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What Are You Doing to Get Yourself Out of Your Photographic Comfort Zone?

  
 
tile_86
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p.2 #1 · What Are You Doing to Get Yourself Out of Your Photographic Comfort Zone?


Quite a lot as of now, I think. This hobby has given me an appreciation for physical media and more confidence DIY-ing things, and I've been leaning into that recently as I've been re-evaluating how I interact with film photography. I've wanted to transition away from just paying my lab to do scanning for me, partially for cost reasons, but I also enjoy learning how things work and I think farming out how I actually get to see my images to my lab deprives me of learning a new skill. So, I bought a well-used but good condition DSLR body, an older Nikon bellows/lens kit, and just did my first test shots. I've got a fair bit to go, but I'm incredibly pleased with the initial results and getting a handle on the macro aspects of the kit has been a blast.

Getting the scanning setup has taken priority as it is a money saver for me, so this has been put on the backburner, but a few months back I bought an enlarger to learn wet printing on. I've always enjoyed holding the negatives in my hand, given the physicality of them, but I usually look at them once or twice, squirrel them away onto a shelf, and then view my scans from then on. I realized that the convenience of this deprived me of engaging with them more, as on a website they just become a web file amongst millions and billions of other web files for me to look at, and so I tend to consume them rather than engage with them, even if it is my own website. With printing though, they become a much more singular tangible object to interact with, and I think learning how to make those prints will go a long way in reshaping how I engage with my photos.

I also inherited an extreme susceptibility to shiny things and only thinking about why I actually purchased those shiny things later, so I also decided to change up my cameras as well. I cut my collection by about half and consolidated it enough to where one camera fills one niche without much overlap, whereas previously I bought duplicates of cameras just to ensure I had backups. Since then, I've made sure the cameras in my collection actually matter to me more, and recently I added a camera with no viewfinder, rangefinder, or any of that. I've wanted something very minimal, just film and a way to control the light that hits that film, and have my mind do the rest, so this was perfect. I don't even have an external viewfinder for it - I bought a mini red-dot sight to use as a centering aid and have been practicing how to just mentally judge the framing and focusing. That camera is in the shop for a particularly weird issue with the slow speeds that my camera repair shop has never seen before, but I've enjoyed the use I've gotten out of it so far.

Another thing I've done is also re-evaluate how I share my photos. I've always used my website with the assumption that it was the best way to share the work that I've done, but recently I've re-thought that assumption. I built my website as a way to archive, organize, and display the thousands of photos I've taken. But after thinking about it, in practice I've just been using it as a glorified blog; I share my posts on there with the same four or five people, and anyone I meet I refer to the same singular gallery and not the hundreds of others on the site. Those hundreds of others are never looked at, because that small group of people that I share my photos with have already seen each of them one by one. Anyone new doesn't look at them all either, because it'd take a full two days of just looking at posts to go through them all. This means that for all the work of keeping a site like that up and running, those thousands of photos are hosted just for me to look at once a year, something that now makes less and less sense for me to do given the upkeep. My partner gave me a great idea, in that I could start making DVDs to share with the small group of people I really care about sharing my photos with. They're a fantastic middle ground between the website and something like making physical prints of the photos, in that they retain most of the convenience of digital viewing, but do not require permanent hosting and continual organization. They're also a tangible object that they can hold, and are far more memorable than a web link. I also am a huge fan of cover art designs for CDs/DVDs/albums/those sorts of things, and I think it'll be a ton of fun to make my own for these DVDs. I haven't fully done this yet, but once I smooth out the scanning process I'll start making them, and I've already been working over some design changes to the website in my head to make it work better for how I want to do things.

Longwinded, but I thought it might be appreciated for anyone in a photography rut, I certainly have been for these last few months and this has all been helping me get out of it.



Aug 11, 2025 at 10:20 PM
EB-1
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p.2 #2 · What Are You Doing to Get Yourself Out of Your Photographic Comfort Zone?


I never liked shiny cameras as they tended to reflect in the subject. We used to pay extra for black bodies back in the 60s-70s.

I would not count on optical media in the long term. Most computers don't have CD/DVD readers and by the 2030s you may be limited to old, used gear. Most consumers don't like LTO tape, so we usually recommend hard drives with checksums and/or arrays with distributed parity, and follow the 3-2-1 storage model with disk replacement at ~5 year intervals. After 5 years HDDs are significantly larger and data can be consolidated. SATA connectors have been remarkably unchanged for decades, but the interface will eventually change.

EBH



Aug 15, 2025 at 08:41 AM
hkrazerx
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p.2 #3 · What Are You Doing to Get Yourself Out of Your Photographic Comfort Zone?


I don’t know what the OP means by comfort zone but if I interpreted the sentiment correctly it’s some sort of repetitive rut. I have done a style of street photography for a year and then decided I didn’t want to do it anymore because the photos began to look the same like one Coldplay album sounded like the last one and the next. My street photography from shooting 6x6 looks different than from 135. For 135 i shoot fast for the moment with people as the subject. For 6x6 I frame carefully and the people is part of the composition so changing styles might help. I shoot all formats 135, 120, also 4x5 and 5x7 for architecture to remain creative. Sometimes it’s does help unwrapping a new shiny toy out of the box.

Edited on Aug 15, 2025 at 03:03 PM · View previous versions



Aug 15, 2025 at 01:36 PM
Norm Shapiro
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p.2 #4 · What Are You Doing to Get Yourself Out of Your Photographic Comfort Zone?


After retiring as a professional photographer a few years ago I find myself doing something
new for a year ot so and then moving on. First during was bird photography from my porch during covid lockdown. Next came focus stacking starting with table top work and then landscapes, next came infared, and now back to film doing 6x12 pinhole and now 6x17 with a real lens. I have no idea what I will go to next. Each of these evolutions also required new specialized gear such as very long lenses and gimbles, geared heads, cameras converted to infared, and now flat bed scanner and 6x17 camera.

And maybe the best benifit was learning new skill sets for each version .




Aug 15, 2025 at 02:35 PM
pingflood
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p.2 #5 · What Are You Doing to Get Yourself Out of Your Photographic Comfort Zone?


chez wrote:
So you’d rather be mediocre at a bunch of things than master one thing?


The way you phrase it makes it sound bad, but you know...why not? I was reading an interview with a Swedish actor who is also a fairly accomplished photographer and he said something along the line of "when we were kids we'd try out all sorts of things and just had fun learning them; why do we need to lose that as adults? Why do we need to become specialized?"

People are wired differently and there are no doubt those who feel joy in mastering something as well as those who find more joy in the learning experience and feel like the mastering part is just an endless grind of refinement where those efforts might yield more thrown at something brand new.



Aug 28, 2025 at 06:22 AM
theHUN
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p.2 #6 · What Are You Doing to Get Yourself Out of Your Photographic Comfort Zone?


pingflood wrote:
... Why do we need to become specialized? ...


Here is a really good book on this point and topic.



Aug 28, 2025 at 08:56 AM
RoamingScott
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p.2 #7 · What Are You Doing to Get Yourself Out of Your Photographic Comfort Zone?


chez wrote:
So you’d rather be mediocre at a bunch of things than master one thing?


This says far more about you than about any other. It's very possible to be very good at a bunch of things

Over-specialization in any arena (job, hobby, philosophy, etc) is not a path I'm particularly interested in, but I still enjoy deep-diving into many different things and becoming far more proficient in them than most anyone I'd ever personally come across.

Wide proficiency has served me well over time and opens far more (and more interesting) doors than being highly specialized, thanks to a deep library of transferable skills.



Aug 28, 2025 at 09:00 AM
EB-1
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p.2 #8 · What Are You Doing to Get Yourself Out of Your Photographic Comfort Zone?


I'm not a photograper, but in many career areas being a specialist is nearly required.
Ideally people should be good at general and expert at specialty or vice versa depending on personality.

EBH



Aug 29, 2025 at 11:46 AM
bwcolor
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p.2 #9 · What Are You Doing to Get Yourself Out of Your Photographic Comfort Zone?


This conversation has been a bit more adversarial than I was expecting. Clearly, individuals have different goals and so have different measures of personal success in their photographic endeavors. For some, it means diversification and others are specialist. For many, it’s a combination of these two approaches.


Aug 29, 2025 at 01:01 PM
SergeyT
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p.2 #10 · What Are You Doing to Get Yourself Out of Your Photographic Comfort Zone?


pingflood wrote:
...Why do we need to become specialized?...

Among other less obvious things - to achieve new levels of efficiency, productivity and perfection.
Do you want to see your favorite camera brand making cars, TVs, vacuum cleaners, cell phones as well? Will those by-products be as good as the ones produced by the highly specialized manufacturers? Would you own a car from a camera maker just because it has a logo of your favorite camera brand on it?





Aug 30, 2025 at 12:56 PM
 


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SergeyT
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p.2 #11 · What Are You Doing to Get Yourself Out of Your Photographic Comfort Zone?


bwcolor wrote:
... individuals have different goals and so have different measures of personal success in their photographic endeavors...

Apparently it would be more accurate to title the thread as "What do you do to achieve personal success in your photographic endeavors"



Aug 30, 2025 at 01:01 PM
pingflood
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p.2 #12 · What Are You Doing to Get Yourself Out of Your Photographic Comfort Zone?


SergeyT wrote:
Among other less obvious things - to achieve new levels of efficiency, productivity and perfection.
Do you want to see your favorite camera brand making cars, TVs, vacuum cleaners, cell phones as well? Will those by-products be as good as the ones produced by the highly specialized manufacturers? Would you own a car from a camera maker just because it has a logo of your favorite camera brand on it?



That's a bit of a weird straw man you're creating here. A corporation is not the same as an individual.

But heck yeah, give me a Leica sports car (probably will be a rebadged Porsche).



Aug 30, 2025 at 02:12 PM
theHUN
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p.2 #13 · What Are You Doing to Get Yourself Out of Your Photographic Comfort Zone?


bwcolor wrote:
This conversation has been a bit more adversarial than I was expecting.


Welcome to the internet.



Aug 31, 2025 at 09:34 AM
panos.v
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p.2 #14 · What Are You Doing to Get Yourself Out of Your Photographic Comfort Zone?



SergeyT wrote:
Apparently it would be more accurate to title the thread as "What do you do to achieve personal success in your photographic endeavors"


Interesting, I thought it was obvious from the title and original question we're in the realm of a personal hobby, not a global corporation trying to sell specialised equipment. I guess we all perceive context differently.



Aug 31, 2025 at 04:03 PM
SergeyT
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p.2 #15 · What Are You Doing to Get Yourself Out of Your Photographic Comfort Zone?


If it was not obvious, I've used a literary device called "analogy" to support my short answer, which equally applies to any area of activity from personal, individual to groups and even countries. And, BTW, not even limited to humans' activity



Aug 31, 2025 at 11:55 PM
SergeyT
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p.2 #16 · What Are You Doing to Get Yourself Out of Your Photographic Comfort Zone?


panos.v wrote:
Interesting, I thought it was obvious from the title and original question we're in the realm of a personal hobby, not a global corporation trying to sell specialized equipment. I guess we all perceive context differently.


I am sorry, but I am a bit puzzled to see what in my suggestion triggered the personal hobby vs. global corporation association.

To clarify it some more...

"What Are You Doing to Get Yourself Out of Your Photographic Comfort Zone?" is asking for a way of getting oneself out of their photographic comfort zone as an ultimate objective. Or, in other words, how to make oneself uncomfortable at doing photography.

While "What do you do to achieve personal success in your photographic endeavors" is asking for ideas on how to make oneself successful at doing photography.

Quite a difference between the two, no?



Sep 01, 2025 at 12:20 AM
tile_86
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p.2 #17 · What Are You Doing to Get Yourself Out of Your Photographic Comfort Zone?


SergeyT wrote:
If it was not obvious, I've used a literary device called "analogy" to support my short answer, which equally applies to any area of activity from personal, individual to groups and even countries. And, BTW, not even limited to humans' activity


I think what panos.v was saying is that the analogy used a corporation to reply to why a hobbyist doesn't want to specialize, which seemed to imply that they were connected and equal given the corporation was the stand-in for the hobbyist.



Sep 03, 2025 at 11:35 AM
tile_86
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p.2 #18 · What Are You Doing to Get Yourself Out of Your Photographic Comfort Zone?


RoamingScott wrote:
This says far more about you than about any other. It's very possible to be very good at a bunch of things

Over-specialization in any arena (job, hobby, philosophy, etc) is not a path I'm particularly interested in, but I still enjoy deep-diving into many different things and becoming far more proficient in them than most anyone I'd ever personally come across.

Wide proficiency has served me well over time and opens far more (and more interesting) doors than being highly specialized, thanks to a deep library of transferable skills.


I've found the same thing with wide proficiency, many of the more interesting/unique problems I've come across especially in photography didn't necessarily need specialized knowledge, but they definitely needed a couple bits of knowledge from several different fields/topics.



Sep 03, 2025 at 11:37 AM
bwcolor
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p.2 #19 · What Are You Doing to Get Yourself Out of Your Photographic Comfort Zone?


SergeyT wrote:
Apparently it would be more accurate to title the thread as "What do you do to achieve personal success in your photographic endeavors"


Yes, perhaps that is true. After all, the sense of being in a rut is only overcome with some sense of personal success.



Sep 03, 2025 at 06:03 PM
SergeyT
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p.2 #20 · What Are You Doing to Get Yourself Out of Your Photographic Comfort Zone?


"Being in a rut" could often be an indicator of low energy levels. Try to see what the energy is being spent (wasted) on and reduce the "leak".
Typical suspects are: too much work, food, drinks and screen time; too little of physical actives and seep



Sep 04, 2025 at 08:34 PM
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