opotopo wrote:
Camera and lens in file name. All taken in South Nottinghamshire / North Leicestershire
All Ektar 100 | +CPL on 2nd, 3rd and 4th
These are great, and gave me a head-smack moment because I realized that I have a CPL that will fit on my Nikon lenses and never thought to use it on film. Ektar is a prime candidate for use with a CPL and I know what I'll be putting into my FM3a next!
Was lucky to pick-up a copy of a 2005 50mm Summilux-ASPH from @lifeandmylens . Only had a chance to take a few shots with it so far, but it's a winner.
_jim_ wrote:
Was lucky to pick-up a copy of a 2005 50mm Summilux-ASPH from @lifeandmylens@ . Only had a chance to take a few shots with it so far, but it's a winner.
_jim_ wrote:
I love this! You used the compressed dynamic range + truer than life colors to truly great effect.
Thanks, I liked Velvia more than I thought I would. At night time, or low light it seems to do wonderfully. Will play around with it some more and also try Provia.
rji2goleez wrote:
One Scene, two cameras, different film stocks. Why not!
First is the Leica M3/Portra 160
Second is the Fuji GW690/Lomo400
Very interesting comparison - Thanks. In terms of color correctness - neither look right, but both are close. Try as it might - the Leica can't compare to the level of detail and continuous tone look of the far larger (5.5X) Fuji negative. It makes me realize that slow iso on a 6x9 isn't necessary at all.
I finally finished developing and scanning the film I shot during our family reunion a few weeks ago on the north shore of Massachusetts; here are a few from the last roll developed, HP5+, shot on the Canon P with the 35/2.5 Color-Skopar LTM.
Marie Lake (10,576 ft). Along the Pacific Crest Trail, John Muir Wilderness, Sierra National Forest. Three consecutive 35mm frames taken handheld, arranged as a panoramic triptych.
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes.
