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Zeiss Otus ML 35F1.4 Released

  
 
Nifty Fifty
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p.2 #1 · Zeiss Otus ML 35F1.4 Released




RoamingScott wrote:
I can tell you with certainty, based on my involvement in multiple circles, that the same crowd that enjoys Chinese AF lenses as entry/gateway glass see Voigtlander as "high-end" and aspirational and often have at least one. These people are not spending over $1000 on a lens.

Hmm, well, I have two Noktons and a €180 Viltrox Air, and yet still spent €1800 on a GM. That refutes your statement.
😉



Mar 27, 2026 at 04:16 PM
rico
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p.2 #2 · Zeiss Otus ML 35F1.4 Released


As a CZ—I mean ZEISS—fanatic, I really tried to like the Otus line for it's image quality if not the weight and price. However, there was simply insufficient love, and the ML line is more of the same. Flogging the same dead horse they are. If you want cheap, cheerful, and World #1 optical performance then Viltrox 50 Air is going to stomp the 50 Otus ML into the dirt. Yes, I own expensive glass but optical technology is changing, and fast.


Mar 27, 2026 at 06:25 PM
DWOfPaul
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p.2 #3 · Zeiss Otus ML 35F1.4 Released


I didn't know much about the Viltrox 50mm Air untill it was mentioned in this thread, and I did some quick Googling. It does seem better than I was expecting. Out of curiosity for those who have it, would you still consider buying the 50mm Air if it were 500 instead of 200, and if you had to take one AF 50mm lens with you, would you rely on the Viltrox 50mm Air or would you pack, say, a 50mm GM in your bag (f1.4 vs f2 aside)?


Mar 27, 2026 at 06:57 PM
freaklikeme
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p.2 #4 · Zeiss Otus ML 35F1.4 Released


Jonas B wrote:
It's like the camera with no viewfinder but Lightroom on the screen: Zeiss aren't really connected to the world of enthusiasts shooting still images.
The 50mm ML lens showed a lot of CA and as I recall it this was discussed way more than possible good things about the lens. Being heavy and expensive and not really doing what one expects from a Zeiss APO lens it now is a lens never talked about.
The new 35mm ML is heavy and expensive and Zeiss tries to make people think they want it when in reality the OTUS lenses are for few
...Show more

The ZX-1 has an EVF. A nice one- 6.22m dots. The camera itself is actually easy to work with. I'm not a huge fan of dedicated top plate dials- I much prefer grip and rear dials- but they're the only things up there, so they're not hard to find, and the shutter speed dial is thumb accessible. You've got aperture control via the ring on the lens. It's beautifully simple in that way. And, despite the funky look, it's really comfortable in hand. The lens is the star of the show, of course, and it's gorgeous. It's very much an upgrade to the fan-favorite ZE/ZF Distagon 35/2, the MF feel isn't awful for that point in FBW development, and the leaf shutter's whisper quiet. The problem isn't the camera itself, it's the tablet to which it's anchored. It didn't work for Samsung or any of the other manufacturers who tried it. I don't know who talked Zeiss into thinking their brand would be the one to succeed where others failed (I suspect Samsung), but it must've been a hella good pitch.

All you heard about the 50 was it's CA problems because anytime a premium brand fails to live up to collective expectations, it becomes catnip for influencers and echoed through the chambers of boards like these. The finer points of its performance stop mattering because the lens is now just it's minor CA issues. And stills-focused MF lenses don't get sold in large quantities period. It's a niche piece of the business, and the premium MF lenses are the niche-est.

Wait. A company selling a product is trying to convince people they need that product? Where in the world did they come up with that?



Mar 27, 2026 at 07:50 PM
freaklikeme
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p.2 #5 · Zeiss Otus ML 35F1.4 Released


RoamingScott wrote:
I’m not sure why anybody expected these lenses to make a splash. Bigger, heavier, and more expensive by a factor of 2 to 3X than most people are willing to spend on a similar auto focus lens.

Whatever marginal gains you may get in IQ are easily offset by everything else.

Like I said verbatim in the original thread, who is asking for these?


Not you, obviously. Zeiss lens lovers who are willing to pay for a premium MF experience, even for lenses that aren't God's right or left eye, seems the obvious answer.

RoamingScott wrote:
Sadly, the name Zeiss is largely a running joke in the industry now.


I don't know what side of the industry on which you work, but they still command a lot of respect at every conference and demo I've attended. Most of it's cine now, since that's where the money is, but they still manage to generate interest with their rare stills-focused releases.



Mar 27, 2026 at 07:58 PM
rico
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p.2 #6 · Zeiss Otus ML 35F1.4 Released


DWOfPaul wrote:
... Out of curiosity for those who have it, would you still consider buying the 50mm Air if it were 500 instead of 200, and if you had to take one AF 50mm lens with you, would you rely on the Viltrox 50mm Air ... ?

Yes, and yes. I paid almost $500 for the Sigma 45/2.8 C in FE mount and, while it sports a beautiful metal build and has a lot of character, it is the Air that I pick for my one-lens outings: faster, sharp wide open, lighter, reliable AF. If you want optical defects or artistic rendition then this is the wrong lens.



Mar 27, 2026 at 08:24 PM
DWOfPaul
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p.2 #7 · Zeiss Otus ML 35F1.4 Released


rico wrote:
Yes, and yes. I paid almost $500 for the Sigma 45/2.8 C in FE mount and, while it sports a beautiful metal build and has a lot of character, it is the Air that I pick for my one-lens outings: faster, sharp wide open, lighter, reliable AF. If you want optical defects or artistic rendition then this is the wrong lens.


Thanks for the comparison, that's actually very close to what I was wondering. How would the 50mm Air stack up against the Sigma 50mm f2 I. I have put some serious thought into making a small Sigma I kit, as pretty much all my fast AF primes are large f1.4 lenses. One of the main reasons I have held off is that I am just not sure I will use them enough to be worth the price. At $200 the Air is practically impulse buy territory. At this point, I have lens filters that I have spent more on. But I also don't want to buy a lens I am not going to end up using due to build quality, poor AF, ect.



Mar 27, 2026 at 11:23 PM
MKRhodes
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p.2 #8 · Zeiss Otus ML 35F1.4 Released


A big factor of why these are so expensive by stills glass standards is because these are hybrid lenses that will be used by videomakers (Zeiss is a legendary cinema lens maker). Already these new Otus ML lenses handily clear the Zeiss Supreme cinema lenses in terms of sharpness, but a single Supreme prime still retails for 21 grand. These will I expect find their biggest buyers in video shooters, which is also the case nowadays for the original DSLR Otus line (there is a persistent myth that the Supremes and original Otus lenses share a lot of optical DNA, but it's actually the Milvus superspeeds that are almost identical to the Supremes).


Mar 28, 2026 at 02:24 AM
Jonas B
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p.2 #9 · Zeiss Otus ML 35F1.4 Released


freaklikeme wrote:
The ZX-1 has an EVF. A nice one- 6.22m dots.[...]


You are right and I stand corrected. Thank you. I forgot about the VF.
I really liked the images I saw thinking there finally was a fixed 35/2 better than the RX1 Sonnar (which I owned at the time).
I disliked the camera concept. When Zeiss released the ZX-1 they were actually just as disconnected from the world of still image shooters as they are today when releasing the new Otus line. Again we see the features, size, concept and price not matching the current market.


All you heard about the 50 was it's CA problems because anytime a premium brand fails to live up to collective expectations, it becomes catnip for influencers and echoed through the chambers of boards like these. The finer points of its performance stop mattering because the lens is now just it's minor CA issues. And stills-focused MF lenses don't get sold in large quantities period. It's a niche piece of the business, and the premium MF lenses are the niche-est.[...]

No the lens is not just a minor CA issue. As I mentioned the other parameters seem to be excellent and the CA issue is big, not minor.
Heard about the lens? Come on, I've watched the promotion material and the influencers material and a lot of images. Judging by seeing as it is a lens.

Premium is cool. I have the CV 50/2 APO which is cheap (you get 2.3 of those or 1 Otus for the same money) when compared, weight is half of the Otus weight and the Otus is also approx 70% longer. The Otus is indeed faster and at that price level surely premium. I see the fans forgiving the heavy, expensive, premium Otus for the CA. Everything is cool.


Wait. A company selling a product is trying to convince people they need that product? Where in the world did they come up with that?

Lol. Yeah... quoting Zeiss here: "The ZEISS Otus ML lenses, are crafted for photographers who live to tell stories. Inspired by the legendary ZEISS Otus family, the new lenses bring ZEISS' renowned optical excellence to mirrorless system cameras [...]
With the Otus ML, manual focusing becomes more than a technique, it's an experience itself and an indispensable tool for your creative freedom."

The marketing is similar to the overblown bullshit we usually get from Leica. The quotes are from the two first paragraphs of the Otus material at the Zeiss website.
Parts of the headline goes like this: Focus on your story. Pure. Immersive. Control.

I sure wish I could do that with my Cosina produced Voigtländer 50mm f2 APO. Really, I get it, commercial material and ads are more or less bullshit everywhere. However, in the case of Otus it reaches a new level.



Mar 28, 2026 at 11:28 AM
DWOfPaul
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p.2 #10 · Zeiss Otus ML 35F1.4 Released


Jonas B wrote:
No the lens is not just a minor CA issue. As I mentioned the other parameters seem to be excellent and the CA issue is big, not minor.
Heard about the lens? Come on, I've watched the promotion material and the influencers material and a lot of images. Judging by seeing as it is a lens.

Premium is cool. I have the CV 50/2 APO which is cheap (you get 2.3 of those or 1 Otus for the same money) when compared, weight is half of the Otus weight and the Otus is also approx 70% longer. The Otus is indeed
...Show more

Yes, it has CA wide open, but it basically disappears by F2 from what I have read. For example:
https://www.the-digital-picture.com/Reviews/ISO-12233-Sample-Crops.aspx?Lens=1731&Camera=1697&Sample=0&FLI=0&API=0&LensComp=1731&CameraComp=1697&SampleComp=0&FLIComp=0&APIComp=2

As for size and weight, it's kind of expected. The elements in an f1.4 lens have to be at least 2x the size of the elements in an f2 lens.

I have a few CV lenses and a few Zeiss ZF2 lenses, including the CV 50mm f2 APO and the Zeiss 50mm f2. While the CV lenses have a good build quality, the ZF2 lenses have an even better build quality, and I would expect the ML lenses to have an even better build quality than the ZF2 lenses.

We shall see if the opinions of the ML line change over time.



Mar 28, 2026 at 12:49 PM
 


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Steve Spencer
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p.2 #11 · Zeiss Otus ML 35F1.4 Released


Jonas B wrote:
You are right and I stand corrected. Thank you. I forgot about the VF.
I really liked the images I saw thinking there finally was a fixed 35/2 better than the RX1 Sonnar (which I owned at the time).
I disliked the camera concept. When Zeiss released the ZX-1 they were actually just as disconnected from the world of still image shooters as they are today when releasing the new Otus line. Again we see the features, size, concept and price not matching the current market.


No the lens is not just a minor CA issue. As I mentioned the other parameters
...Show more

Whether the CA is a major or minor issue is of course subjective. It isn't easy to define what is major and what is minor. My thoughts about CA have evolved over time partly because I shoot differently than I used to shoot.

If a lens shows axial CA primarily, (or better yet only) in bright contrasty light, and that is true for a lot of lenses, then what matters to me is how far do I have to stop it down to make the CA go away. One thing that will be true is that in bright contrasty light shutter speed won't be an issue even at ISO 100, so stopping down a stop or two I am still going to be able to take the picture and for most pictures stopping down to f/2 often improves the picture rather than detracts. For 50mm portraits even half body shots I almost always prefer f/2 to f/1.4. I still like to have f/1.4 or f/1.2 which I like for full body shots, but I use f/2 way more often than f/1.4 or f/1.2. Since my shooting has evolved in this way, what do I miss if a lens has bothersome CA at f/1.4 that clears up at f/2, which is how I see the Zeiss Otus 50 f/1.4 from the reviews I have seen? Well I can't do full body shots at f/1.4 in bright contrasty light. I could most likely do them if I just moved to the shade, however, or shot at f/2 instead. That means vs. a perfect lens it would affect not more than a half dozen shots a year for me. For me that is minor, but of course, YMMV.

Right now I use the Voigtlander 40 f/1.2 for this type of shooting. How does it compare? Well with the CV 40 f/1.2 the axial CA clears up at f/2.8 or so. This means that I can't shoot half body shots at f/2 in bright constrasty light if I want to avoid it and full body shots would definitely have to move to the shade or not really have much bokeh. It is a great lens. I love it, but the difference between this lens and the Zeiss Otus ML 50 f/1.4 on CA is much bigger than the difference between the Otus and perfection. CA disrupts my shooting with the Voigtlander 40 for a couple hundred shots a year. I could complain about the Otus leaving a half dozen shots disrupted or I could get it and pick up another couple hundred shots a year.

I have also used the Voigtlander 50 f/2 APO for this type of shooting. It is a great lens and I don't think I ever had a CA issue with that lens. But would it get any shots that the Zeiss Otus ML 50 f/1.4 could not? I am skeptical that it could and for the full body shots not in bright contrasty light many times I bet I would prefer the Otus ML 50 f/1.4 at f/1.4 over the Voigtlander at f/2, so in my shooting there would be dozens of shots a year that I could take with the Otus that I couldn't take with the CV 50 f/2 APO (interestingly these dozens of shots I can also take withe the CV 40 f/1.2 and part of the reason I prefer that lens over the CV 50 f/2 APO even though I like it a lot too.

So I think the CA issue, which is there for the Otus ML 50 f/1.4, and I am betting will be there for the Otus ML 35 f/1.4 too, is very much in the eye of the beholder. I don't question that for you, it is major, but for me like it is for Brad (freaklikeme) I would call it minor.



Mar 28, 2026 at 02:47 PM
philip_pj
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p.2 #12 · Zeiss Otus ML 35F1.4 Released


One consequence of their long and disturbing absence from the playing field is that the Zeiss stills design department doesn't understand that they are now perceived as just a another brand producing high end lenses. They think they can succeed off past glories, and their name.

They don't see the current state of play clearly, and this is shown by the manic emphasis on promoting manual focus lenses as a form of photography. We know! They are not going to recruit any autofocus lens users, while ignoring their core constituency of MF enthusiasts with this awkward advocacy.

The lenses have lost the lustre of the original Otuses, and we see no comparisons of the new 50mm and the 55mm lens for good reason. Design-wise, they look more like APO-Lanthars with 4-5 more elements to deal with the extra stop.

Technical proficiency is everywhere nowadays. The new range does not bring much individuality to the table, because they are using the same catalog of glasses as manufacturer Cosina does. Cosina is handing some of the release activities as well. So there is more Cosina and less Zeiss in the lenses. Most of the pre-release YTs are not very convincing, they are mostly also preaching to the choir.

There is also the Zeiss weight overhead. 700g and 1000g is no longer a winning formula, when Cosina's own excellent APOs are half this weight, or less. Had they been f1.2 with the same level of image quality as (say) the new Noctilux 35/1.2 or similar from Nikon, it would be different. But very good f1.4 lenses are now in abundance. It's just not 2015 any longer, that is the bottom line here, the mystique is gone.



Mar 28, 2026 at 03:49 PM
philip_pj
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p.2 #13 · Zeiss Otus ML 35F1.4 Released


Released more or less concurrently were the Nano Primes, which feature Supreme Prime aesthetics, and come ready to go in 18-24-35-50-75-100mm, interchangeable mounts, de-click apertures, T1.5 (=f1.4).

Why do I mention this? Because, as an example, the Nano 50/1.5 in full cine gear ready to go, 95mm FD, that one weighs 920g, the 75mm weighs 1130g, the 100/1.5 is 1260g. Slimmed down in stills form, they could be much the same, perhaps even lighter in weight than the Otus MLs!

Now, I think a $3000 100/f1.4 smaller Supreme Prime (with German engineering) at say 900g would do much better than the Otus ML 85/1.4 at 1060g (Z), and that is a lens that you can change mounts (E-Z-RF-L) on in a few minutes.

Nanos get 12 blade apertures, Otus MLs get 10 blade units. Nanos are made in Japan too, but they won't say which company in Nagano - Juha can probably identify the foyer in the video below, lol. They don't call them APO either. The imagery looks great, very clean, nice bokeh.

They are treating stills photographers as second class priorities here. This is lesson the Chinese figured out, it's why Thypoch does the same lenses in cine and stills. The Supremes are the best thing Zeiss has, BTW, so this is Zeiss moving its top quality down to video, and 'run-and-gun' productions. So Zeiss sees its future in cine at all tiers (drones, music/commercial vids, etc.), not as a full-fledged part of our market.

https://www.zeiss.com/photonics-and-optics/en/cinematography/content/nano-prime-lenses.html
..

&t=16s



Mar 28, 2026 at 03:52 PM
rico
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p.2 #14 · Zeiss Otus ML 35F1.4 Released


So, discarding the marketing hyperbole and evaluating the 50/1.4 Otus ML in a dim light (so to speak), we are being offered an expensive, heavy, all-manual prime that barely avoids LCA when shot at f/2. Is this supposed to compete against the Viltrox 50/2 Air that exhibits perfect color correction (LCA, TCA) wide open, has no linear distortion, is about optimal sharpness wide open, has AF, auto-diaphragm, weighs nothing, and costs $170 (B&H today)? Yeah, the Air has electronics and motors that will break one day and not be worth repairing, while the Otus family can function forever with a bit of lube every two decades. As trade-offs go, that's a no-brainer for me.

I speak as a CZ fan and owner of many manual lenses built over 75 years. My 50's include the CZ P50/1.4, SP60/2.8, Yashica 50/1.4 ML, 55/2.8 ML Macro, Leitz Summilux M, Elmar 50/3.5, 50/2.8.

Also, with no motors, the Otus ML must meter and be focussed at the aperture set on the lens ring. If you guys don't have experience with this limitation, you're in for a treat. No mention of any aperture pre-set ring that is available on olden lenses like my Telyt-V 280/4.8 for this very reason. Note that the original Otus models (EF, F mount) had camera control over the diaphragm, so open-aperture focus and metering was supported.



Mar 28, 2026 at 04:31 PM
freaklikeme
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p.2 #15 · Zeiss Otus ML 35F1.4 Released


Jonas B wrote:
You are right and I stand corrected. Thank you. I forgot about the VF.
I really liked the images I saw thinking there finally was a fixed 35/2 better than the RX1 Sonnar (which I owned at the time).
I disliked the camera concept. When Zeiss released the ZX-1 they were actually just as disconnected from the world of still image shooters as they are today when releasing the new Otus line. Again we see the features, size, concept and price not matching the current market.


No argument about the ZX-1. It was a big market misread, but I disagree about the lenses, since you could say the exact same thing about every lens Cosina has produced for them. With few exceptions, the classic ZF/ZS/ZE lenses, the Milvus lenses, and the Otus lenses were all bigger, heavier, more expensive and not that much higher performing than comparable AF lenses available. If they've misread the market, it's a long-standing tradition. The market for those types of lenses has shrunk, because the overall market's shrunk significantly, but some of us are left.

Jonas B wrote:
No the lens is not just a minor CA issue. As I mentioned the other parameters seem to be excellent and the CA issue is big, not minor.
Heard about the lens? Come on, I've watched the promotion material and the influencers material and a lot of images. Judging by seeing as it is a lens.

Premium is cool. I have the CV 50/2 APO which is cheap (you get 2.3 of those or 1 Otus for the same money) when compared, weight is half of the Otus weight and the Otus is also approx 70% longer. The Otus is indeed
...Show more

I think you mean you saw what the influencers chose to show you. Observation of content edited for runtime is a poor substitute for experience.

Jonas B wrote:
Lol. Yeah... quoting Zeiss here:
The marketing is similar to the overblown bullshit we usually get from Leica. The quotes are from the two first paragraphs of the Otus material at the Zeiss website.
Parts of the headline goes like this:

I sure wish I could do that with my Cosina produced Voigtländer 50mm f2 APO. Really, I get it, commercial material and ads are more or less bullshit everywhere. However, in the case of Otus it reaches a new level.


From Nikon's page... "Take your artistry to the edge with the NIKKOR Z 135mm f/1.8 S Plena, a 135mm prime unlike any before it. Astonishing edge-to-edge clarity. Dreamlike circular bokeh. A focal length treasured for portraits, still life, cinema and landscapes. All with superlative craftsmanship and performance optimized for wide-open shots. Plentiful. Abundant. Extraordinary. This is the Plena."

From Canon... "The demands on lens performance have progressed with the times, yet the L-Series continues to meet these demands as one would expect from Canon’s top lens brand. Yet we continue to seek ways to provide “better expression” and “better results” so that the finished photos will capture the attention, and convey emotional depth to those who view them.

Images are a cornerstone of culture. With its imaging technology, Canon wants to offer people better ways to capture, preserve and savor their culture. The L lenses help to make that possible."

From Sony... "Sony supports and listens closely to creators to realize new imaging experiences together. Tackling many challenges with the very latest technologies, to deliver high-level solutions in this ultimate range of lenses. There is a whole world out there that can only be captured by G Master."

Hyperbole abounds.

Edited on Mar 28, 2026 at 08:41 PM · View previous versions



Mar 28, 2026 at 05:53 PM
Juha Kannisto
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p.2 #16 · Zeiss Otus ML 35F1.4 Released


philip_pj wrote:
One consequence of their long and disturbing absence from the playing field is that the Zeiss stills design department doesn't understand that they are now perceived as just a another brand producing high end lenses. They think they can succeed off past glories, and their name.

They don't see the current state of play clearly, and this is shown by the manic emphasis on promoting manual focus lenses as a form of photography. We know! They are not going to recruit any autofocus lens users, while ignoring their core constituency of MF enthusiasts with this awkward advocacy.

The lenses have lost
...Show more

Cosina manufactured (and continues manufacturing) the original Otus line as well (same as Zeiss Classic, Milvus and ZM lenses) and handled (still handles) the distribution and marketing for Japan market for those as well. What has changed with the new Otus ML line in this regard? What adds more Cosina to the new lens line and what would be negative about that?

In the old days when original Otus, Milvus, Classic and ZM lines were released, Cosina didn't do YouTube product introduction videos etc. and their Japan marketing was probably less visible outside of Japan and sticking more to traditional Japanese media and local events.

I think Cosina's existing mount licensing experience for Z-mount and RF-mount probably helped with getting the same licensing for Otus ML line as well, so there's one new area where they must have contributed (which I think is just positive).



Mar 28, 2026 at 07:45 PM
Jonas B
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p.2 #17 · Zeiss Otus ML 35F1.4 Released


freaklikeme wrote:
I think you mean you saw what the influencers chose to show you. Observation of content edited for runtime is a poor substitute for experience.[...]


Now this is getting tiresome. You don't get any points for trying to belittle others.



freaklikeme wrote:
Hyperbole abounds.



[about the advertising]

My comment on the advertising has of course nothing to do with the quality of the lenses. It was just a general comment I made as I found the Zeiss advertising funny and ridiculous. I don't know why you reacted so strongly to it.

To summarize, I think you can see the difference.
Nikon says the Plena is like a dream, Canon lenses help the photographer getting better images and Sony miraculously make lenses that are better than other lenses. A lot of bullshit as I mentioned.
Zeiss don't do that. Instead they have made a lens for photographers who live to tell stories. The manual focusing is not only about focusing: it is a freaking experience itself and not less than an indispensable tool for the right photographer and his/her creative freedom.
Zeiss wins the bullshit contest hands down.

OK, I have learned some photographers live to tell stories and thus need an Otus, CA or no CA. You can have the final say on this if you want.



Mar 29, 2026 at 03:47 AM
Nifty Fifty
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p.2 #18 · Zeiss Otus ML 35F1.4 Released


I can hardly believe that grown adults argue about the truthfulness and objectivity of marketing hype. It was perfectly clear to me even as a primary school child that product advertising has little to do with reality.
Instead of arguing about advertising, we should enjoy it. It's healthier. Have a nice Sunday, everyone!



Mar 29, 2026 at 04:24 AM
Jonas B
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p.2 #19 · Zeiss Otus ML 35F1.4 Released


Nifty Fifty wrote:
I can hardly believe that grown adults argue about the truthfulness and objectivity of marketing hype. It was perfectly clear to me even as a primary school child that product advertising has little to do with reality.
Instead of arguing about advertising, we should enjoy it. It's healthier. Have a nice Sunday, everyone!


Haha. Sometimes we are like childs here.
In my first comment I actually enjoyed it. Then it went downhill.

EDIT: Right now I regret I commented on the Otus lenses at all. Such things also happen.



Mar 29, 2026 at 07:44 AM
Juha Kannisto
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p.2 #20 · Zeiss Otus ML 35F1.4 Released


I quite like the Otus ML 50/1.4 and I've never noticed CA on my shots with it (I've used it wide open a lot). However, it probably helps that I'm not too sensitive to CA and I don't actively look for it on my shots. It hasn't shown up in any way that would have caught my eye though.

I definitely don't need as many 50mm lenses as I have but I find Otus ML to be one of the most exciting ones. For event shooting with AF I have 50/1.4 GM (and still kept my older Sony Zeiss 50/1.4). I also have CV 50/1, 50/1.2 SE, 50/2 APO and a whole bunch of adapted rangefinder 50mm lenses + some other miscellaneous SLR ones. CV 50/1 is also among my favorites.

Some of my Otus ML 50/1.4 samples:
https://photos.app.goo.gl/4SuHhP1FWyZZhShr6
https://photos.app.goo.gl/Mnfgt4wzWJs52EeA6
https://photos.app.goo.gl/jExw4NXqNh6cT7mF9
https://photos.app.goo.gl/RLyzCopCH7AfSALs6

I didn't go for the Otus ML 85/1.4 but I'm looking forward to adding the 35/1.4 to my set, so that there will be a pair of them.



Mar 29, 2026 at 08:01 AM
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