Post your recent film shots!
p.950 #5Post your recent film shots!
Ilford Delta 400
theHUN wrote:
I'll also stop shooting dozens of different film stocks and focus on just ~3 from now on (Delta 100/400/3200), so I can nail down just a few process recipes.
I've finally settled on three B&W film stocks too: TMax 100/400/3200. Plus Ultramax 400 for colour.
theHUN wrote:
I'll also stop shooting dozens of different film stocks and focus on just ~3 from now on (Delta 100/400/3200), so I can nail down just a few process recipes.
I've finally settled on three B&W film stocks too: TMax 100/400/3200. Plus Ultramax 400 for colour.
Jun 29, 2022 at 01:29 AM
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p.950 #11Post your recent film shots!
Desmolicious wrote:
This was an experiment. I was looking for big, chunky grain and was curious to see if pushing Kentmere 400 to 1600 with DF96 would do it.
6 minutes dev time @ 90.
Here is a selection of images from that roll (Leica M7, CV 40 1.2) taken in blazing sunlight and very dim indoor conditions. I wanted to see how it would handle opposite ends of the exposure scale!
No exposure compensation in post/scanning. Just straight conversions.
Frankly the results were not what I expected - and in a good way. A little more grain but surprisingly little. Still great tonal range.
I love...Show more →
That is awesome! Pushing Kentmere is definitely in my near future
Xpan + Tri-X 400
This was an experiment. I was looking for big, chunky grain and was curious to see if pushing Kentmere 400 to 1600 with DF96 would do it.
6 minutes dev time @ 90.
Here is a selection of images from that roll (Leica M7, CV 40 1.2) taken in blazing sunlight and very dim indoor conditions. I wanted to see how it would handle opposite ends of the exposure scale!
No exposure compensation in post/scanning. Just straight conversions.
Frankly the results were not what I expected - and in a good way. A little more grain but surprisingly little. Still great tonal range.
I love...Show more →
That is awesome! Pushing Kentmere is definitely in my near future
Xpan + Tri-X 400
Jul 01, 2022 at 12:18 PM
p.950 #12Post your recent film shots!
OregonSun wrote:
Ultramax 400
EOS 3
EF 24mm f/2.8 IS USM
https://live.staticflickr.com/65535/52180862141_4369fe713e_o.jpg
Nice!
For some reason, this location looks incredibly familiar to me. Would you mind my asking where it is?
Konica Genba Kantoku DD + Kodak Gold 200. For a P&S designed for construction sites, I am continuously amazed by how accurate the AF is and how sharp it is at both 40mm & 60mm. And it has a decent flash to boot. Great beach/holiday cam!
Ultramax 400
EOS 3
EF 24mm f/2.8 IS USM
https://live.staticflickr.com/65535/52180862141_4369fe713e_o.jpg
Nice!
For some reason, this location looks incredibly familiar to me. Would you mind my asking where it is?
Konica Genba Kantoku DD + Kodak Gold 200. For a P&S designed for construction sites, I am continuously amazed by how accurate the AF is and how sharp it is at both 40mm & 60mm. And it has a decent flash to boot. Great beach/holiday cam!
Jul 01, 2022 at 12:32 PM
p.950 #13Post your recent film shots!
helimat wrote:
For some reason, this location looks incredibly familiar to me. Would you mind my asking where it is?
It's the mouth of the Siltcoos River just south of Florence, Oregon.
Heron
Jul 01, 2022 at 12:41 PM
p.950 #14Post your recent film shots!
OregonSun wrote:
It's the mouth of the Siltcoos River just south of Florence, Oregon.
Heron
That makes sense, we've been to Florence a number of times. One of our favourite spots on earth quite frankly.
helimat wrote
For some reason, this location looks incredibly familiar to me. Would you mind my asking where it is?Heron
That makes sense, we've been to Florence a number of times. One of our favourite spots on earth quite frankly.
Jul 01, 2022 at 12:58 PM
p.950 #16Post your recent film shots!
M2 / M-rokkor 40f2 / 250D
Forest Floor by Henry Beckmeyer, on Flickr
Forest Floor by Henry Beckmeyer, on FlickrJul 01, 2022 at 06:38 PM
p.950 #17Post your recent film shots!
First film scans came back from the M4-P and CineStill BwXX (ISO 250). Lens used varied between 35 Lux pre-ASPH v2 and the 28 Summaron f/5.6 re-issue.
Between me using a light red filter and what appears to be very high contrast scans from the lab, it took quite a bit of editing to get the files into this state – max shadow slider + lowered contrast slider by about half.
Between me using a light red filter and what appears to be very high contrast scans from the lab, it took quite a bit of editing to get the files into this state – max shadow slider + lowered contrast slider by about half.
Jul 01, 2022 at 07:12 PM
p.950 #18Post your recent film shots!
highdesertmesa wrote:
First film scans came back from the M4-P and CineStill BwXX (ISO 250). Lens used varied between 35 Lux pre-ASPH v2 and the 28 Summaron f/5.6 re-issue.
Between me using a light red filter and what appears to be very high contrast scans from the lab, it took quite a bit of editing to get the files into this state – max shadow slider + lowered contrast slider by about half.
You once were lost, but now you are found.
First film scans came back from the M4-P and CineStill BwXX (ISO 250). Lens used varied between 35 Lux pre-ASPH v2 and the 28 Summaron f/5.6 re-issue.
Between me using a light red filter and what appears to be very high contrast scans from the lab, it took quite a bit of editing to get the files into this state – max shadow slider + lowered contrast slider by about half.
You once were lost, but now you are found.
Jul 01, 2022 at 09:24 PM
p.950 #20Post your recent film shots!
Pentax 6x7, S-M-C Takumar 6x7 55mm f/3.5, Panoramic Adapter, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes.
2021.08.28 Roll #289-06461-Pano-positive.jpg by dourbalistar, on Flickr
2021.08.28 Roll #289-06461-Pano-positive.jpg by dourbalistar, on Flickr
Jul 02, 2022 at 12:00 AM