madNbad wrote:
Between using the 28 BS and the Pentax Auto 110, the 28 Summicron is going to look like a massive lens.
I just went out shooting with the 28 BS and then switched to the Zeiss Distagon 35/1.4. Felt like I changed to a massive lens! But then I picked up my Sony A1 with a 24-70/2.8 and wow that feels large!
Along the Rim Trail in Bryce Canyon National Park.
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes. Three individual black and white frames shot through Tiffen #25 Red, #58 Green, and #47 Blue filters, respectively, then combined using GIMP to create a trichrome color image.
Well, this is not a film shot but of my new to me film machine. I can't believe how nice a copy this is . . . call it a 9.5/10. It's loaded with its first role. Time go go out.
rji2goleez wrote:
I hope so. I haven't shot a meter-less camera since . . . NEVER!
When i got back into film I would walk around and try to guess settings for a given scene then pull out a meter, or a meter app on my iPhone, and see how off I was. When I would nail the guess I would hear little Price-is-Right bells go off in my head. Very satisfying but also probably strange to my wife walking with me. "what are you staring at and why do you have an odd smile on your face".
ottokbre wrote:
When i got back into film I would walk around and try to guess settings for a given scene then pull out a meter, or a meter app on my iPhone, and see how off I was. When I would nail the guess I would hear little Price-is-Right bells go off in my head. Very satisfying but also probably strange to my wife walking with me. "what are you staring at and why do you have an odd smile on your face".
Great idea! While out shooting this afternoon, I had a Price-is-Right bell moment. That's going to stick with me now . . .
