From a local car show a few weeks back. Minolta srt201, 50/1.7 rokkor (all at 2.8), gold200 expired, shot at 100, souped at home in tetenal, Kodak pakon f135+ scanned, LR5 for levels (no color adjustment).
My second roll taken Downtown LA at a union demonstration for higher wages. I am overexposing outdoors and will need to be more careful. Using Kodak Portra 160 which does have a nice look, looking for a good film for gardens.
Liking this film approach. This is with the Leica 35mm Summilux FLE.
Leica M7 and Kodak Porta 160
Leica M7 and Kodak Porta 160
Leica M7 and Kodak Porta 160
Leica M7 and Kodak Porta 160, Grand Central Market
Leica M7 and Kodak Porta 160, Grand Central Market
Joeri89 wrote:
No, but someone mentioned me that combo before. Might give it a shot later if I run out of my current developers
The Foma/Arista is quickly becoming one of my faves. Tonality and skintones are superb on this dirtcheap film
I need to overcome my hesitance about shooting people and do it...it IS wonderful for portraiture.
People watching a kitesurfer on the North Sea coast at Bergen. I accidentally developed a Kodak T400CN film in HC110, thinking it was T-Max. Scanned with Vuescan on Nikon Coolscan 8000, imported in Photoshop with Colorperfect plugin. Taken with Zeiss Ikon Super Ikonta IV, Tessar 75mm 3.5.
People watching a kitesurfer on the North Sea coast at Bergen. I accidentally developed a Kodak T400CN film in HC110, thinking it was T-Max. Scanned with Vuescan on Nikon Coolscan 8000, imported in Photoshop with Colorperfect plugin. Taken with Zeiss Ikon Super Ikonta IV, Tessar 75mm 3.5.
looks great!
so you developed a C-41 B&W w/ HC-110 and it worked?
taemo wrote:
looks great!
so you developed a C-41 B&W w/ HC-110 and it worked?
Yep, 10 1/2 minutes at 21.5 degrees Celsius in dilution H, followed by vinegar stop bath and regular fix. Negative looks kind of brownish, but made a greyscale RAW scan with this result.
3rd day of non-stop scanning.
Finally nailed Fujichrome profile by tweaking scans to match film. First batch was disgustingly magenta, though nothing of artistic value, really.
