the Carier Bresson book of darting moves. It's quite simple really, just move the one leg about a foot and half in one direction. This effectively means that the subject is now 'a little further away'. Just move the lower horizontal 'r 'line in the above diagram up so that it is horizontally level with 'e' and you will see that the new position of the arc moves the distance 'e' over to where the subject is. Simple (reverse) trigonometry, mate.



Jul 21, 2008 at 06:15 AM
wolfloid
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p.5 #17 · Is film really going away???


Just for reference:

Wideangles on any SLR, whether accurately calibrated or not, are far less accurate in focusing than the same on rangefinders. This is due to the inherent focusing base.

In a rangefinder camera, focusing accuracy is dependent upon two factors, (1) the rangefinder base and (2) the magnification of the viewfinder. The rangefinder base in a Leica M6 is 68.5mm, multiply this by the viewfinder magnification which is .72 and you get an effective focus base length of 49.32 mm. This level of accuracy is constant for all lenses.

In an SLR, focusing "accuracy" is dependent upon the same two factors (1) the rangefinder base and (2) the viewfinder magnification. In an SLR, the rangefinder base is the focal length of the lens divided by the maximum aperture. For example, a 50mm F/2.0 lens has a rangefinder base of 25mm, 50mm/2 = 25mm. And a 35mm F/2.0 has a rangefinder base of 17.5, 35mm/2=17.5mm. A 24/2.8 used on an APS Canon (equivalent of a 38/2.8 on 35mm) has a base of 8.5. Multiply that by the viewfinder magnification, which is .87 and you have an effective base of 7.4mm. In other words almost SEVEN TIMES smaller than the Leica, or SEVEN TIMES less accurate.

Since our eyes don't see so well under low light - focusing an SLR camera with a wide angle lens under poor lighting conditions is neither rapid nor accurate. Even auto focusing can do nothing to compensate the tiny effective base length.
So, as you see this has nothing to do with calibration and everything to do with physics.




Jul 21, 2008 at 06:34 AM
tennclay
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p.5 #18 · Is film really going away???


brainiac wrote:
In tennclay's 65mm (effective) example above, the angle of view should be about 15 degrees, so the swing is probably no more than 5 degrees. The calculated error at one meter is about 4mm. Funnily enough, the swing does appear to have sharpened up the 19 marker a little, and certainly the 18 marker and the text under it are sharper after the swing. Also, look at the upright line behind the ruler which is sharper at the edge of the frame. Compare the 23's. Focus has moved back. Would it be fair to say that tennclay's result corroborates rather
...Show more

The error demonstrated in your calculation would indicate a problem, ceteris paribus. But, again, the question is whether it is a problem in practice. There are more factors in play than you account for.

For example, you ignore DOF in the "equation". Your calculation gives 12 cm of focus error, looking quickly at DOF master you will see a calculated DOF of 27cm (35mm/1.4 Film). Of course DOF is very subjective and arbitrary, but why would you ignore it? Is DOF enough to overcome the focussing error? I believe it depends - where does the lens best point of focus lie within the DOF (front, rear, middle), what is the size at which you will view it, and what is acceptable focus for you personally?

Using your formula and substituting 1 meter for 2 meters, you'll see that the focus error will decrease by about 1/2. Doesn't this mean that there would be an increasing focusing problem at larger distances? Of course not, in practice one knows that it more of an "frustration" at close distances. This is the practical impact of DOF and its inverse relation to focusing error as distance changes.

Another contributor mentioned previously is optics - take a look at this link and you'll see that it would impact the situation as well. http://www.vanwalree.com/optics/astigmatism.html

Now regarding the irrelevance of my test, I won't argue the point of narrower FOV making a difference. But I am interested in your estimation of 5% swing with my test. Could you reference a formula for that ?

Also - I did test with a wider lens (28mm) , though it is only a F2.0 and I do see backfocus in an extreme close focus test. However, I would rarely take a shot under these circumstances and never a portrait due to the obvious perspective problems. You are saying that is a critical criteria for you, so again, it seems the frustrations of a RF would not satisfy your needs. BTW, when I repeated the test at about 2.5 meters, there is no noticeable problem.

Now with regard to your seeing backfocus in my demonstration, don't place much stock in the minute things you are seeing (personally I don't see it the same way). This was an impromptu test - no tripod - just me doing what I would do in a practical situation when recomposing. How much my head shifted when swings the camera is unknown.

Was the shot you posting with a 35/1.4 WO on a fullframe camera? What would be the degree of swing if recomposing? If that is a good example of the type of shot that has frustrated you, I don't think it would be a RF that would hold you back. It looks like the man is not particularly in focus, but I can see whay it would be hard to focus accurately with a dim SLR VF, even in that relatively high level of light.


Again, I am sure this would not be a significantly frustrating problem the majority of people. And those who do find it a problem - there is the SLR, thank goodness.







Edited on Jul 21, 2008 at 07:06 AM



Jul 21, 2008 at 06:58 AM
brainiac
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p.5 #19 · Is film really going away???


tennclay wrote:
The error in your calculation would indicate a problem, ceteris paribus. But, again, the question is whether it is a problem in practice. There are more factors in play than you account for.


I totally agree.

For example, you ignore DOF in the "equation".

In combination with a depth of field calculation, this equation can tell you whether you can consider your recomposed subject 'within' or 'without' your d.o.f.. There's no harm in calculating the correct focal distance and then adding the d.o.f. range around that.

> Using your formula and substituting 1 meter for 2 meters, you'll see that the focus error will decrease by about 1/2.

Exactly half.

> Doesn't this mean that there would be an increasing focusing problem at larger distances?

No. The error is proportional to distance. As focus tends to infinity the error tends to infinity minus infinity, i.e. zero.

>Of course not, in practice one knows that it more of an "frustration" at close distances. This is the practical impact of DOF and its inverse relation to focusing error as distance changes.

No - I think they try to design lenses so that infinity in the center happens just when it happens in the corner. It's not about d.o.f. in this case. Infinitely small d.o.f. should still allow correct focus of infinitely distant subjects wherever they are in the frame. Field curvature can spoil that, of course, but the idea is to make lenses without much field curvature. So it's not d.o.f. that makes infinity as good as, well, infinity, it's the fact that it's infinity.

> But I am interested in your estimation of 5% swing with my test. Could you reference a formula for that ?

I took a 65mm effective focal length on 135 format to mean roughly a 15 degree angle of view, and I estimated that you swung your camera by about a third of the frame.

> Also - I did test with a wider lens (28mm) , though it is only a F2.0 and I do see backfocus in an extreme close focus test.

So why am I having such a hard time defending my simple statement that at wide apertures via wide lenses rangefinders have no reliable way of focussing accurately, except perhaps with a calculator and a tape measure?

> However, I would rarely take a shot under these circumstances

Does that make my assertion wrong?

> and never a portrait due to the obvious perspective problems.

I don't see perspective problems in the 5 images I uploaded as examples of the kind of shot where rangefinder focussing limitations would be visible. Sometimes a photographer can use wideangle perspective to her advantage, for example by making radial stretching thin people's faces.

> You are saying that is a critical criteria for you, so again, it seems the frustrations of a RF would not satisfy your needs.

I am saying that rangefinders offer no way of achieving very accurate focus on off-centre subjects with normal to wide-angle lenses. Each of us can decide whether that matters in her own photography.

> Also - I did test with a wider lens (28mm) , though it is only a F2.0 and I do see backfocus in an extreme close focus test.

> Now with regard to your seeing backfocus in my demonstration, don't place much stock in the minute things you are seeing (personally I don't see it the same way). This was an impromptu test - no tripod - just me doing what I would do in a practical situation when recomposing. How much my head shifted when swings the camera is unknown.

Aah! That's the other problem with focus recompose, which I didn't mention because it was bound to be controversial. With a 35 f1.4, a centimeter backwards or forwards can be a deal breaker. Even without the designed errors of rangefinder focussing which we have been discussing, recompose still sucks because it often still leads to errors during the swing. That's why I compose this kind of shot first and focus once still.

> Was the shot you posting with a 35/1.4 WO on a fullframe camera? What would be the degree of swing if recomposing? If that is a good example of the type of shot that has frustrated you, I don't think it would be a RF that would hold you back. It looks like the man is not particularly in focus, but I can see whay it would be hard to focus accurately with a dim SLR VF, even in that relatively high level of light.

No. Eye glints can be successfully focussed off-center in very low light through very bright wideangle lenses. Focus recompose will not work accurately enough. The kind of shots I uploaded can not be as reliably taken with a rangefinder because it has no accurate way of focussing them.

Edited to remove accidental duplication of paragraphs.

Edited by brainiac on Jul 22, 2008 at 12:33 AM GMT

Edited on Jul 21, 2008 at 07:33 PM



Jul 21, 2008 at 07:32 AM
ISO1600
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p.5 #20 · Is film really going away???


this just in, Braniac hates the FE2.

Shame on you, Braniac. I have been using this camera for over a year now, quite regularly. First of all, i don't feel the exp. compensation NEARLY that complicated to operate, and secondly, i hardly ever feel the need to use it- i just exposure lock like a madman.



Jul 21, 2008 at 07:45 AM
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