#19 is easily my favorite.. fantastic, minus the bit of lens flare that is easily fixable. My main thing would be to watch the tilted shots.. They can add a cool effect, but use it sparingly and make sure that it really adds to the composition. For instance I think it works better for 5 and 9 than it does for 1 or 24.
The HDR effect in this case doesn't really do it for me either, I like HDRs but prefer a more natural look, and not generally for portraits. They might love them though!
Also recommend straightening out the horizon on 3,4, and 18...
Hope this is useful! There are some nice shots in there..
#7 - Qflash fired out of a 45" Westcott Halo around f/5.0.
#11 - 580EX II on full power fired through the 45" Westcott Halo, I underexposed the image to preserve the sky and gave it some "dave hill" processing in lightroom.3
#7 - Qflash fired out of a 45" Westcott Halo around f/5.0.
#11 - 580EX II on full power fired through the 45" Westcott Halo, I underexposed the image to preserve the sky and gave it some "dave hill" processing in lightroom.3
#7 - Qflash fired out of a 45" Westcott Halo around f/5.0.
#11 - 580EX II on full power fired through the 45" Westcott Halo, I underexposed the image to preserve the sky and gave it some "dave hill" processing in lightroom.3
#7 - Qflash fired out of a 45" Westcott Halo around f/5.0.
#11 - 580EX II on full power fired through the 45" Westcott Halo, I underexposed the image to preserve the sky and gave it some "dave hill" processing in lightroom.3
#7 - Qflash fired out of a 45" Westcott Halo around f/5.0.
#11 - 580EX II on full power fired through the 45" Westcott Halo, I underexposed the image to preserve the sky and gave it some "dave hill" processing in lightroom.3
