fredmiranda.com
Login

Moderated by: Fred Miranda
  New fredmiranda.com Mobile Site
  New Feature: SMS Notification alert
  New Feature: Buy & Sell Watchlist
  

FM Forums | Leica & Alternative Gear | Join Upload & Sell

1              end
  

Thypoch Ksana 21mm f/3.5 ASPH Review

  
 
Fred Miranda
Offline
Admin
Upload & Sell: On
p.2 #1 · Thypoch Ksana 21mm f/3.5 ASPH Review





Back to Quick Links

Flare Resitance

The Thypoch Ksana 21mm f/3.5 is, in my experience, flare resistant in most real world situations. You can confidently shoot into bright light sources without immediately seeing issues like veiling or loss of contrast, and in normal backlit scenes it behaves in a controlled and modern way.

With that said, the more stylized flare character described in the marketing is not the default. The warmer, slightly amber toned response and the more cinematic flare character only really appear when you deliberately push the lens into difficult lighting. When you do force it, you can start to see some of that intended “Epoch Coating 73” look come through, with lower contrast, some ghosting, and a gentle veiling flare that adds atmosphere rather than destroying the image.

The key point is that this character is angle dependent and quite precise. It is not something that shows up consistently just because you are shooting toward the sun. You can point the lens into direct light and get no meaningful flare at all, then shift a few degrees and suddenly the ghosting or veiling appears. That makes it feel more like a controlled effect than a constant optical signature.

On a rangefinder like the M10-R, this becomes a bit of a hit or miss experience. You are working without a live preview of the final flare behavior, so it can be difficult to intentionally place the effect exactly where you want it in the frame. If someone specifically wants to use the veiling and ghosting as part of their composition, live view is the more reliable method since it allows you to fine tune the angle and immediately see when the coating behavior starts to engage.

Overall, I would describe it as a lens that prioritizes good resistance first, with the advertised cinematic flare character available as a secondary, more deliberate creative option rather than a constant signature.

Below are a few examples showing the type of flare the lens can produce when induced:




  LEICA M10-R    Thypoch Ksana 21mm f/3.5 lens    21mm    1/800s    100 ISO    0.0 EV  






  LEICA M10-R    Thypoch Ksana 21mm f/3.5 lens    21mm    1/800s    100 ISO    -1.0 EV  






  LEICA M10-R    Thypoch Ksana 21mm f/3.5 lens    21mm    1/800s    100 ISO    -1.0 EV  






  LEICA M10-R    Thypoch Ksana 21mm f/3.5 lens    21mm    1/640s    100 ISO    -1.0 EV  






  LEICA M10-R    Thypoch Ksana 21mm f/3.5 lens    21mm    1/500s    100 ISO    -1.0 EV  






  LEICA M10-R    Thypoch Ksana 21mm f/3.5 lens    21mm    1/800s    100 ISO    -1.0 EV  






Here is an example of a sunstar image at f/8, shot against the light at a low angle, with no visible veiling or ghosting flare.




May 22, 2026 at 08:31 PM
infra747
Offline

Upload & Sell: Off
p.2 #2 · Thypoch Ksana 21mm f/3.5 ASPH Review


mgscheu wrote:
You've reminded me that I should try it on my X-T5.


could you share your thoughts how it goes? how's the overall sharpness does corner suffer smearing? i owned a Voiglander 27mm f2 already, the image quality is fantastic but often have issue to quickly locate the focus knob.



May 22, 2026 at 08:51 PM
mgscheu
Offline

Upload & Sell: Off
p.2 #3 · Thypoch Ksana 21mm f/3.5 ASPH Review


Yep, I will when I can get out and do it. I hope soon.


May 23, 2026 at 04:32 AM
_jim_
Offline
• • •
Upload & Sell: Off
p.2 #4 · Thypoch Ksana 21mm f/3.5 ASPH Review


Fred, not sure if it has been asked, but do you have any plans to review the 21mm Simera? I just picked one up off of buy n sell and it is a spectacular lens.


May 23, 2026 at 10:04 AM
Abuttolph
Offline
• • •
Upload & Sell: On
p.2 #5 · Thypoch Ksana 21mm f/3.5 ASPH Review


_jim_ wrote:
Fred, not sure if it has been asked, but do you have any plans to review the 21mm Simera? I just picked one up off of buy n sell and it is a spectacular lens.


I would love to see a comparison of the Thypoch Simera 21mm and the Leica Summilux-m 21mm to see the difference in rendering and character. I cannot find a direct comparison anywhere.



May 23, 2026 at 10:52 AM
Fred Miranda
Offline
Admin
Upload & Sell: On
p.2 #6 · Thypoch Ksana 21mm f/3.5 ASPH Review





Back to Quick Links

Samples: Cars and Coffee

Most of the images were captured wide open at f/3.5 in late afternoon light, with subjects positioned at a variety of distances.

Post processing was intentionally kept to a minimum, consisting only of minor sharpening (40, 0.8, 20, 50) and small exposure adjustments. I used the Adobe Color and Monochrome profiles throughout to allow the lens’s natural color rendition and tonal character to shine through.




  LEICA M10-P    Thypoch Ksana 21mm f/3.5 lens    21mm    f/3.5    1/2000s    200 ISO    -0.7 EV  






  LEICA M10-P    Thypoch Ksana 21mm f/3.5 lens    21mm    f/3.5    1/1250s    200 ISO    -0.7 EV  











  LEICA M10-P    Thypoch Ksana 21mm f/3.5 lens    21mm    f/3.5    1/2000s    200 ISO    -0.7 EV  






  LEICA M10-P    Thypoch Ksana 21mm f/3.5 lens    21mm    f/3.5    1/2500s    200 ISO    -0.7 EV  






  LEICA M10-P    Thypoch Ksana 21mm f/3.5 lens    21mm    f/3.5    1/4000s    200 ISO    -0.7 EV  






  LEICA M10-P    Thypoch Ksana 21mm f/3.5 lens    21mm    f/3.5    1/800s    200 ISO    -0.7 EV  






  LEICA M10-P    Thypoch Ksana 21mm f/3.5 lens    21mm    f/3.5    1/1250s    200 ISO    -0.7 EV  






  LEICA M10-P    Thypoch Ksana 21mm f/3.5 lens    21mm    f/3.5    1/4000s    200 ISO    -0.7 EV  






  LEICA M10-P    Thypoch Ksana 21mm f/3.5 lens    21mm    f/3.5    1/800s    200 ISO    -0.7 EV  




Jun 14, 2026 at 06:34 PM
Fred Miranda
Offline
Admin
Upload & Sell: On
p.2 #7 · Thypoch Ksana 21mm f/3.5 ASPH Review





Back to Quick Links

Samples: Day at the beach (harsh lighting)

All images were captured wide open at f/3.5 under harsh lighting, with subjects positioned at a variety of distances.

Post processing was intentionally kept to a minimum, consisting only of minor sharpening (40, 0.8, 20, 50) and small exposure adjustments. I used the Adobe Color and Monochrome profiles throughout to allow the lens’s natural color rendition and tonal character to shine through.




  LEICA M10-P    Thypoch Ksana 21mm f/3.5 ASPH. lens    21mm    f/4.0    1/2000s    200 ISO    0.0 EV  






  LEICA M10-P    Thypoch Ksana 21mm f/3.5 ASPH. lens    21mm    f/3.5    1/1250s    200 ISO    0.0 EV  






  LEICA M10-P    Thypoch Ksana 21mm f/3.5 ASPH. lens    21mm    f/3.5    1/1600s    200 ISO    0.0 EV  






  LEICA M10-P    Thypoch Ksana 21mm f/3.5 ASPH. lens    21mm    f/3.5    1/1250s    200 ISO    0.0 EV  






  LEICA M10-P    Thypoch Ksana 21mm f/3.5 ASPH. lens    21mm    f/3.5    1/2000s    200 ISO    0.0 EV  






  LEICA M10-P    Thypoch Ksana 21mm f/3.5 ASPH. lens    21mm    f/4.0    1/1000s    200 ISO    0.0 EV  






  LEICA M10-P    Thypoch Ksana 21mm f/3.5 ASPH. lens    21mm    f/3.5    1/1000s    200 ISO    0.0 EV  






  LEICA M10-P    Thypoch Ksana 21mm f/3.5 ASPH. lens    21mm    f/3.5    1/1250s    200 ISO    0.0 EV  






  LEICA M10-P    Thypoch Ksana 21mm f/3.5 ASPH. lens    21mm    f/3.5    1/1600s    200 ISO    0.0 EV  






  LEICA M10-P    Thypoch Ksana 21mm f/3.5 ASPH. lens    21mm    f/4.0    1/400s    200 ISO    0.0 EV  






  LEICA M10-P    Thypoch Ksana 21mm f/3.5 ASPH. lens    21mm    f/3.5    1/500s    200 ISO    0.0 EV  






  LEICA M10-P    Thypoch Ksana 21mm f/3.5 ASPH. lens    21mm    f/3.5    1/500s    200 ISO    0.0 EV  




Jun 19, 2026 at 12:24 PM
 


Search in Used Dept. 

Fred Miranda
Offline
Admin
Upload & Sell: On
p.2 #8 · Thypoch Ksana 21mm f/3.5 ASPH Review





Back to Quick Links

Rendering compared to Voigtlander 21mm f/3.5 Color-Skopar











The Thypoch Ksana 21mm f/3.5 ASPH is a welcome addition to a focal length that isn't overcrowded with options. We already have the excellent Leica Super-Elmar-M 21mm f/3.4 ASPH, which remains the reference lens for resolution and contrast across the field wide open, thanks to its very even field curvature. The Voigtlander 21mm f/3.5 Color-Skopar is my second favorite, showing similar performance but with a curvature shape that reduces consistency across the image field. Now we have the Ksana 21mm f/3.5, which performs slightly worse than the Voigtlander, with some field curvature of its own.

But aside from resolution, contrast and field curvature, how do the Ksana and Voigtlander compare in rendering? There isn't much blur to analyze with a 21mm f/3.5 lens, but we can get a sense of how both lenses render the same subject at the same framing and distance. I see higher vignetting in the Ksana samples when both lenses are wide open, along with more ghosting and veiling flare, which is expected since the Ksana is designed to produce flare intentionally. I don't see much difference in blur or highlight outlining/shape, though on closer inspection the Voigtlander shows slightly lower optical vignetting (more round highlights off-axis), which is more to my taste.

Overall, aside from the differences in vignetting and flare, both lenses render similarly when shot wide open, and both can focus down to 0.5m when using live view.


Sample 1 at MFD:




  LEICA M10-P    Thypoch Ksana 21mm f/3.5 lens    21mm    f/3.5    1/1250s    100 ISO    -0.7 EV  






  LEICA M10-P    Voigtlander 21mm f/3.5 Color-Skopar lens    21mm    f/3.5    1/1250s    100 ISO    -0.7 EV  




Jul 06, 2026 at 06:55 PM
Fred Miranda
Offline
Admin
Upload & Sell: On
p.2 #9 · Thypoch Ksana 21mm f/3.5 ASPH Review


Sample 2 at 1m:

Ksana's sample showing ghosting and veiling while the Voigtlander offers stronger flare resistance




  LEICA M10-P    Thypoch Ksana 21mm f/3.5 lens    21mm    f/3.5    1/640s    100 ISO    -0.7 EV  






  LEICA M10-P    Voigtlander 21mm f/3.5 Color-Skopar lens    21mm    f/3.5    1/640s    100 ISO    -0.7 EV  




Jul 06, 2026 at 06:58 PM
Fred Miranda
Offline
Admin
Upload & Sell: On
p.2 #10 · Thypoch Ksana 21mm f/3.5 ASPH Review


Sample 3 at 1.5m

Ksana's sample showing ghosting and veiling while the Voigtlander offers stronger flare resistance




  LEICA M10-P    Thypoch Ksana 21mm f/3.5 lens    21mm    f/3.5    1/400s    100 ISO    -0.7 EV  






  LEICA M10-P    Voigtlander 21mm f/3.5 Color-Skopar lens    21mm    f/3.5    1/400s    100 ISO    -0.7 EV  






100% crop: Same blur, similar rendering




Jul 06, 2026 at 07:01 PM
Fred Miranda
Offline
Admin
Upload & Sell: On
p.2 #11 · Thypoch Ksana 21mm f/3.5 ASPH Review


Sample 4 at 0.5m

Similar performance at MFD, and similar rendering overall.




  LEICA M10-P    Thypoch Ksana 21mm f/3.5 lens    21mm    f/3.5    1/1600s    100 ISO    -0.7 EV  






  LEICA M10-P    Voigtlander 21mm f/3.5 Color-Skopar lens    21mm    f/3.5    1/1600s    100 ISO    -0.7 EV  






100% crop









Jul 06, 2026 at 07:04 PM
Fred Miranda
Offline
Admin
Upload & Sell: On
p.2 #12 · Thypoch Ksana 21mm f/3.5 ASPH Review





Back to Quick Links


Chromatic aberration control: Purple Fringing, Axial and Lateral CA

The Thypoch Ksana 21mm f/3.5 ASPH keeps color error low and well controlled overall. Across my high-contrast images, I did find some traces of color fringing, but nothing excessive for a 21mm lens. The f/3.5 maximum aperture certainly helps keep chromatic aberrations in check, but given how compact this lens is, what Thypoch has pulled off here is still impressive.

As the samples below show, there's only minor purple fringing in the focused areas, and minor green/magenta chromatic aberration in the defocused zones in front of or behind the subject. In terms of axial chromatic aberration, this lens performs well, helped along by its f/3.5 aperture, which naturally makes correcting color errors easier than in faster designs.

Lateral chromatic aberration, which shows up as color misalignment toward the edges of the frame and doesn't improve by stopping down, is also low. It does not even require correction in Lightroom (see the 100% uncorrected crop below).

Overall, the color error here is low and well managed, anyone sensitive to fringing should be pleased with what this lens delivers.

Sample crops, wide open at f/3.5:




Traces of green fringing behind the plane of focus






Traces of green fringing behind the plane of focus






No purple fringing at focused area






Traces of green fringing behind the plane of focus






Traces of green fringing behind the plane of focus






Lateral CA is well corrected, with color error low enough that no correction was needed




Jul 07, 2026 at 06:36 PM
Fred Miranda
Offline
Admin
Upload & Sell: On
p.2 #13 · Thypoch Ksana 21mm f/3.5 ASPH Review





Back to Quick Links


Final Thoughts:


The Thypoch Ksana 21mm f/3.5 ASPH sets out to combine a highly corrected modern optical formula with a more deliberate, controlled flare signature, and for the most part it succeeds. Rather than chasing outright optical supremacy, Thypoch has built a lens around portability and a touch of engineered character through its Epoch Coating 73', while still delivering solid resolution, low distortion, and well-controlled chromatic aberration.







Wide open at f/3.5, the Ksana is usable but not yet at its best. Center performance is respectable, though the mid field and corners lag behind the Voigtlander 21mm f/3.5 Color-Skopar at every aperture until f/5.6, where the gap narrows considerably. By f/8, the two lenses perform quite similarly across the frame, with the Ksana needing that extra stop or two to really show what it's capable of. Vignetting is more pronounced than on the Voigtlander, and field curvature (outward at close and mid distances, flattening toward infinity) is something to be mindful of depending on subject distance.

What stands out most is just how compact this lens is. At 131g and 27mm in length, it disappears on the camera in a way few 21mm lenses can match, and despite that size, Thypoch has kept distortion essentially absent and chromatic aberration low and well managed, both axial and lateral. Sunstar rendering is another highlight, with 9 straight blades producing well-defined 18-point rays from f/4 onward that stay well defined all the way to f/22.

The much-discussed Epoch Coating 73' flare signature is real, but it's more subtle and angle-dependent than the marketing suggests. In everyday backlit shooting, the lens behaves like a modern, well-corrected optic with strong flare resistance. The warmer, amber-toned ghosting and veiling only emerge when you deliberately push the lens into specific angles against a bright source, making it more of an intentional creative tool (best used with live view) than a constant rendering trait.

Compared to the Voigtlander 21mm f/3.5 Color-Skopar, the Ksana trades a bit of outright resolution and contrast for a smaller footprint and that optional flare character. Both lenses share the same 0.5m close focus capability and render similarly once stopped down, with the main differences coming down to vignetting and flare behavior rather than sharpness or blur quality.



Pros

⦿ Extremely compact and lightweight (131g, 27mm) for a 21mm ASPH design
⦿ Virtually no distortion straight out of camera, no correction needed
⦿ Low and well-controlled chromatic aberration, both axial and lateral
⦿ Well-defined 18-point sunstars from f/4 onward, remaining defined through f/22
⦿ No meaningful focus shift, reliable for rangefinder shooting
⦿ Strong flare resistance in everyday use, with the Epoch Coating 73' character available as a deliberate creative option
⦿ Performs as well or better when adapted to mirrorless bodies with thicker sensor stacks
⦿ Useful 0.5m close focus distance for an ultra wide
⦿ Solid center sharpness even wide open, closing the gap with the Voigtlander by f/5.6–f/8



Cons

⦿ Noticeably stronger vignetting than the Voigtlander 21mm f/3.5 Color-Skopar across the aperture range
⦿ Mid field and corner performance trail the Voigtlander until stopped down to f/5.6 or beyond
⦿ Some field curvature at close and mid distances
⦿ 9-blade aperture (rather than 10 or 12) is a minor compromise for a 21mm design
⦿ Flare/ghosting signature is angle-dependent and hard to predict through a rangefinder viewfinder
⦿ Aperture clicks could be firmer



The Thypoch Ksana 21mm f/3.5 ASPH ultimately delivers a genuinely portable ultra wide with clean, modern optical correction and an optional dose of vintage-inspired flare character when you go looking for it. It doesn't outperform the Voigtlander 21mm f/3.5 Color-Skopar across the frame, but it comes close once stopped down, and its size, low distortion, and low color error make it a compelling option for anyone prioritizing a small, easy-to-carry ultra wide without giving up much in image quality.



Order the Thypoch Ksana 21mm f/3.5 ASPH lens:

Thypoch Store (Use promo code: FREDMIRANDA for a 5% discount at checkout)

B&H Photo












Jul 07, 2026 at 06:54 PM
phinix
Offline
• • •
Upload & Sell: Off
p.2 #14 · Thypoch Ksana 21mm f/3.5 ASPH Review


Skopar is better
Plus I love its thick gloss paint, I wish Cosina paint all their lens like that.



Jul 08, 2026 at 03:09 AM
1              end






FM Forums | Leica & Alternative Gear | Join Upload & Sell

1              end
    
 

Welcome back
Log in to your account