Fantastic shots, Makten! I will need to get me one of those Nikkor 28/2.8 AIS or 2.0's. You have the 2.0 too, don't you? Which one do you prefer to use?
AhamB wrote:
Fantastic shots, Makten! I will need to get me one of those Nikkor 28/2.8 AIS or 2.0's. You have the 2.0 too, don't you? Which one do you prefer to use?
Thanks! No, I've never had the 2.0. The 28/2.8 is fast enough for me, and I really like everything about it. It's very small an super sharp even wide open. Especially at shorter distances, where it outperforms the 24-70. The low distortion is why I bought it, but I didn't know it was that good for everything else too.
Even more cool.
I think I remember this image. It's from a series of images taken when Daniel Buck introduced the extreme wide angle shallow DOF multi stitch mosaics, no?
Jonas B wrote:
Even more cool.
I think I remember this image. It's from a series of images taken when Daniel Buck introduced the extreme wide angle shallow DOF multi stitch mosaics, no?
Yes, exactly. That was back in the days when he still had a Mustang That original series is still one of the best. I wanted to do something different with it though, as in the portrait image. I also did some macros with it, but in the end, macro photography has so little DoF anyway, that it just ended up being more work than needed. Here is one example, from around the same time. Leica Macro-Elmar-M 90mm f/4, 100 images stitched (!). This lens, although I found it too slow and fiddly, and sold it, has really gorgeous, smooth boke:
? 
You have the 2.0 too, don't you? Which one do you prefer to use?
