Post your recent film shots!
p.1276 #1Post your recent film shots!
A few photos from Turkey - Gold and Ektar on an old SWC
Jul 19, 2024 at 09:32 AM
p.1276 #2Post your recent film shots!
A Leica large format shot 
(A Leitz Hektor projector lens on a Sinar 4x5, HP5+)
(A Leitz Hektor projector lens on a Sinar 4x5, HP5+)
Jul 19, 2024 at 09:34 AM
p.1276 #3Post your recent film shots!
adnan76 wrote:
A few photos from Turkey - Gold and Ektar on an old SWC
bee
eee
you
tiful!
A few photos from Turkey - Gold and Ektar on an old SWC
bee
eee
you
tiful!
Jul 19, 2024 at 09:40 AM
p.1276 #4Post your recent film shots!
adnan76 wrote:
A few photos from Turkey - Gold and Ektar on an old SWC
The last one reminded me of some photos I took (most likely on Kodachrome 64) at the Albuquerque Balloon Fiesta in the mid 1980s on a Pentax ME Super with kit 50mm lens. These were shot from a balloon; I volunteered at the fiesta and helped a pilot get his balloon ready each morning; after four days or so he pointed to me and said, "it's your turn, get in the gondola." An unforgettable experience.
Albuquerque Balloon Fiesta by Brad Hurley, on Flickr
Albuquerque Balloon Fiesta by Brad Hurley, on Flickr
Albuquerque Balloon Fiesta by Brad Hurley, on Flickr
balloonview1 by Brad Hurley, on Flickr
balloonview2 by Brad Hurley, on Flickr
A few photos from Turkey - Gold and Ektar on an old SWC
The last one reminded me of some photos I took (most likely on Kodachrome 64) at the Albuquerque Balloon Fiesta in the mid 1980s on a Pentax ME Super with kit 50mm lens. These were shot from a balloon; I volunteered at the fiesta and helped a pilot get his balloon ready each morning; after four days or so he pointed to me and said, "it's your turn, get in the gondola." An unforgettable experience.
Albuquerque Balloon Fiesta by Brad Hurley, on FlickrAlbuquerque Balloon Fiesta by Brad Hurley, on FlickrAlbuquerque Balloon Fiesta by Brad Hurley, on Flickrballoonview1 by Brad Hurley, on Flickrballoonview2 by Brad Hurley, on FlickrJul 19, 2024 at 10:32 AM
p.1276 #5Post your recent film shots!
bjhurley wrote:
The last one reminded me of some photos I took (most likely on Kodachrome 64) at the Albuquerque Balloon Fiesta in the mid 1980s on a Pentax ME Super with kit 50mm lens. These were shot from a balloon; I volunteered at the fiesta and helped a pilot get his balloon ready each morning; after four days or so he pointed to me and said, "it's your turn, get in the gondola." An unforgettable experience.
https://live.staticflickr.com/65535/53867245141_44d4e6b4d2_c.jpgAlbuquerque Balloon Fiesta by Brad Hurley, on Flickr
https://live.staticflickr.com/65535/53866342997_259ac8b5f8_c.jpgAlbuquerque Balloon Fiesta by Brad Hurley, on Flickr
https://live.staticflickr.com/65535/53867245146_979ea5eb5f_c.jpgAlbuquerque Balloon Fiesta by Brad Hurley, on Flickr
https://live.staticflickr.com/65535/53867510523_90b6afc7a0_c.jpgballoonview1 by Brad Hurley, on...Show more →
Love these pics, especially the first one. The last one - are you tethered into the gondola?
The Pentax kit lens - 50 f2 or 1.7 - are great. I couldn't tell the difference between them and my Crons in real use.
I could tell the difference in price!
adnan76 wrote
A few photos from Turkey - Gold and Ektar on an old SWChttps://live.staticflickr.com/65535/53867245141_44d4e6b4d2_c.jpgAlbuquerque Balloon Fiesta by Brad Hurley, on Flickr
https://live.staticflickr.com/65535/53866342997_259ac8b5f8_c.jpgAlbuquerque Balloon Fiesta by Brad Hurley, on Flickr
https://live.staticflickr.com/65535/53867245146_979ea5eb5f_c.jpgAlbuquerque Balloon Fiesta by Brad Hurley, on Flickr
https://live.staticflickr.com/65535/53867510523_90b6afc7a0_c.jpgballoonview1 by Brad Hurley, on...Show more →
Love these pics, especially the first one. The last one - are you tethered into the gondola?
The Pentax kit lens - 50 f2 or 1.7 - are great. I couldn't tell the difference between them and my Crons in real use.
I could tell the difference in price!
Jul 19, 2024 at 10:54 AM
p.1276 #6Post your recent film shots!
Desmolicious wrote:
Love these pics, especially the first one. The last one - are you tethered into the gondola?
Hah, no tethering. I screwed up my courage and leaned out. I think we were well over a mile up at that point; in my memory I hear him saying we got to 10,000 feet but I can't vouch for that...I certainly didn't feel any need for oxygen. We were flying for an hour and a half. When the gas jet wasn't burning it was unbelivably quiet. And on takeoff he told me that sound travels upward; I could hear a jackrabbit's feet hitting the ground before I spotted it and we could hear people's conversations below us.
The takeoff was smooth but the landing was bumpy because we hit the side of a hill that he hadn't quite noticed until the last minute. He told me to crouch inside the gondola and hold on and we went bumpity-bump down the side of the hill, coming to rest about 50 feet from the chase truck.
The thing he didn't warn me about was that it's a tradition for the pilot to put a handful of dirt in your hair after your first balloon flight, and then pour some champagne over the dirt on your head. And then we drank the rest of the champagne, which made up for the indignity.
Love these pics, especially the first one. The last one - are you tethered into the gondola?
Hah, no tethering. I screwed up my courage and leaned out. I think we were well over a mile up at that point; in my memory I hear him saying we got to 10,000 feet but I can't vouch for that...I certainly didn't feel any need for oxygen. We were flying for an hour and a half. When the gas jet wasn't burning it was unbelivably quiet. And on takeoff he told me that sound travels upward; I could hear a jackrabbit's feet hitting the ground before I spotted it and we could hear people's conversations below us.
The takeoff was smooth but the landing was bumpy because we hit the side of a hill that he hadn't quite noticed until the last minute. He told me to crouch inside the gondola and hold on and we went bumpity-bump down the side of the hill, coming to rest about 50 feet from the chase truck.
The thing he didn't warn me about was that it's a tradition for the pilot to put a handful of dirt in your hair after your first balloon flight, and then pour some champagne over the dirt on your head. And then we drank the rest of the champagne, which made up for the indignity.
Jul 19, 2024 at 11:24 AM
p.1276 #7Post your recent film shots!
bjhurley wrote:
Hah, no tethering. I screwed up my courage and leaned out. I think we were well over a mile up at that point; in my memory I hear him saying we got to 10,000 feet but I can't vouch for that...I certainly didn't feel any need for oxygen. We were flying for an hour and a half. When the gas jet wasn't burning it was unbelivably quiet. And on takeoff he told me that sound travels upward; I could hear a jackrabbit's feet hitting the ground before I spotted it and we could hear people's conversations below us.
The takeoff was...Show more →
Ok, first off now I know if the pilot says 'is this your first flight?' I will say NO!
Desmolicious wrote
Love these pics, especially the first one. The last one - are you tethered into the gondola?The takeoff was...Show more →
Ok, first off now I know if the pilot says 'is this your first flight?' I will say NO!
Jul 19, 2024 at 12:54 PM
p.1276 #8Post your recent film shots!
A few more from the beach at Lincoln City, Oregon.
M4-2, Zeiss 28 2.8 Biogon, 022 yellow filter, TMax 400 @ ISO 200, Adox XT-3 1:1
Roots and Rocks:
Driftwood Field:
[
Driftwood Stumps:
Big Rock with Big Driftwood:
Burned Driftwood:
Rocks, Sand and Driftwood:
I hadn"t used TMax in a few years and had thought about switching from Tri-X but I like the Tri-X better and may even give HP5 another chance now that I know what I was doing wrong when scanning it.
M4-2, Zeiss 28 2.8 Biogon, 022 yellow filter, TMax 400 @ ISO 200, Adox XT-3 1:1
Roots and Rocks:
Driftwood Field:
[Driftwood Stumps:
Big Rock with Big Driftwood:
Burned Driftwood:
Rocks, Sand and Driftwood:
I hadn"t used TMax in a few years and had thought about switching from Tri-X but I like the Tri-X better and may even give HP5 another chance now that I know what I was doing wrong when scanning it.
Jul 19, 2024 at 01:40 PM
p.1276 #9Post your recent film shots!
madNbad wrote:
A few more from the beach at Lincoln City, Oregon.
M4-2, Zeiss 28 2.8 Biogon, 022 yellow filter, TMax 400 @ ISO 200, Adox XT-3 1:1
Roots and Rocks:
https://live.staticflickr.com/65535/53866630247_2b61cbca26_b.jpg
Driftwood Field:
https://live.staticflickr.com/65535/53867788038_879e5c09c8_b.jpg[
Driftwood Stumps:
https://live.staticflickr.com/65535/53867540801_7bbb677cae_b.jpg
Big Rock with Big Driftwood:
https://live.staticflickr.com/65535/53866638732_b774b312b0_b.jpg
Burned Driftwood:
https://live.staticflickr.com/65535/53866632512_54638712e9_b.jpg
Rocks, Sand and Driftwood:
https://live.staticflickr.com/65535/53867895014_bc73e28534_b.jpg
I hadn"t used TMax in a few years and had thought about switching from Tri-X but I like the Tri-X better and may even give HP5 another chance now that I know what I was doing wrong when scanning it.
I recently shot a roll of Ilford FP4 and whoa does that film look good! Once I am out of my current stock of Acros, I'll most probably stock up on that.
A few more from the beach at Lincoln City, Oregon.
M4-2, Zeiss 28 2.8 Biogon, 022 yellow filter, TMax 400 @ ISO 200, Adox XT-3 1:1
Roots and Rocks:
https://live.staticflickr.com/65535/53866630247_2b61cbca26_b.jpg
Driftwood Field:
https://live.staticflickr.com/65535/53867788038_879e5c09c8_b.jpg[
Driftwood Stumps:
https://live.staticflickr.com/65535/53867540801_7bbb677cae_b.jpg
Big Rock with Big Driftwood:
https://live.staticflickr.com/65535/53866638732_b774b312b0_b.jpg
Burned Driftwood:
https://live.staticflickr.com/65535/53866632512_54638712e9_b.jpg
Rocks, Sand and Driftwood:
https://live.staticflickr.com/65535/53867895014_bc73e28534_b.jpg
I hadn"t used TMax in a few years and had thought about switching from Tri-X but I like the Tri-X better and may even give HP5 another chance now that I know what I was doing wrong when scanning it.
I recently shot a roll of Ilford FP4 and whoa does that film look good! Once I am out of my current stock of Acros, I'll most probably stock up on that.
Jul 19, 2024 at 04:33 PM
p.1276 #10Post your recent film shots!
Desmolicious wrote:
madNbad wrote
A few more from the beach at Lincoln City, Oregon.M4-2, Zeiss 28 2.8 Biogon, 022 yellow filter, TMax 400 @ ISO 200, Adox XT-3 1:1
Roots and Rocks:
https://live.staticflickr.com/65535/53866630247_2b61cbca26_b.jpg
Driftwood Field:
https://live.staticflickr.com/65535/53867788038_879e5c09c8_b.jpg[
Driftwood Stumps:
https://live.staticflickr.com/65535/53867540801_7bbb677cae_b.jpg
Big Rock with Big Driftwood:
https://live.staticflickr.com/65535/53866638732_b774b312b0_b.jpg
Burned Driftwood:
https://live.staticflickr.com/65535/53866632512_54638712e9_b.jpg
Rocks, Sand and Driftwood:
https://live.staticflickr.com/65535/53867895014_bc73e28534_b.jpg
I hadn"t used TMax in a few years and had thought about switching from Tri-X but I like the Tri-X better and may even give HP5 another chance now that I know what I was doing wrong when scanning it.
When I was wandering around last weekend, I bought four rolls of TMax 400 mostly to help film sales at Pro Photo Supply. I have ten rolls of Acros in the refrigerator which will be the next up once the other roll of TMax is finished. The TMax gave good results but I have no idea of why the live view of some of the negatives had a sepia tone. I’m really happy with the results from the XT-3 and all of the posted images are Linear Gamma NLP conversion with no other adjustments. Maybe I’ll order a mixed batch of FP-4 and HP-5 just to try something different.
Jul 19, 2024 at 04:48 PM
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p.1276 #11Post your recent film shots!
Along the Skull Rock Nature Trail, Joshua Tree National Park.
RETO Ultra Wide & Slim, Fujifilm Fujicolor Superia X-TRA 400.
2022.02.18 Roll #300-000051300019.jpg by dourbalistar, on Flickr
RETO Ultra Wide & Slim, Fujifilm Fujicolor Superia X-TRA 400.
2022.02.18 Roll #300-000051300019.jpg by dourbalistar, on Flickr
Jul 19, 2024 at 07:00 PM
p.1276 #12Post your recent film shots!
adnan76 wrote:
A few photos from Turkey - Gold and Ektar on an old SWC
Beautiful!
A few photos from Turkey - Gold and Ektar on an old SWC
Beautiful!
Jul 20, 2024 at 04:21 AM
p.1276 #13Post your recent film shots!
bjhurley wrote:
The last one reminded me of some photos I took (most likely on Kodachrome 64) at the Albuquerque Balloon Fiesta in the mid 1980s on a Pentax ME Super with kit 50mm lens. These were shot from a balloon; I volunteered at the fiesta and helped a pilot get his balloon ready each morning; after four days or so he pointed to me and said, "it's your turn, get in the gondola." An unforgettable experience.
https://live.staticflickr.com/65535/53867245141_44d4e6b4d2_c.jpgAlbuquerque Balloon Fiesta by Brad Hurley, on Flickr
https://live.staticflickr.com/65535/53866342997_259ac8b5f8_c.jpgAlbuquerque Balloon Fiesta by Brad Hurley, on Flickr
https://live.staticflickr.com/65535/53867245146_979ea5eb5f_c.jpgAlbuquerque Balloon Fiesta by Brad Hurley, on Flickr
https://live.staticflickr.com/65535/53867510523_90b6afc7a0_c.jpgballoonview1 by Brad Hurley, on...Show more →
Very cool!
adnan76 wrote
A few photos from Turkey - Gold and Ektar on an old SWChttps://live.staticflickr.com/65535/53867245141_44d4e6b4d2_c.jpgAlbuquerque Balloon Fiesta by Brad Hurley, on Flickr
https://live.staticflickr.com/65535/53866342997_259ac8b5f8_c.jpgAlbuquerque Balloon Fiesta by Brad Hurley, on Flickr
https://live.staticflickr.com/65535/53867245146_979ea5eb5f_c.jpgAlbuquerque Balloon Fiesta by Brad Hurley, on Flickr
https://live.staticflickr.com/65535/53867510523_90b6afc7a0_c.jpgballoonview1 by Brad Hurley, on...Show more →
Very cool!
Jul 20, 2024 at 04:22 AM
p.1276 #14Post your recent film shots!
madNbad wrote:
M4-2, Zeiss 28 2.8 Biogon, 022 yellow filter, TMax 400 @ ISO 200, Adox XT-3 1:1
Roots and Rocks:
https://live.staticflickr.com/65535/53866630247_2b61cbca26_b.jpg
Driftwood Field:
https://live.staticflickr.com/65535/53867788038_879e5c09c8_b.jpg[
Driftwood Stumps:
https://live.staticflickr.com/65535/53867540801_7bbb677cae_b.jpg
Big Rock with Big Driftwood:
https://live.staticflickr.com/65535/53866638732_b774b312b0_b.jpg
Burned Driftwood:
https://live.staticflickr.com/65535/53866632512_54638712e9_b.jpg
Rocks, Sand and Driftwood:
https://live.staticflickr.com/65535/53867895014_bc73e28534_b.jpg
I hadn"t used TMax in a few years and had thought about switching from Tri-X but I like the Tri-X better and may even give HP5 another chance now that I know what I was doing wrong when scanning it.I recently shot a roll of Ilford FP4 and whoa does that film look good! Once I am out of my current stock of Acros, I'll most probably stock up on that.When I was wandering around last weekend, I bought four rolls of TMax 400 mostly to help film sales at Pro Photo Supply. I have ten rolls of Acros in the refrigerator which will be the next up once the other roll of TMax is finished. The TMax gave good results but I have no idea of why the live view of some of the negatives had a sepia tone. I’m really happy with the results from the XT-3 and all of the posted images are Linear Gamma NLP conversion with no other adjustments. Maybe I’ll order a mixed batch...Show more →
re. the sepia tone - make sure in NLP you used B&W before you convert. And in LR when you import it from NLP make sure it also shows B&W. For some reason a couple of times LR defaults to colour and that creates the sepia tone.
Desmolicious wrote
madNbad wrote
A few more from the beach at Lincoln City, Oregon.M4-2, Zeiss 28 2.8 Biogon, 022 yellow filter, TMax 400 @ ISO 200, Adox XT-3 1:1
Roots and Rocks:
https://live.staticflickr.com/65535/53866630247_2b61cbca26_b.jpg
Driftwood Field:
https://live.staticflickr.com/65535/53867788038_879e5c09c8_b.jpg[
Driftwood Stumps:
https://live.staticflickr.com/65535/53867540801_7bbb677cae_b.jpg
Big Rock with Big Driftwood:
https://live.staticflickr.com/65535/53866638732_b774b312b0_b.jpg
Burned Driftwood:
https://live.staticflickr.com/65535/53866632512_54638712e9_b.jpg
Rocks, Sand and Driftwood:
https://live.staticflickr.com/65535/53867895014_bc73e28534_b.jpg
I hadn"t used TMax in a few years and had thought about switching from Tri-X but I like the Tri-X better and may even give HP5 another chance now that I know what I was doing wrong when scanning it.
re. the sepia tone - make sure in NLP you used B&W before you convert. And in LR when you import it from NLP make sure it also shows B&W. For some reason a couple of times LR defaults to colour and that creates the sepia tone.
Jul 20, 2024 at 01:54 PM
p.1276 #15Post your recent film shots!
dourbalistar wrote:
Along the Skull Rock Nature Trail, Joshua Tree National Park.
RETO Ultra Wide & Slim, Fujifilm Fujicolor Superia X-TRA 400.
https://live.staticflickr.com/65535/53862427442_e0cd669072_b.jpg
2022.02.18 Roll #300-000051300019.jpg by dourbalistar, on Flickr
The more I use the Reto, the more I am impressed with it. The lens really is remarkable given the price point/market placement of that camera. Everyone should have one.
Along the Skull Rock Nature Trail, Joshua Tree National Park.
RETO Ultra Wide & Slim, Fujifilm Fujicolor Superia X-TRA 400.
https://live.staticflickr.com/65535/53862427442_e0cd669072_b.jpg
2022.02.18 Roll #300-000051300019.jpg by dourbalistar, on Flickr
The more I use the Reto, the more I am impressed with it. The lens really is remarkable given the price point/market placement of that camera. Everyone should have one.
Jul 20, 2024 at 01:55 PM
p.1276 #16Post your recent film shots!
Unless that’s the look you are going for. I have intentionally let my scanner switch to color as I wanted the sepia tone (it was a faze).
I can’t find my sepia set, but this was with Arista film, which has a touch of green to it.
https://flic.kr/p/rwAsQr
Nikon N90s with Nikkor 24/2.8 AI
Can’t embed properly from my phone.
Desmolicious wrote:
M4-2, Zeiss 28 2.8 Biogon, 022 yellow filter, TMax 400 @ ISO 200, Adox XT-3 1:1
Roots and Rocks:
https://live.staticflickr.com/65535/53866630247_2b61cbca26_b.jpg
Driftwood Field:
https://live.staticflickr.com/65535/53867788038_879e5c09c8_b.jpg[
Driftwood Stumps:
https://live.staticflickr.com/65535/53867540801_7bbb677cae_b.jpg
Big Rock with Big Driftwood:
https://live.staticflickr.com/65535/53866638732_b774b312b0_b.jpg
Burned Driftwood:
https://live.staticflickr.com/65535/53866632512_54638712e9_b.jpg
Rocks, Sand and Driftwood:
https://live.staticflickr.com/65535/53867895014_bc73e28534_b.jpg
I hadn"t used TMax in a few years and had thought about switching from Tri-X but I like the Tri-X better and may even give HP5 another chance now that I know what I was doing wrong when scanning it.I recently shot a roll of Ilford FP4 and whoa does that film look good! Once I am out of my current stock of Acros, I'll most probably stock up on that.When I was wandering around last weekend, I bought four rolls of TMax 400 mostly to help film sales at Pro Photo Supply. I have ten rolls of Acros in the refrigerator which will be the next up once the other roll of TMax is finished. The TMax gave good results but I have no idea of why the live view of some of the negatives had a sepia tone. I’m really happy with the results from the XT-3 and all of the posted images are Linear Gamma NLP conversion with no other adjustments. Maybe I’ll order a mixed batch of FP-4 and HP-5 just to try something different.re. the sepia tone - make sure in NLP you used B&W before you convert. And in LR when you import it from NLP make sure it also shows B&W. For some reason a couple of times LR defaults to colour and that creates the sepia tone.
I can’t find my sepia set, but this was with Arista film, which has a touch of green to it.
https://flic.kr/p/rwAsQr
Nikon N90s with Nikkor 24/2.8 AI
Can’t embed properly from my phone.
Desmolicious wrote:
madNbad wrote
Desmolicious wrote
madNbad wrote
A few more from the beach at Lincoln City, Oregon.M4-2, Zeiss 28 2.8 Biogon, 022 yellow filter, TMax 400 @ ISO 200, Adox XT-3 1:1
Roots and Rocks:
https://live.staticflickr.com/65535/53866630247_2b61cbca26_b.jpg
Driftwood Field:
https://live.staticflickr.com/65535/53867788038_879e5c09c8_b.jpg[
Driftwood Stumps:
https://live.staticflickr.com/65535/53867540801_7bbb677cae_b.jpg
Big Rock with Big Driftwood:
https://live.staticflickr.com/65535/53866638732_b774b312b0_b.jpg
Burned Driftwood:
https://live.staticflickr.com/65535/53866632512_54638712e9_b.jpg
Rocks, Sand and Driftwood:
https://live.staticflickr.com/65535/53867895014_bc73e28534_b.jpg
I hadn"t used TMax in a few years and had thought about switching from Tri-X but I like the Tri-X better and may even give HP5 another chance now that I know what I was doing wrong when scanning it.
Jul 20, 2024 at 01:58 PM
p.1276 #17Post your recent film shots!
Desmolicious wrote:
M4-2, Zeiss 28 2.8 Biogon, 022 yellow filter, TMax 400 @ ISO 200, Adox XT-3 1:1
Roots and Rocks:
https://live.staticflickr.com/65535/53866630247_2b61cbca26_b.jpg
Driftwood Field:
https://live.staticflickr.com/65535/53867788038_879e5c09c8_b.jpg[
Driftwood Stumps:
https://live.staticflickr.com/65535/53867540801_7bbb677cae_b.jpg
Big Rock with Big Driftwood:
https://live.staticflickr.com/65535/53866638732_b774b312b0_b.jpg
Burned Driftwood:
https://live.staticflickr.com/65535/53866632512_54638712e9_b.jpg
Rocks, Sand and Driftwood:
https://live.staticflickr.com/65535/53867895014_bc73e28534_b.jpg
I hadn't"t used TMax in a few years and had thought about switching from Tri-X but I like the Tri-X better and may even give HP5 another chance now that I know what I was doing wrong when scanning it.I recently shot a roll of Ilford FP4 and whoa does that film look good! Once I am out of my current stock of Acros, I'll most probably stock up on that.When I was wandering around last weekend, I bought four rolls of TMax 400 mostly to help film sales at Pro Photo Supply. I have ten rolls of Acros in the refrigerator which will be the next up once the other roll of TMax is finished. The TMax gave good results but I have no idea of why the live view of some of the negatives had a sepia tone. I’m really happy with the results from the XT-3 and all of the posted images are Linear Gamma NLP conversion with no other adjustments. Maybe I’ll order a mixed batch of FP-4 and HP-5 just to try something different.re. the sepia tone - make sure in NLP you used B&W before you convert. And in LR when you import it from NLP make sure it also shows B&W. For some reason a couple of times LR defaults to colour and that creates the sepia tone.
I scanned the same negatives trying for an image I could post. None of them exhibited any of the sepia tone. All of the NLP setting were for B&W and I hadn't made any changes. When I was cutting the negatives for storage, I examined them for any residual traces of anti-halation backing but didn't find any. Maybe NLP read them as color negatives or maybe it was a one time glitch. They all converted just fine, so I can't complain.
Negative from Roll 1 that never showed any sepia tone:
Negative from Roll 2 that initially showed a sepia tone but now it's gone:
Tmax 400 developed in Adox XT-3 1:1
Edited on Jul 20, 2024 at 03:21 PM · View previous versions
madNbad wrote
Desmolicious wrote
madNbad wrote
A few more from the beach at Lincoln City, Oregon.M4-2, Zeiss 28 2.8 Biogon, 022 yellow filter, TMax 400 @ ISO 200, Adox XT-3 1:1
Roots and Rocks:
https://live.staticflickr.com/65535/53866630247_2b61cbca26_b.jpg
Driftwood Field:
https://live.staticflickr.com/65535/53867788038_879e5c09c8_b.jpg[
Driftwood Stumps:
https://live.staticflickr.com/65535/53867540801_7bbb677cae_b.jpg
Big Rock with Big Driftwood:
https://live.staticflickr.com/65535/53866638732_b774b312b0_b.jpg
Burned Driftwood:
https://live.staticflickr.com/65535/53866632512_54638712e9_b.jpg
Rocks, Sand and Driftwood:
https://live.staticflickr.com/65535/53867895014_bc73e28534_b.jpg
I hadn't"t used TMax in a few years and had thought about switching from Tri-X but I like the Tri-X better and may even give HP5 another chance now that I know what I was doing wrong when scanning it.
I scanned the same negatives trying for an image I could post. None of them exhibited any of the sepia tone. All of the NLP setting were for B&W and I hadn't made any changes. When I was cutting the negatives for storage, I examined them for any residual traces of anti-halation backing but didn't find any. Maybe NLP read them as color negatives or maybe it was a one time glitch. They all converted just fine, so I can't complain.
Negative from Roll 1 that never showed any sepia tone:
Negative from Roll 2 that initially showed a sepia tone but now it's gone:
Tmax 400 developed in Adox XT-3 1:1
Edited on Jul 20, 2024 at 03:21 PM · View previous versions
Jul 20, 2024 at 03:12 PM
p.1276 #18Post your recent film shots!
I've still been playing around with Vision 3 films and perfecting the process. I'm pretty much there on 35mm. Thought I'd try a few rolls of it in 120 also and see how it performs.
Jul 20, 2024 at 03:12 PM
p.1276 #19Post your recent film shots!
lifeandmylens wrote:
I've still been playing around with Vision 3 films and perfecting the process. I'm pretty much there on 35mm. Thought I'd try a few rolls of it in 120 also and see how it performs.
They look great! How did you scan them?
I've still been playing around with Vision 3 films and perfecting the process. I'm pretty much there on 35mm. Thought I'd try a few rolls of it in 120 also and see how it performs.
They look great! How did you scan them?
Jul 20, 2024 at 03:27 PM
p.1276 #20Post your recent film shots!
madNbad wrote:
They look great! How did you scan them?
Thanks, these are with an Epson v850.
lifeandmylens wrote
I've still been playing around with Vision 3 films and perfecting the process. I'm pretty much there on 35mm. Thought I'd try a few rolls of it in 120 also and see how it performs.Thanks, these are with an Epson v850.
Jul 20, 2024 at 03:38 PM