Post your recent film shots!
p.1377 #2Post your recent film shots!
lifeandmylens wrote:
Top Notch. M7 + 35 1.4 + 500T
Damn…
Top Notch. M7 + 35 1.4 + 500T
Damn…
Dec 20, 2024 at 04:47 PM
p.1377 #3Post your recent film shots!
How dare you Phoenix 200.
I wish I could remember the lens.
Leica M6 & Harman Phoenix 200
I wish I could remember the lens.
Dec 20, 2024 at 04:48 PM
p.1377 #4Post your recent film shots!
So is anyone using a 4x5 monorail?
I had some time this afternoon so I thought I'd grab a photo of the M2 for the favorite camera thread. I knew this was the composition, so I pretty much burned a roll through the 67 for one frame. I have been thinking that a 4x5 system might be really cool for these sort of one-off things, and monorails still seem awfully cheap. Any opinions there?
67, 135 macro, Acros II
I had some time this afternoon so I thought I'd grab a photo of the M2 for the favorite camera thread. I knew this was the composition, so I pretty much burned a roll through the 67 for one frame. I have been thinking that a 4x5 system might be really cool for these sort of one-off things, and monorails still seem awfully cheap. Any opinions there?
67, 135 macro, Acros II
Dec 20, 2024 at 05:19 PM
p.1377 #5Post your recent film shots!
Sonnar-7 wrote:
Damn…
Thanks, I didn't meter it and pretty sure I overexposed it but it turned out ok.
lifeandmylens wrote
Top Notch. M7 + 35 1.4 + 500TThanks, I didn't meter it and pretty sure I overexposed it but it turned out ok.
Dec 20, 2024 at 06:26 PM
p.1377 #6Post your recent film shots!
1966 Ford Mustang. And probably a 1962 Chevrolet truck hiding in the back. Bishop, California.
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes.
2024.03.30 Roll #352-08625-positive.jpg by dourbalistar, on Flickr
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes.
2024.03.30 Roll #352-08625-positive.jpg by dourbalistar, on Flickr
Dec 20, 2024 at 08:00 PM
p.1377 #8Post your recent film shots!
OffTrail wrote:
So is anyone using a 4x5 monorail?
I had some time this afternoon so I thought I'd grab a photo of the M2 for the favorite camera thread. I knew this was the composition, so I pretty much burned a roll through the 67 for one frame. I have been thinking that a 4x5 system might be really cool for these sort of one-off things, and monorails still seem awfully cheap. Any opinions there?
I have 2 Sinar monorails (F2 and P2). The F2 was free (came with a lens I was buying) and the P2 I bought because I always wanted one and the price was so low I couldn't resist. Monorail's total lack of portability means nobody wants them so you can snatch up a nice Sinar or equivalent for a few hundred dollars, and less prestigious models for much less.
One thing to consider with dipping into 4x5 is the peripheral costs - developing, scanning, and accessories will be more expensive than the camera. My Sinar P2 cost as much as my focus loupe!
I'd recommend it, but do watch out - if the large format bug bites, it can get expensive fast!
So is anyone using a 4x5 monorail?
I had some time this afternoon so I thought I'd grab a photo of the M2 for the favorite camera thread. I knew this was the composition, so I pretty much burned a roll through the 67 for one frame. I have been thinking that a 4x5 system might be really cool for these sort of one-off things, and monorails still seem awfully cheap. Any opinions there?
I have 2 Sinar monorails (F2 and P2). The F2 was free (came with a lens I was buying) and the P2 I bought because I always wanted one and the price was so low I couldn't resist. Monorail's total lack of portability means nobody wants them so you can snatch up a nice Sinar or equivalent for a few hundred dollars, and less prestigious models for much less.
One thing to consider with dipping into 4x5 is the peripheral costs - developing, scanning, and accessories will be more expensive than the camera. My Sinar P2 cost as much as my focus loupe!
I'd recommend it, but do watch out - if the large format bug bites, it can get expensive fast!
Dec 21, 2024 at 01:08 AM
p.1377 #10Post your recent film shots!
OregonSun wrote:
EDU Ultra 400
Pentax MX
SMC Pentax-M 28mm f/2.8
https://live.staticflickr.com/65535/54217999345_11c1c05fec_b.jpg
Hello fellow Pentax shooter 🙋♂️
Nice light & tones in that shot!
Never heard of EDU Ultra 400, had to google that, seems we don't really have that here in Europe..
EDU Ultra 400
Pentax MX
SMC Pentax-M 28mm f/2.8
https://live.staticflickr.com/65535/54217999345_11c1c05fec_b.jpg
Hello fellow Pentax shooter 🙋♂️
Nice light & tones in that shot!
Never heard of EDU Ultra 400, had to google that, seems we don't really have that here in Europe..
Dec 21, 2024 at 06:07 AM
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p.1377 #11Post your recent film shots!
Pushing his babies around. F3T + 50 1.2 + 250D
Dec 21, 2024 at 06:45 AM
p.1377 #12Post your recent film shots!
Tina Kino wrote:
OregonSun wrote
EDU Ultra 400Pentax MX
SMC Pentax-M 28mm f/2.8
https://live.staticflickr.com/65535/54217999345_11c1c05fec_b.jpg
Nice light & tones in that shot!
Never heard of EDU Ultra 400, had to google that, seems we don't really have that here in Europe..
Thanks! I've read that the EDU Ultra films are re-branded Fomapan. I like their traditional B&W film look, and the low price is nice too.
Dec 21, 2024 at 07:28 AM
p.1377 #13Post your recent film shots!
Some color images from Venice. Nikon F65, 28-70mm AF-D, Gold 200
Venice x Gold 200 II by Felix, auf Flickr
Venice x Gold 200 III by Felix, auf Flickr
Venice x Gold 200 I by Felix, auf Flickr
Venice x Gold 200 II by Felix, auf FlickrVenice x Gold 200 III by Felix, auf FlickrVenice x Gold 200 I by Felix, auf FlickrDec 21, 2024 at 07:51 AM
p.1377 #14Post your recent film shots!
...and some black & white. Nikon F65, 28-70mm or 20mm AF-D, Tri-X
Venice x Tri-X I by Felix, auf Flickr
Venice x Tri-X II by Felix, auf Flickr
Venice x Tri-X III by Felix, auf Flickr
Venice x Tri-X IV by Felix, auf Flickr
Venice x Tri-X V by Felix, auf Flickr
Venice x Tri-X VI by Felix, auf Flickr
Venice x Tri-X VII by Felix, auf Flickr
Venice x Tri-X VIII by Felix, auf Flickr
Venice x Tri-X I by Felix, auf FlickrVenice x Tri-X II by Felix, auf FlickrVenice x Tri-X III by Felix, auf FlickrVenice x Tri-X IV by Felix, auf FlickrVenice x Tri-X V by Felix, auf FlickrVenice x Tri-X VI by Felix, auf FlickrVenice x Tri-X VII by Felix, auf FlickrVenice x Tri-X VIII by Felix, auf FlickrDec 21, 2024 at 07:55 AM
p.1377 #15Post your recent film shots!
I think I had the LLL Elcan on the camera.
Dec 21, 2024 at 08:22 AM
p.1377 #16Post your recent film shots!
Nikon N80, Nikon 50mm 1.4G lens I think, Portra 160, developed in Bellini C-41.
Three booths, no waiting.
Three booths, no waiting.
Dec 21, 2024 at 08:49 AM
p.1377 #17Post your recent film shots!
Mamiya NC1000 + XP2
A Long Way From Summer
A Long Way From Summer
Dec 21, 2024 at 09:20 AM
p.1377 #18Post your recent film shots!
fjablo wrote:
Some color images from Venice. Nikon F65, 28-70mm AF-D, Gold 200
..lovely! 🥰
Some color images from Venice. Nikon F65, 28-70mm AF-D, Gold 200
..lovely! 🥰
Dec 21, 2024 at 09:26 AM
p.1377 #19Post your recent film shots!
Kodak Gold 200 / Pentax SMC 30mm 2.8
Dec 21, 2024 at 09:29 AM
p.1377 #20Post your recent film shots!
..a sidenote - do you guys see this pattern in the glass (left of the bird in this instance)?
You only see it when shooting the windscreen at an angle, with a polarizing filter (which I use for these kind of shot, as without you'd basically see 90% reflections) - I suppose this is some kind of foil inside the (safety-) glass of some (not all) car windscreens.. was just wondering why it's got this peculiar pattern..
You only see it when shooting the windscreen at an angle, with a polarizing filter (which I use for these kind of shot, as without you'd basically see 90% reflections) - I suppose this is some kind of foil inside the (safety-) glass of some (not all) car windscreens.. was just wondering why it's got this peculiar pattern..
Dec 21, 2024 at 10:19 AM