Post your recent film shots!
p.1248 #1Post your recent film shots!
Desmolicious wrote:
Whaaaaaaat?!!!! this is awesome news! I love Aerocolor 100. It has really pleasant peachy tone to it.
edit - sold out insert sad trombone sound.
Ah, sorry if you can't get it. Not to rub it in, but I just picked up two rolls of it. Aerocolor 100 in 220 format. I'm going to shoot the first roll with an 81b warming filter and get it processed as reversal film in E6, which should avoid the scanning issues that my lab seems to have with this film. If that works out I'll do the same with the other roll.
I hope they get it back in stock...I'm sure there is not much demand for 220 film these days but I'm doing my part.
Whaaaaaaat?!!!! this is awesome news! I love Aerocolor 100. It has really pleasant peachy tone to it.
edit - sold out insert sad trombone sound.
Ah, sorry if you can't get it. Not to rub it in, but I just picked up two rolls of it. Aerocolor 100 in 220 format. I'm going to shoot the first roll with an 81b warming filter and get it processed as reversal film in E6, which should avoid the scanning issues that my lab seems to have with this film. If that works out I'll do the same with the other roll.
I hope they get it back in stock...I'm sure there is not much demand for 220 film these days but I'm doing my part.
Jun 21, 2024 at 01:49 PM
p.1248 #2Post your recent film shots!
I'm happy enough using the Veriwide with 120 since it's such a wide lens. Shooting a whole roll of 220 might take more than one outing.
Brooks-Plaubel Veriwide 100
Kodak Tri-X 400
f11 1/500s
View of Mt. Diablo by Graham Gibson, on Flickr
Brooks-Plaubel Veriwide 100
Kodak Tri-X 400
f11 1/500s
View of Mt. Diablo by Graham Gibson, on Flickr
Jun 21, 2024 at 02:29 PM
p.1248 #3Post your recent film shots!
grahamgibson wrote:
I'm happy enough using the Veriwide with 120 since it's such a wide lens. Shooting a whole roll of 220 might take more than one outing.
Brooks-Plaubel Veriwide 100
Kodak Tri-X 400
f11 1/500s
https://live.staticflickr.com/65535/53806730504_3f51867706_h.jpg
View of Mt. Diablo by Graham Gibson, on Flickr
but but but 120 is only 7 shots w the Veriwide Thankyou 100.
I'm happy enough using the Veriwide with 120 since it's such a wide lens. Shooting a whole roll of 220 might take more than one outing.
Brooks-Plaubel Veriwide 100
Kodak Tri-X 400
f11 1/500s
https://live.staticflickr.com/65535/53806730504_3f51867706_h.jpg
View of Mt. Diablo by Graham Gibson, on Flickr
but but but 120 is only 7 shots w the Veriwide Thankyou 100.
Jun 21, 2024 at 02:39 PM
p.1248 #4Post your recent film shots!
bjhurley wrote:
edit - sold out insert sad trombone sound.Ah, sorry if you can't get it. Not to rub it in, but I just picked up two rolls of it. Aerocolor 100 in 220 format. I'm going to shoot the first roll with an 81b warming filter and get it processed as reversal film in E6, which should avoid the scanning issues that my lab seems to have with this film. If that works out I'll do the same with the other roll.
I hope they get it back in stock...I'm sure there is not much demand for 220 film these days but I'm doing my part.
I scanned/NLP it myself so never ran into lab issues. They seem to have set profiles for scanning and I'm sure have none for aerocolor.
Desmolicious wrote
Whaaaaaaat?!!!! this is awesome news! I love Aerocolor 100. It has really pleasant peachy tone to it.edit - sold out insert sad trombone sound.
I hope they get it back in stock...I'm sure there is not much demand for 220 film these days but I'm doing my part.
I scanned/NLP it myself so never ran into lab issues. They seem to have set profiles for scanning and I'm sure have none for aerocolor.
Jun 21, 2024 at 02:40 PM
p.1248 #5Post your recent film shots!
bjhurley wrote:
edit - sold out insert sad trombone sound.Ah, sorry if you can't get it. Not to rub it in, but I just picked up two rolls of it. Aerocolor 100 in 220 format. I'm going to shoot the first roll with an 81b warming filter and get it processed as reversal film in E6, which should avoid the scanning issues that my lab seems to have with this film. If that works out I'll do the same with the other roll.
I hope they get it back in stock...I'm sure there is not much demand for 220 film these days but I'm doing my part.
I have a 220 back on my mamiya pro rz so I wouldn't mind 220 either.
Desmolicious wrote
Whaaaaaaat?!!!! this is awesome news! I love Aerocolor 100. It has really pleasant peachy tone to it.edit - sold out insert sad trombone sound.
I hope they get it back in stock...I'm sure there is not much demand for 220 film these days but I'm doing my part.
I have a 220 back on my mamiya pro rz so I wouldn't mind 220 either.
Jun 21, 2024 at 02:42 PM
p.1248 #6Post your recent film shots!
Youngest grandson, Wolf. Nikon F2, 50/1.4 pre ai, kentmere 100, d76 1:1, pakon scan. Wide open or close to it.
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Jun 21, 2024 at 02:44 PM
p.1248 #7Post your recent film shots!
Jon Buffington wrote:
Youngest grandson, Wolf. Nikon F2, 50/1.4 pre ai, kentmere 100, d76 1:1, pakon scan. Wide open or close to it.
https://photos.smugmug.com/Family/n-qwjkJ/Film-2024/i-6CNjZCW/0/CCWx7z656jfMNdwHfrc6LP5j467wB9VPC68rFXFTm/X2/2024-06-20%20kentmere%20100%20-%20Nikon%20F2-30-X2.jpg
Lovely pic Jon. And so interesting just finding out you are a grandpa!
Youngest grandson, Wolf. Nikon F2, 50/1.4 pre ai, kentmere 100, d76 1:1, pakon scan. Wide open or close to it.
https://photos.smugmug.com/Family/n-qwjkJ/Film-2024/i-6CNjZCW/0/CCWx7z656jfMNdwHfrc6LP5j467wB9VPC68rFXFTm/X2/2024-06-20%20kentmere%20100%20-%20Nikon%20F2-30-X2.jpg
Lovely pic Jon. And so interesting just finding out you are a grandpa!
Jun 21, 2024 at 02:56 PM
p.1248 #9Post your recent film shots!
bjhurley wrote:
I am jealous of your Makina...I still want one of those but the price has been a barrier to me.
I was lucky to purchase mine for around $CDN 700 about 4-5 years after it was discontinued (surprise birthday present from my amazing Wife -- I wouldn't have dropped that kind of coin for a camera in those days). It has served me very well, and the Nikkor 80/2.8 produces just the most amazing images, even wide-open. The Makinas are a bit fragile, with soft brass gears in the advance mechanism and tiny wires in the bellows so you have to treat it with care. Mine fell out of my camera bag as I exited a car in Hawaii and ended up needing a replacement advance mechanism (luckily my repair technician had one last set of parts, and he said "don't do that again!"). Other than the hot-shoe going dead due to the tiny wire breaking off (you have to remove the hot-shoe to adjust the rangefinder alignment) which was repaired by a very capable technician in Edinburgh (Cameratiks) the camera has been completely reliable. I don't take it everywhere due to fears of it getting into another accident, but am never disappointed by the results (except when I screw up the focus or exposure). I recently bought the Reflx Lab waist-level finder to use on it, and with zone-focus, that should be fun to try out!
The prices of very capable medium format bodies have plummeted (I've seen several Mamiya 7 kits go by on Buy&Sell at very tempting prices), but I do find the Makina 670 to be my "perfect" compact 6x7 camera setup, and will never sell mine.
I am jealous of your Makina...I still want one of those but the price has been a barrier to me.
I was lucky to purchase mine for around $CDN 700 about 4-5 years after it was discontinued (surprise birthday present from my amazing Wife -- I wouldn't have dropped that kind of coin for a camera in those days). It has served me very well, and the Nikkor 80/2.8 produces just the most amazing images, even wide-open. The Makinas are a bit fragile, with soft brass gears in the advance mechanism and tiny wires in the bellows so you have to treat it with care. Mine fell out of my camera bag as I exited a car in Hawaii and ended up needing a replacement advance mechanism (luckily my repair technician had one last set of parts, and he said "don't do that again!"). Other than the hot-shoe going dead due to the tiny wire breaking off (you have to remove the hot-shoe to adjust the rangefinder alignment) which was repaired by a very capable technician in Edinburgh (Cameratiks) the camera has been completely reliable. I don't take it everywhere due to fears of it getting into another accident, but am never disappointed by the results (except when I screw up the focus or exposure). I recently bought the Reflx Lab waist-level finder to use on it, and with zone-focus, that should be fun to try out!
The prices of very capable medium format bodies have plummeted (I've seen several Mamiya 7 kits go by on Buy&Sell at very tempting prices), but I do find the Makina 670 to be my "perfect" compact 6x7 camera setup, and will never sell mine.
Jun 21, 2024 at 03:10 PM
p.1248 #10Post your recent film shots!
Desmolicious wrote:
https://photos.smugmug.com/Family/n-qwjkJ/Film-2024/i-6CNjZCW/0/CCWx7z656jfMNdwHfrc6LP5j467wB9VPC68rFXFTm/X2/2024-06-20%20kentmere%20100%20-%20Nikon%20F2-30-X2.jpgLovely pic Jon. And so interesting just finding out you are a grandpa!
Ha! I got 6 of those little buggers running around
Jon Buffington wrote
Youngest grandson, Wolf. Nikon F2, 50/1.4 pre ai, kentmere 100, d76 1:1, pakon scan. Wide open or close to it.https://photos.smugmug.com/Family/n-qwjkJ/Film-2024/i-6CNjZCW/0/CCWx7z656jfMNdwHfrc6LP5j467wB9VPC68rFXFTm/X2/2024-06-20%20kentmere%20100%20-%20Nikon%20F2-30-X2.jpg
Ha! I got 6 of those little buggers running around
Jun 21, 2024 at 03:17 PM
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p.1248 #11Post your recent film shots!
Desmolicious wrote:
I scanned/NLP it myself so never ran into lab issues. They seem to have set profiles for scanning and I'm sure have none for aerocolor.
I think it's the lack of orange mask that throws them or their scanner's settings. Mine usually come back really bizarre, everything that's supposed to be grey is brick red; things that are purple in real life also are way off. I can fix it in post or now that I have my own scanner I can rescan.
I scanned/NLP it myself so never ran into lab issues. They seem to have set profiles for scanning and I'm sure have none for aerocolor.
I think it's the lack of orange mask that throws them or their scanner's settings. Mine usually come back really bizarre, everything that's supposed to be grey is brick red; things that are purple in real life also are way off. I can fix it in post or now that I have my own scanner I can rescan.
Jun 21, 2024 at 03:22 PM
p.1248 #12Post your recent film shots!
Desmolicious wrote:
Just loaded this into a TX-2 and N80. Because it was sitting in my fridge staring at me.
Blue Ultra is Vision3 print film 2383. In theory you can use it to make a positive from color negative film. I've tried with a few rolls but haven't dedicated enough time to properly figure out contrast and color filtering. Was able to get somewhat close on color last time I tried, but contrast was too low for projection.
Just loaded this into a TX-2 and N80. Because it was sitting in my fridge staring at me.
Blue Ultra is Vision3 print film 2383. In theory you can use it to make a positive from color negative film. I've tried with a few rolls but haven't dedicated enough time to properly figure out contrast and color filtering. Was able to get somewhat close on color last time I tried, but contrast was too low for projection.
Jun 21, 2024 at 03:48 PM
p.1248 #13Post your recent film shots!
bjhurley wrote:
Actually you still can! Reflx Lab Pro100 (which is respooled Kodak Aerocolor 100) comes in 220:
https://reflxlab.com/en-ca/products/reflx-lab-pro-100-color-negative-film-220
If you have a lab scan this film beware that many labs scan it incorrectly and the colors may be a bit off and garish. You need to find someone who knows what they're doing or scan it yourself.
I can buy this stuff from my lab in MontrĂ©al and might try it, as my Mamiya C330 can shoot either 120 or 220 film with the flip of a switch. The Reflxlab website says it's out of stock, but hopefully it'll be back soon. My lab...Show more →
I've had bad experiences (admittedly a long time ago) with respooled/repurposed films. As you say, colours can be off (due to the lack of the normal negative-film colour-masking layer), quality can be variable, and generally I just found it wasn't worth the cost-savings and stuck to my Fuji Portra and Kodak TMax. Perhaps it's time for me to take some risks again (and how much more risky is it than my 10-years expired stockpile!)
Actually you still can! Reflx Lab Pro100 (which is respooled Kodak Aerocolor 100) comes in 220:
https://reflxlab.com/en-ca/products/reflx-lab-pro-100-color-negative-film-220
If you have a lab scan this film beware that many labs scan it incorrectly and the colors may be a bit off and garish. You need to find someone who knows what they're doing or scan it yourself.
I can buy this stuff from my lab in MontrĂ©al and might try it, as my Mamiya C330 can shoot either 120 or 220 film with the flip of a switch. The Reflxlab website says it's out of stock, but hopefully it'll be back soon. My lab...Show more →
I've had bad experiences (admittedly a long time ago) with respooled/repurposed films. As you say, colours can be off (due to the lack of the normal negative-film colour-masking layer), quality can be variable, and generally I just found it wasn't worth the cost-savings and stuck to my Fuji Portra and Kodak TMax. Perhaps it's time for me to take some risks again (and how much more risky is it than my 10-years expired stockpile!)
Jun 21, 2024 at 03:56 PM
p.1248 #14Post your recent film shots!
A little gathering we put on of the middle TN film photogs group early this spring. Nikon FM2n, nikkor 20/2.8 ai, adox chs 100 II, d76 1:1, pakon scan. Me on the far left (standing far right).
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Jun 21, 2024 at 04:28 PM
p.1248 #16Post your recent film shots!
Jiufen Old Street, Ruifang District, New Taipei City.
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes.
2023.11.20 Roll #342-08368-positive.jpg by dourbalistar, on Flickr
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes.
2023.11.20 Roll #342-08368-positive.jpg by dourbalistar, on Flickr
Jun 21, 2024 at 09:00 PM
p.1248 #18Post your recent film shots!
Jon Buffington wrote:
A little gathering we put on of the middle TN film photogs group early this spring. Nikon FM2n, nikkor 20/2.8 ai, adox chs 100 II, d76 1:1, pakon scan. Me on the far left (standing far right).
https://photos.smugmug.com/Family/n-qwjkJ/Film-2024/i-t66NLMP/0/FdKrxdxWZsVWmwFJxdqq6DKhRV7rRVkFHQt6MsDwz/X2/2024-06-18%20adox%20chs%20100%20II%20-%20Nikon%20FM2n-25-X2.jpg
I am disappointed, nay saddened, that I do not spy a banjo in that photo.
A little gathering we put on of the middle TN film photogs group early this spring. Nikon FM2n, nikkor 20/2.8 ai, adox chs 100 II, d76 1:1, pakon scan. Me on the far left (standing far right).
https://photos.smugmug.com/Family/n-qwjkJ/Film-2024/i-t66NLMP/0/FdKrxdxWZsVWmwFJxdqq6DKhRV7rRVkFHQt6MsDwz/X2/2024-06-18%20adox%20chs%20100%20II%20-%20Nikon%20FM2n-25-X2.jpg
I am disappointed, nay saddened, that I do not spy a banjo in that photo.
Jun 21, 2024 at 09:21 PM
p.1248 #19Post your recent film shots!
Fun with a soft, flare-prone lens (the more I use it...the more I love it).
Jenny by Jim Fischer, on Flickr
Crimson Clover by Jim Fischer, on Flickr
Jenny by Jim Fischer, on Flickr
Leica M5, Light Lens Lab 50mm f/1.2 '1966,' Fuji400.
Jenny by Jim Fischer, on FlickrCrimson Clover by Jim Fischer, on FlickrJenny by Jim Fischer, on FlickrLeica M5, Light Lens Lab 50mm f/1.2 '1966,' Fuji400.
Jun 21, 2024 at 09:27 PM
p.1248 #20Post your recent film shots!
Crimson and clover.. bwowwww bwowwww. Bless Joan Jett..
Jun 21, 2024 at 09:30 PM