To me, you have to put F4 in perspective. I thought it came out around 86, but what I see online is 89- which would put it contemporary to the EOS-1. And I think that is a great ‘break point’ in cameras.
To me, as a young shooter, the F4 was ‘it’. Building on the F3 and the history of Nikons. At least from my perspective in the 1980s, Nikon’s were pro cameras and Canons were consumers cams, (like the AE-1 Program that my mom had). My first camera was an A1 to build on the lenses in my family, but I wanted an FM2n and I REALLY wanted an F4s.
But to me, the F4 was the last time that Nikon could say that they ruled pro 35mm SLRs. AF was coming. The F4 was 4 years after the Minolta(Sony) Maxxum 7000. Canon had ditched their FD mount and had gone non-compromises with the new EF mount.
Nikon listened to their customers and kept the F lens mount, and tried to adapt (pretty well) AF to it over time. Maybe a great example of how you shouldn’t always listen to your customers as Canon became ascendant, especially in sports.
Want a lighter F4? Buy a Canon T90… a few years older, but the start of the EOS camera design gestalt.
So we had the F4 and in 10 years digital was the path forward, and after the Canon 5D full frame, film even for consumers became a distant second.
So, to me, the F4 is that maximum of the tech as there is a transition. The Grumman Bearcat- perhaps the ultimate prop fighter that was replaced by jets. Cool tech, taken to the logical extremes, but soon cast aside.
Perspective. We photographers should appreciate that…
With all that, there are few cameras as pretty and imposing as a F4s with a 50/1.4 on it. Decades later is screams- I’M A PHOTOGRAPHER…. Hear my click! (At 5fps.)