I spent some time today developing then scanning two rolls of Kodak Gold 200 today, one was 35mm and one was 120 - 6x9.
This shot was in Wadesboro NC on my GSW690II and developed in Bellini C-41 chemicals. Epson V800 and NLP used for scanning and conversion from tif. It think they turned out really good.
This one was from a small town in Virginia, I think, last month during the same road trip. Shot on my Nikon L35AF with Kodak Gold 200 as mentioned above. Same chems and scanning as above as well. I ate breakfast here and the food was very good, but surprisingly expensive.
Ok. I've decided that I am finally done with FPP Film Love 200. It's a nice film, but the amount of flaws in the emulsion + scratches means that I spend too long cleaning up images.
Silvershot Vineyards by Jim Fischer, on Flickr
Leica M7, Voigtlander 35mm f/1.5 Nokton VM, Film Photography Project Film Love 200, Xtol 1:1
Silvershot Vineyards by Jim Fischer, on Flickr
Leica M7, Voigtlander 50mm f/1 Nokton VM, Film Photography Project Film Love 200, Xtol 1:1
Conversely, I still love Cinestill 800T (in spite of emulsion flaws and light leaks and halations):
