chez wrote:
gyoung143 wrote
chez wrote
gyoung143 wrote
chez wrote
gyoung143 wrote
In the days of slide shows you could reckon 200 was the maximum you could use, in a show lasting a couple of hours, before audience gets fidgety or goes to sleep. I try to aim for absolute max of that in an 'album' to show the story of a trip, if it's a long one then will be broken down into logical sections.
It takes quite a while to select 200 from say 1500, and then process those. Most I ever took in film days was 27 x36exp in a 5 week trip to South Pacific and New Zealand. Digital was about the same in a 3 week trip, spraying around as ever you tend to miss the best moments by not looking hard enough. IMHO of course. Can't see any point in giving myself hours of work rejecting poorly thought out trigger happy stuff.
Gerry Depends on what you photograph. Static scenic…then yeh, one and done. Life happening in front of you, ever changing…then you continue shooting as things evolve around you. Calling trying to get that impact image of the changing scenes in front of you “trigger happy” is totally ignorant speak. Lol, spent years doing that sometimes as a pro, having only 12 exposures or even 36, teaches you to know the right moments. Really…you must be good. Would love to see some of your right moment images you took with your film gear and only 1 roll. Employers or clients copyright so not available. Right…😏
Yep, fact of life when you're a pro, rarely have rights to your own photos taken at work.
Anyway most of them were topical news stories and features from decades ago, without context would be un interesting. I'm 82 so 'work' was a while ago...
Gerry
Gerry