Jon - beautiful images both in b&w and colour - really like the scans you are getting from the Pakon
George - there is certain tonality that darkroom prints have that is very hard to get when scanning in negatives. I wish I still had the patience to print but I am too lazy...
Riakuma - amazing panoramic and great tones from TriX
Mamiya C330S with the 105/3.5D lens which is outstanding, has such beautiful boker wide open and is very sharp. I am surprised how quickly I got used to that focal length
Ektar 100 self developed with the Tetenal Kit. Scanned in with a Coolscan 9000
Jeff Porcaro would have been 62 on Friday. This was shot for a drumming magazine somewhere around 1990 - more or less. RZ, probably a 65mm lens from the look of it, and my favorite film of the period, which you can see for yourself. Someone in the drumming community tweeted this image out on Friday and actually gave me credit for it. Wonders never cease.
After a break of almost a year I'm shooting film again
Sold my Plustek 120 and I'm "scanning" with a EM5II and a M.zuiko 60 Macro in hi-res raw mode (60 mpx) with much better results. A lot faster too and quieter too...
These are from my first roll of black and white film (Kodak TMAX 400), and my first roll through my Nikkormat (not sure the model, but I believe an "FT") With an assortment of lenses (50,24,105), but most with a NIKKOR-S 50mm f/1.4. I don't have a scanner, so these are just the scans I got from the place where I got them developed from.
incident by Georg, auf Flickr
overlapping frames (the only ones on this roll), Leica M2 + VC 21/4
Sometimes I rotate the camera by 180 degrees when shooting upright formats for a second shot.
One shot with the "Slixtysix":
. by Georg, auf Flickr
SL66 + 80/2.8, a bit of tilt, TMY2 in Xtol 1+2
I'm a bit obsessed with concrete stuff, building sites and cranes right now ;-)
