This is a very compelling image and composition in its own right, Chuck. What makes it so good is what it DOESN'T show. It uses the pattern of the broken windows against a field of blackness to invoke the rest of the scene's content in the viewer's imagination. (I guarantee that no two of us "see" quite the same scene.) This is really using photography far beyond its basic documentary facilities by forcing the viewer to become an active participant in creating the "image".
Really well done, Chuck. Win or lose, bravo to you!