Gary Sommer wrote:
I hauled the 4x5 out to the barn the other day and found this:
Very nice, Gary. This reminds me of my Dad, who used this kind of gear to stretch barbed wire all over our pastures. Then every year, us kids had to whitewash the posts.
This is very nice, Dan. You know I love moving water.
My experience with Rodinal 1+25 is that it tends to be conrtasty, you might have better results using 1+50. As you know, it is easy to add contrast, hard to remove it. I think you did a good job on this one!
Gary Sommer wrote:
This is very nice, Dan. You know I love moving water.
My experience with Rodinal 1+25 is that it tends to be conrtasty, you might have better results using 1+50. As you know, it is easy to add contrast, hard to remove it. I think you did a good job on this one!
Gary, good point. I need to be more "attentive" to the scene - dev relationship.
. by Georg, auf Flickr
Pen FT + 40/1.4 too, from the same roll of RPX 100
I like this film so far. For unknown reasons it's not available as sheet-film.
And finally a snap with the lovely Minox ML:
Hallo, Herr Nachbar by Georg, auf Flickr
The whole city is full of graffiti praising the local soccer-club.
The angry viking is the sign of the "Suptras" = hardcore-fans.
Minox ML, very expired Neopan 400 in Rodinal 1+100
Getting to some stuff from last summer... Ektar 100 in a Yashica-Mat TLR. I'd shoot a lot more film if scanning and color weren't so problematic. Generally getting better color straight from the crappy Epson scanning software, ColorPerfect continues to be a mixed bag, full of weird colors. Trying B&W next, soup it myself. Have a roll of Tri-X shot, another in the G1, and a 5-pack of Tri-X in 120 coming from my TLR.
. Trix @ 1600 with TMAX Dev and dodgy scan.
