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p.3 #18 · Could the rumored Leica SL 50 Lux II be M-like in rendering? | |
SlowDriver wrote:
You are forgetting the CL/TL2 series... .
The SL is Leica's video solution. I don't see them exiting that market.
Or, you could think of the SL as being the alternative to everything the M isn't. AF, EVF, IBIS, Video, Pixel Shift, Supertele, tilt, etc. ... yet, retains a nice ability to work well with M glass (i.e. complementary).
While one could look at the Q, it is too limited in FL to be a "system". That leaves you with just the SL. Abandonment of the SL takes a LOT off the table, leaving only M + Q. Given the Alliance to the L mount development and the "dent" it offers in market share, I'd be hard pressed to see them to kick it to the curb. If they pull the plug on SL series, then the amount of dialogue in the Leica ecosystem drops back significantly (imo).
Yeah, I have "no worries" about the SL going anywhere.
I mean, it offers a near Hassy / Fuji MF IQ, too. Pull the plug on the SL, and you just handed that market share to Fuji / Hassy, in addition to the video market share, et al. No single piece that is uber-compelling for the SL (i.e. outperforms AF on Sony, etc.), but it encompasses a lot of touchpoints. Foregoing all that it touches, is giving up a fair amount, so ... yeah, I think it'll be around for a while.
Imo, it's a very versatile platform M > Panny / Siggy > SL APO that ranges from maximum character to maximum optical correction capabilities. It can pretty much roll with whatever you want ... EXCEPT, the rangefinder experience, itself. 
I suspect the new, smaller SL 50/1.4 is gonna sit smack in the middle of all that .. a workhorse (not necessarily a mastery of maximum excellence, and the cost / size weight to achieve), with maybe a smidge of character.

Edited on Jun 22, 2026 at 10:53 AM · View previous versions
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